14 min

Dialing In: The Smartphone Audition Debate The Pro Audio Suite

    • Technology

This week on the Pro Audio Suite, we've taken a deep dive into the evolving landscape of voiceover auditions, with a particular focus on a new directive from the MEAA suggesting auditions be conducted solely via phone. We debate the potential impacts, from audio quality to AI protections, and whether this levels the playing field or sets the stage for mediocrity.
Our journey didn't stop there; we ventured into discussions about the surprisingly good quality of smartphone mics, particularly the iPhone, and pondered if the consumer really notices or cares about audio fidelity. The conversation naturally flowed into the realms of audio tech history, reminiscing about anti-piracy measures in CDs and the quirky side of recording hacks.
Join us as we explore these topics and more, including:
The concept of the "mequalizer" in voiceovers. Potential implications of recording auditions on smartphones for AI training. A look back at anti-piracy efforts, from tape biases to digital watermarking. The fun and frustration of navigating tech limitations with creative hacks. A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth...

https://tribooth.com/
And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear..
https://austrian.audio/

We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it’s an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..
 
https://www.patreon.com/proaudiosuite
 

 
George has created a page strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners.
https://georgethe.tech/tpas
If you haven't filled out our survey on what you'd like to hear on the show, you can do it here:
https://www.surveymonkey.com/r/ZWT5BTD
Join our Facebook page here:
https://www.facebook.com/proaudiopodcast
And the FB Group here:
https://www.facebook.com/groups/357898255543203
For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website
https://www.theproaudiosuite.com/

“When the going gets weird, the weird turn professional.”
Hunter S Thompson
And don't forget the code trip a P 200. That will get you $200 off your triboof. And of course, austrian audio making passion heard. An email came via our union here in Australia, the MEAA, talking about voiceover auditions. And they want talent to do auditions only on a phone. I can kind of see why they're thinking of that, but the issue I've got is that phones are not that bad. Speaker A: There's too many roadcasters in this conversation. : We got to move away from the default bank in China. Speaker A: So what is the reason, Andrew, did they say? Is it because they think that the crappy quality is going to, well, supposed crappy quality would be my opinion. Going to make people think twice about just using it? : That is correct. It's going to be MP3 from your telephone purposely made bad. : But is it really? Speaker A: I mean we've talked about this on the show before. I mean the iPhone in a micro. Sorry, the microphone in an iPhone is spectacularly good. So what's the point? : Or is it mo

This week on the Pro Audio Suite, we've taken a deep dive into the evolving landscape of voiceover auditions, with a particular focus on a new directive from the MEAA suggesting auditions be conducted solely via phone. We debate the potential impacts, from audio quality to AI protections, and whether this levels the playing field or sets the stage for mediocrity.
Our journey didn't stop there; we ventured into discussions about the surprisingly good quality of smartphone mics, particularly the iPhone, and pondered if the consumer really notices or cares about audio fidelity. The conversation naturally flowed into the realms of audio tech history, reminiscing about anti-piracy measures in CDs and the quirky side of recording hacks.
Join us as we explore these topics and more, including:
The concept of the "mequalizer" in voiceovers. Potential implications of recording auditions on smartphones for AI training. A look back at anti-piracy efforts, from tape biases to digital watermarking. The fun and frustration of navigating tech limitations with creative hacks. A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth...

https://tribooth.com/
And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear..
https://austrian.audio/

We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it’s an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here..
 
https://www.patreon.com/proaudiosuite
 

 
George has created a page strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners.
https://georgethe.tech/tpas
If you haven't filled out our survey on what you'd like to hear on the show, you can do it here:
https://www.surveymonkey.com/r/ZWT5BTD
Join our Facebook page here:
https://www.facebook.com/proaudiopodcast
And the FB Group here:
https://www.facebook.com/groups/357898255543203
For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website
https://www.theproaudiosuite.com/

“When the going gets weird, the weird turn professional.”
Hunter S Thompson
And don't forget the code trip a P 200. That will get you $200 off your triboof. And of course, austrian audio making passion heard. An email came via our union here in Australia, the MEAA, talking about voiceover auditions. And they want talent to do auditions only on a phone. I can kind of see why they're thinking of that, but the issue I've got is that phones are not that bad. Speaker A: There's too many roadcasters in this conversation. : We got to move away from the default bank in China. Speaker A: So what is the reason, Andrew, did they say? Is it because they think that the crappy quality is going to, well, supposed crappy quality would be my opinion. Going to make people think twice about just using it? : That is correct. It's going to be MP3 from your telephone purposely made bad. : But is it really? Speaker A: I mean we've talked about this on the show before. I mean the iPhone in a micro. Sorry, the microphone in an iPhone is spectacularly good. So what's the point? : Or is it mo

14 min

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