SEEING FACES IN MOVIES

SEEING FACES IN MOVIES
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  • FILM INTERVIEWS
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SEEING FACES IN MOVIES

Seeing Faces in Movies is a podcast where every month the works of a different director or cinematographer is put in focus. Each week a guest is invited on to discuss a film in the artist's filmography.

  1. 058 - Umberto D. (Vittorio De Sica 1952) w/ Geoff Thomas (Cinematic Memories Podcast)

    2 DAYS AGO

    058 - Umberto D. (Vittorio De Sica 1952) w/ Geoff Thomas (Cinematic Memories Podcast)

    Felicia is joined by Geoff Thomas to discuss the effects of capitalism on an old man and his dog in Vittorio De Sica’s Umberto D. (1952). We chat about this film as a bridge between De Sica’s as a neo-realist filmmaker and his move towards comedies. Along with the themes of questioning the moral compass of authority figures present in this film. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Check out our previous episodes with Geoff: Diary of a Chambermaid (Luis Buñuel 1964) The Silence (Ingmar Bergman 1963) Follow Geoff here: IG: @cinema_gnt Letterboxd: @gnthomas Website: https://cinemamemry.wordpress.com/ Spotify: @cinematicmeoriespodcast Spotify: @dontdespisemepodcast Apple Podcasts: @cinematicmemoriespodcast Apple Podcasts: @dontdespisemepodcast Sources: https://web.archive.org/web/20110721100149/ http://www.ingmarbergman.se/universe.asp?guid=66DA7015-8017-4303-9A31-658D02296D45 https://www.criterion.com/current/posts/292-seeing-clearly-through-tears-on-the-smart-sentiment-of-umberto-d https://www.nytimes.com/1955/11/08/archives/screen-honest-realism-de-sicas-umberto-d-is-story-of-old-man.html https://www.deepfocusreview.com/definitives/umberto-d/ https://cinemafromthespectrum.com/2017/02/24/umberto-d-review/ OUTRO SONG: Umberto D. by Alessandro Cicognini FILMS MENTIONED: The Silence (Ingmar Bergman 1963) Diary of a Chambermaid (Luis Buñuel 1964) Bicycle Thieves (Vittorio De Sica 1948) The Leopard (Luchino Visconti 1963) Ikiru (Akira Kurosawa 1952) Shoeshine (Vittorio De Sica 1946) The Third Man (Carol Reed 1949) Miracle in Milan (Vittorio De Sica 1951) Terminal Station (Vittorio De Sica 1953) After the Fox (Vittorio De Sica 1966) The Voyage (Vittorio De Sica 1974) Sunflower (Vittorio De Sica 1970) Two Women (Vittorio De Sica 1960) Marriage Italian Style (Vittorio De Sica 1964) Yesterday, Today, and Tomorrow (Vittorio De Sica 1963) Boccaccio ‘70 (Vittorio De Sica, Federico Fellini, Mario Monicelli, Luchino Visconti 1962) Rebecca (Alfred Hithcock 1940) Il boom (Vittorio De Sica 1963) Anora (Sean Baker 2024) Wild Strawberries (Ingmar Bergman 1957) Tokyo Story (Yasujirō Ozu 1953)

    45 min
  2. 057 - Shoeshine (Vittorio De Sica 1946) w/ Jason Christian (Cold War Cinema Podcast)

    NOV 11

    057 - Shoeshine (Vittorio De Sica 1946) w/ Jason Christian (Cold War Cinema Podcast)

    Felicia is joined by Jason Christian to discuss the story of two young boys who just want to buy a horse but get sent to a juvenile prison instead, in Vittorio De Sica’s Shoeshine (1946). We chat about De Sica’s ability to get natural performances out of children, and how important it was to explore the lives of orphaned children after the war. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow Jason here: Website: https://jasonchristianwrites.com/ Letterboxd: @exilemagic Twitter: @jasonachristian Cold War Cinema Podcast on Spotify: @coldwarcinema Cold War Cinema Podcast on Apple: @coldwarcinema Sources: https://www.film-foundation.org/rsr-november-2023 https://www.asharperfocus.com/shoeshine.html https://postmodernpelican.com/2022/12/16/shoeshine-1946/ OUTRO SONG: Shoeshine by Alessandro Cicognini FILMS MENTIONED: The Lawless (Joseph Losey 1950) Night and the City (Jules Dassin 1950) Body and Soul (Robert Rossen 1947) Quicksand (Irving Pichel 1950) Rosetta (Luc Dardenne, Jean-Pierre Dardenne 1999) Miracle in Milan (Vittorio De Sica 1951) The Young and the Damned (Luis Buñuel 1950) The Gate of Heaven (Vittorio De Sica 1945) The Children Are Watching (Vittorio De Sica 1944) Heart and Soul (Vittorio De Sica 1948) Bicycle Thieves (Vittorio De Sica 1948) Umberto D. (Vittorio De Sica 1952) Sunflower (Vittorio De Sica 1970) The Witches (Franco Rossi, Mauro Bolognini, Luchino Visconti, Pier Paolo Pasolini, Vittorio De Sica 1967) After the Fox (Vittorio De Sica 1966) Marriage Italian Style (Vittorio De Sica 1964) Yesterday, Today, and Tomorrow (Vittorio De Sica 1963) Il boom (Vittorio De Sica 1963) Two Women (Vittorio De Sica 1960) The 400 Blows (François Truffaut 1959) The Kid with the Bike (Luc Dardenne, Jean-Pierre Dardenne 2011) Boot Polish (Prakash Arora 1954) Where’s The Friend’s House (Abbas Kiarostami 1987) I Was Born, But… (Yasujirō Ozu 1932) Welcome to the Dollhouse (Todd Solondz 1995) Good Morning (Yasujirō Ozu 1959)

    57 min
  3. 056 - Miracle in Milan (Vittorio De Sica 1951) w/ Bryan and Hannah Loomis (What a Picture Podcast)

    NOV 4

    056 - Miracle in Milan (Vittorio De Sica 1951) w/ Bryan and Hannah Loomis (What a Picture Podcast)

    Felicia is joined by Bryan and Hannah Loomis to discuss a film about hope and making the most out of the life you’ve been given in Vittorio De Sica’s Miracle in Milan (1951). We chat about De Sica and Zavattani’s (his long time writing partner) communist ideals and how they translate to the importance of community and choosing your own family. Along with the mix of realism and fantasy to create a story that leaves the viewer feeling hopeful. This is the series two opening film and I think this is the perfect example of how layered De Sica’s work often was, and how he could easily blend comedy and drama. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow Bryan and Hannah here: Website: PODCAST | What a Picture (whatapicturepod.com) Bryan on Bluesky: @bryanwhatapic Bryan on Letterboxd: @bryan_whatapic Catch up on our previous episodes with Bryan and Hannah: All The President’s Men (D.O.P. Gordon Willis 1976)I Was Born, But… (Yasujirō Ozu 1932) Sources: https://www.criterion.com/current/posts/7755-miracle-in-milan-it-is-goodness https://www.nytimes.com/1951/12/18/archives/the-screen-in-review-miracle-in-milan-an-italian-fable-directed-by.html https://www.theguardian.com/film/2010/aug/01/beeban-kidron-miracle-in-milan https://www.sensesofcinema.com/2020/cteq/miracle-in-milan-vittorio-de-sica-1951/ OUTRO SONG: Miracolo a Milano (Suite) by Alessandro Cicognini FILMS MENTIONED: All the President’s Men (Alan J. Pakula 1976) I Was Born, But… (Yasujirō Ozu 1932) Shoah (Claude Lanzmann 1985) Histories of Cinema (Jean-Luc Godard 1989-1999) Bicycle Thieves (Vittorio De Sica 1948) The Earrings of Madame De… (Max Ophüls 1953) Umberto D. (Vittorio De Sica 1952) Shoeshine (Vittorio De Sica 1946) Divorce Italian Style (Pietro Germ 1961) Marriage Italian Style (Vittorio De Sica 1964) It’s a Wonderful Life (Frank Capra 1946) The Phantom Carriage (Victor Sjöström 1921) Divorce of Lady X (Tim Whelan 1938) Happy as Lazzarro (Alice Rohrwacher 2018) Nomadland (Chloé Zhao 2020) La chimera (Alice Rohrwacher 2023) Yoyo (Pierre Étaix 1965) Yi Yi (Edward Yang 2000)

    1h 1m
  4. 055 - The Piano Teacher (Michael Haneke 2001) w/ Jeanmarie Vargas

    OCT 28

    055 - The Piano Teacher (Michael Haneke 2001) w/ Jeanmarie Vargas

    Felicia is joined by Jeanmarie Vargas to discuss Michael Haneke’s film about a woman just trying to live out her sexual fantasies in The Piano Teacher (2001). We chat about Haneke’s shift in the 2000s to create more films focused on women and their struggles. Along with the importance of diegetic music as it relates to pushing the story forward. This marks the end of the Haneke series, it was a pleasure (even when it was a displeasure) to revisit his films and watch them through multiple new lenses. He’s such a layered artist whose work will always remain relevant and I hope my guests and I have inspired you to watch more of his work (or maybe it’s time for a rewatch). Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow Jeanmarie here: Movie Friends Podcast - That’s Messed Up Series on Patreon: https://www.moviefriendspodcast.com/ Spotify:@MovieFriendsPodcast Apple Podcasts: @MovieFriendsPodcast Sources: https://www.criterion.com/current/posts/4994-michael-haneke-on-the-art-of-the-erotic-long-take https://www.criterion.com/current/posts/4965-the-piano-teacher-bad-romances https://www.criterion.com/current/posts/6342-breaking-the-ice-the-beginning-of-desire-in-the-piano-teacher https://www.theguardian.com/film/2001/nov/09/londonfilmfestival2001.londonfilmfestival1 https://www.sensesofcinema.com/2003/michael-haneke/piano_teacher/ https://www.sensesofcinema.com/2017/cteq/the-piano-teacher/ https://cinemafromthespectrum.com/2017/04/03/the-piano-teacher-review/ https://www.fearsomequeer.net/blog/film-retrospective-the-piano-teacher https://birthmoviesdeath.com/2013/08/16/the-piano-teacher-is-a-psychosexual-masterpiece.html https://www.austrianfilms.com/news/en/bodymichael_haneke_talks_about_the_piano_teacher_body OUTRO SONG: Coin-Operated Boy by The Dresden Dolls FILMS MENTIONED: Funny Games (Michael Haneke 1997) Caché (Michael Haneke 2005) 71 Fragments of a Chronology of Chance (Michael Haneke 1994) The Seventh Continent (Michael Haneke 1989) Code Unknown (Michael Haneke 2000) Time of the Wolf (Michael Haneke 2003) Benny's Video (Michael Haneke 1992) Beau is Afraid (Ari Aster 2023) Secret Ceremony (Joseph Losey 1968)

    51 min
  5. 054 - The Seventh Continent (Michael Haneke 1989) w/ Riley Greenwood

    OCT 21

    054 - The Seventh Continent (Michael Haneke 1989) w/ Riley Greenwood

    Felicia is joined by Riley Greenwood to discuss a film about a family who makes a questionable decision in Michael Haneke’s The Seventh Continent (1989). We chat about how Haneke decision to not give the audience any answers but instead allows them to wonder why people make certain life decisions. Along with how the story is fragmented to disorient the viewer. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow Riley here: IG: @rileydreamwood Letterboxd: @rileydreamwood Sources: https://www.theguardian.com/film/filmblog/2008/apr/30/hanekeshouseofhorrors https://www.sensesofcinema.com/2005/cteq/seventh_continent/#:~:text=The%20Seventh%20Continent%20seems%20postmodern,monstrousness%20of%20everyday%20bourgeois%20society. https://www.criterion.com/current/posts/8010-michael-haneke-s-alienation-effect https://flaszonfilm.com/2020/10/30/understanding-michael-haneke-the-seventh-continent-1989/ https://fresques.ina.fr/europe-des-cultures-en/fiche-media/Europe00218/interview-with-michael-haneke.html OUTRO SONG: Show of Strength by Echo and the Bunnymen FILMS MENTIONED: Amour (Michael Haneke 2012) Funny Games (Michael Haneke 1997) Fraulein – Ein deutsches Melodram (Michael Haneke 1986) Benny's Video (Michael Haneke 1992) The Piano Teacher (Michael Haneke 2001) The White Ribbon (Michael Haneke 2009) 71 Fragments of a Chronology of Chance (Michael Haneke 1994) La notte (Michelangelo Antonioni 1961) Beau Travail (Claire Denis 1999) La cerémonie (Claude Chabrol 1995)

    59 min
  6. 053 - The White Ribbon (Michael Haneke 2009) w/ Nathan Cowles

    OCT 14

    053 - The White Ribbon (Michael Haneke 2009) w/ Nathan Cowles

    Felicia is joined by Nathan Cowles to discuss Michael Haneke’s dark mystery about the roots of evil in The White Ribbon (2009). We chat about how Haneke tackles children and violence in his films and the concept of “good vs evil”. Along with the use of black and white and lack of score that help amplify the film’s message. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Listen to our previous episode with Nathan: A Summer’s Tale (Éric Rohmer 1996) Follow Nathan here: Letterboxd: @cowles YouTube: @Cowles IG: @cowles.mov Sources: https://www.rogerebert.com/reviews/the-white-ribbon-2010 https://www.theguardian.com/film/2009/nov/12/the-white-ribbon-review https://www.austrianfilms.com/news/en/bodymichael_haneke_the_white_ribbon__interviewbody https://www.nytimes.com/2009/12/30/movies/30white.html https://brightlightsfilm.com/the-children-are-watching-you-michael-hanekes-the-white-ribbon/ https://thepointmag.com/criticism/white-ribbon/ OUTRO SONG: O Sacred Head Now Wounded - Fernando Ortega FILMS MENTIONED: A Tale of Summer (Éric Rohmer 1996) Code Unknown (Michael Haneke 2000) Caché (Michael Haneke 2005) Funny Games (Michael Haneke 1997) Amour (Michael Haneke 2012) Funny Games (Michael Haneke 2007) 71 Fragments of a Chronology of Chance (Michael Haneke 1994) The Piano Teacher (Michael Haneke 2001) Benny’s Video (Michael Haneke 1992) Martha (Rainer Werner Fassbinder 1974) Au hasard Balthazar (Robert Bresson 1966) White Light (Ingmar Bergman 1963) Fanny and Alexander (Ingmar Bergman 1982)

    1h 1m
  7. 052 - Funny Games (Michael Haneke 1997 & 2007) w/ Jane Waldner

    OCT 7

    052 - Funny Games (Michael Haneke 1997 & 2007) w/ Jane Waldner

    Felicia is joined by Jane Waldner to discuss Michael Haneke’s groundbreaking 1997 film Funny Games and his 2007 shot for shot remake. We chat about how important the original film was and remains, and what caused him to remake his own work in the English language. Along with his exploration of violence in film as it relates to the audiences consumption of this type of imagery. Send us your thoughts on the episode by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Listen to our previous episode with Jane: Faces Places (Agnès Varda & J.R. 2017) Follow Jane here: IG: @janesviews Letterboxd: @jwaldner Sources: https://www.criterion.com/current/posts/6347-funny-games-don-t-you-want-to-see-how-it-ends https://www.cinema.com/articles/5600/funny-games-michael-haneke-interview.phtml#google_vignette OUTRO SONG: Bonehead - Naked City FILMS MENTIONED: Faces Places (Agnès Varda & J.R. 2017) Caché (Michael Haneke 2005) 71 Fragments of a Chronology of Chance (Michael Haneke 1994) Crash (Paul Haggis 2004) Code Unknown (Michael Haneke 2000) The White Ribbon (Michael Haneke 1989) Run Lola Run (Tom Tykwer 1999) Fat Girl (Catherine Breillat 2001)

    1h 18m

  8. OCT 6

    000– Season 2 Introduction

    Welcome to Season 2! After a summer break the show is back and with a few changes. We’re still focusing on a different director or cinematographer each month, with a new guest each week to discuss a film in that artist’s filmography. What we’re doing is moving away from a scene by scene breakdown of the story, and instead moving towards discussion the aritst’s unique stamp on the film. The purpose of this show was always to focus on the artist, so we’ll be talking about what lead them to create this piece, what films did they make before and after this, and what trademarks, common themes/ideas do they like to explore that are present in this film (or not). Listen below for more details and I hope you enjoy the new format!

    3 min
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Seeing Faces in Movies is a podcast where every month the works of a different director or cinematographer is put in focus. Each week a guest is invited on to discuss a film in the artist's filmography.

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