Filmspotting

4.6 (4K)
Film Reviews
Updated Weekly

Adam Kempenaar and Josh Larsen review new and classic movies, offering "affable, insightful film analysis since 2005" (NY Times).This show includes AI-generated content.

11h ago

"Hollywood's like Egypt, full of crumbled pyramids" with Laura Friedman & Ron Falzone | The Movie Racket

Hollywood has been dying for more than a century. At least, that's what people keep saying.This week, Michael Phillips explores one of the industry's favorite prophecies of doom: producer David O. Selznick's famous comparison of Hollywood to ancient Egypt, "full of crumbled pyramids" destined to disappear into the sands.Joining Michael are Rep. Laura Friedman, whose congressional district includes many of the major studios and who helped author the bipartisan Motion Picture, Television, and Entertainment Revitalization Act, and film historian Ron Falzone. Together, they examine Hollywood's latest existential crisis: runaway production, empty soundstages, corporate consolidation, and the fight to keep movie-making in the United States.Is Hollywood facing a uniquely perilous moment, or just its latest near-death experience? Join the conversation by emailing themovieracket@filmspotting.net. See omnystudio.com/listener for privacy information.
3d ago

Digger and Primetime, plus Chicago International Film Fest Preview | #1084

Not everyone hates Digger. The big swing from star Tom Cruise and director Alejandro González Iñárritu was met with chilly box office and hostility from critics, but Adam and Josh (yes, even Iñárritu skeptic Adam!) found lots to like — especially after the film’s bold transition from politically-charged farce into something completely different. Plus, Josh on Primetime, previews of two regional fests, and listeners pick their favorite “Comedy Boom” movies. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes will not be precise with ads.) Intro (00:00:00-00:02:23) Digger (00:02:24-0:33:35) Filmspotting Family (0:33:36-00:37:20) Spoiler Talk: Digger (00:37:21-1:11:00) Primetime (1:11:01-01:16:21) Chicago / Refocus Film Fest Previews (01:16:22-01:31:21) Polls (01:31:22-01:42:54) Credits / New Releases (01:42:55-01:46:33) Chicago Film Festival Picks – Josh: -Citizen Osama ⁠https://www.chicagofilmfestival.com/film/citizen-osama/⁠ -Eight Bridges ⁠https://www.chicagofilmfestival.com/film/eight-bridges/⁠ Chicago Film Festival Picks – Adam: -The Debut ⁠https://www.chicagofilmfestival.com/film/the-debut/⁠ -The Girl with the Leica ⁠https://www.chicagofilmfestival.com/film/the-girl-with-the-leica/⁠ Notes: -Refocus Film Festival ⁠https://refocusfilmfestival.org/ Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus shows, archive access, and more. http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more. ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky See omnystudio.com/listener for privacy information.
4d ago

Trial By Media, Pt. 1 — Sweet Smell of Success

Lance Oppenheim’s Primetime paints problematic TV phenomenon To Catch a Predator — and especially its host, Chris Hansen — as an enterprise fueled by ambition, amorality, and a tenuous grasp of journalistic ethics. Those qualities put us in mind of the cursed collaboration between desperate press agent Sidney Falco and influential columnist J.J. Hunsecker in 1957’s Sweet Smell of Success, so this week we’re digging into the twisted loyalties and razor-sharp dialogue of Alexander Mackendrick’s blisteringly cynical portrayal of a very different era in tabloid journalism. Then in Feedback, a listener helps flesh out a bit of William Friedkin trivia that came up during our recent Sorcerer discussion. Please share your thoughts about Sweet Smell of Success, Primetime, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off. See omnystudio.com/listener for privacy information.
5d ago

Top 5 Tom Cruise Performances | Archive

With Cruise back in ac-tor mode in Alejandro González Iñárritu's Digger, we're sharing our 2017 consideration of the long and storied career of "the last movie star." Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠. See omnystudio.com/listener for privacy information.
6d ago

The Low-Budget Gumption of Shudder’s Goody Goody | SVU

For the first show of Scare-tober, Jordan and Matt take a look at the Shudder Original Goody Goody, a low-budget home-birth horror tale from first-time feature director Raymond Creamer. For a seasonally appropriate streaming watch, you could do worse. You could also do better, which is why Matt and Jordan use this week’s “Rec Seg” to suggest a couple of titles inspired by Goody Goody — one which exploits the very real horror of childbirth for laughs, and another which brilliantly captures the horror of being the only one who knows something terrible has happened. Then, listener Matt (no relation to host Matt) writes in asking for an entry-level horror film for his 9-year-old. And Matt hosts another round of Portmanteau-to-Toe for this week’s game Intro (00:00:00–00:04:32) Goody Goody (00:04:33–00:22:03) Rec Seg! (00:22:04–00:36:55) Listener Req Seg! (00:36:56–00:57:18) Game: Portmanteau-to-Toe (00:57:19–01:11:15) New to Streaming / Credits (01:11:16–01:25:08) Show Notes Bazooga jingle by Andy Wilkowske Now Streaming on Bazooga - A Filmspotting: SVU Archive⁠ https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/⁠ Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th):⁠ https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/⁠ Matt’s book tour! matt-singer.net Feedback: Email us at feedback@filmspottingSVU.com Follow Matt on Blue Sky: @mattsinger.bsky.social Follow Jordan on Blue Sky: @jhoffman.bsky.social Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠ Follow the Show:⁠ https://www.instagram.com/superpulse/⁠⁠ https://www.facebook.com/FilmspottingSvu⁠ See omnystudio.com/listener for privacy information.
Oct 5

Halloween ('78) vs. A Nightmare on Elm Street | Movie Death Match

Chris Klimek convenes a showdown between arguably the two most influential slasher films ever made: John Carpenter's "Halloween" and Wes Craven's "A Nightmare on Elm Street." One helped define the modern slasher, introducing audiences to the silent, implacable force of Michael Myers and transforming suburban streets into sites of terror. The other revitalized the genre six years later with Freddy Krueger, a wisecracking dream stalker who turned sleep itself into a death sentence. Arguing for "Halloween" is Jason Zinoman (Shock Value, The New York Times), who contends that Carpenter's film remains the genre's most influential and enduring achievement. Defending "Nightmare" is Deirdre Barrett, a Harvard dream researcher, psychologist, and author, who makes the case that Freddy Krueger taps into some of our deepest and most universal fears. Choose your winner at moviedeathmatch.com. (Times will not be precise with ads.)Intro / Meet the Advocates (00:00:00-00:16:41)Rd. 1 – The Movies in Their Time (00:16:42-00:41:49)Rd. 2 – The Movies in Our Time (00:41:50-01:06:16)Rd. 3 – The Movies for All Time (01:06:17-01:37:03)The Verdict / Credits (01:37:05-01:45:23) More From Jason: -‘Halloween’ 1978: The Times Finally Reviews a Horror Classic https://www.nytimes.com/2018/10/17/movies/halloween-1978-review.html -Book: Shock Value: How a Few Eccentric Outsiders Gave Us Nightmares, Conquered Hollywood, and Invented Modern Horror https://www.amazon.com/dp/0143121367 -Instagram @zinomanj More From Deidre: -deirdrebarrett.com http://www.deirdrebarrett.com/ -Book: Pandemic Dreams https://www.amazon.com/dp/0982869533 -Instagram @deirdre_barrett_dreams Follow Chris: -Instagram | Bluesky | X See omnystudio.com/listener for privacy information.
Oct 4

The Freshman (1925) with Sean Crosson | Field of Scenes

For the debut episode of their new sport and film podcast, Adam Kempenaar and University of Iowa Journalism and Mass Communication colleague Travis Vogan, PhD, are joined by scholar Seán Crosson, PhD, to discuss Harold Lloyd’s 1925 silent comedy The Freshman. Together, they explore the massive box-office hit’s treatment of masculinity and football, and how the film helped shape the underdog and American Dream narratives that remain central to the genre a century later. Next Episode: –Hoop Dreams with Samantha Noelle Sheppard, PhD, Cornell University Links: –Email the show at fos@filmspotting.net. –Learn more about Seán Crosson –Sport in European Cinema –Sport and Film (2nd Edition) Theme Music: –King of the Corpse Flowers by Oxykitten | Spotify See omnystudio.com/listener for privacy information.
Oct 2

Mulholland Drive at 25, plus If I Go Will They Miss Me and You Had to Be There | #1083

Two weeks after their Pantheon Project review of David Lynch’s Blue Velvet, Adam and Josh take on the director’s 2001 mind-bender, Mulholland Drive, to celebrate its 25th anniversary. For a film with a reputation for being impenetrable, they find it surprisingly rich with clues while retaining all of its singular power. Plus, a Golden Brick nomination for If I Go Will They Miss Me, and thoughts on the new doc You Had To Be There: How the Toronto Godspell Ignited the Comedy Revolution.This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits.⁠ Use code FILMSPOT26 to take 15% off. ⁠ (Timecodes will not be precise with ads.) Intro (00:00:00-00:02:28) Mulholland Drive (00:02:29-0:30:28) Filmspotting Family (0:30:29-00:32:31) Mulholland Drive, cont. (00:32:32-0:58:43) If I Go Will They Miss Me (0:58:44-01:03:44) You Had To Be There (01:03:45-01:13:54) Notes (01:13:55-01:24:52) Massacre Theatre (01:24:53-01:30:51) Credits / New Releases (01:30:52-01:34:58) Notes: -David Lynch Ranked | Adam https://boxd.it/Xk5q6$rM7TfIkSmbYwC11L -David Lynch Ranked | Josh https://letterboxd.com/larsenonfilm/list/david-lynch-ranked/ -Golden Bricks https://www.filmspotting.net/bricks -New Podcast! Field of Scenes https://www.filmspotting.net/fieldofscenes Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus shows, archive access, and more. http://filmspottingfamily.com -Filmspotting Shop for T-shirts and more. ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky See omnystudio.com/listener for privacy information.

See All (213)

Adam Kempenaar

Host
Josh Larsen

Host
Jason Zinoman

Guest
Deirdre Barrett

Guest
Roxana Hadadi

Guest
Marya E. Gates

Guest
Matt Singer

Guest
Ethan Hawke

Guest

4.6

out of 5

3,968 Ratings

Best Movie Podcast

6d ago

MDF2001

They call the Filmspotting listenership a “family” for a reason — it stems from the hosts, Adam and Josh, setting a tone of warmth, humor, intelligence and respect that ought to make any listener feel welcome, engaged, and comfortable. There’s no high-brow snark or clickbait outrage here — just really good film analysis in the manner of a lively and respectful conversation among friends. The hosts’ cinephile credentials are legit, and their critical insights are incisive and clear. I frequently disagree with both critics, but I find I always learn more about a film or a genre even as I formulate my disagreement in my mind. Filmspotting is really the standard-bearer for conversational film criticism in the podcasting world; I’ve sampled but ultimately drifted away from all the other competitors.
Take SVU off this feed

Sep 29

Dcdcdc83

I’m sympathetic that people need to make money, but the inclusion of SVU (and my subsequent accidental listening of it) onto the Filmspotting feed has not only made me dumber (because of the lack of insight that one of the hosts had) but also angry in how dismissive and actively not funny one of the hosts was (while clearly being so self satisfied in the most annoying way). It was just so bad it’s forced me to leave this review. Please take them off the feed.
Remove the non film spotting podcasts from feed

Aug 15

Mark from Calif

The recent decision to expand the feed to include non Film Spotting podcasts is frustrating. The other podcasts are third rate or of no interest and are now attempting to be nepo-babied by film spotting - the entire purpose of following a podcast is to avoid sifting through others. So dumb.
SVU Disaster

Aug 11

Erictheblonde

Love Filmspotting. (Even though I disagree with Josh about 50% of the time). 5 Stars. But today I got served up an episode of SVU. Wow. Just terrible. Completely rudderless and devoid of any real point of view. The 1st 1/2 of the episode was ostensibly about Spider-Man, but no one ever really made a point or insightful observation of any kind, except that one of the hosts doesn’t like animated movies. The second half just turned into even more meandering with no real theme of any kind at which point I turned it off. It’s a one-star experience. Skipping all future episodes of that dumpster fire. -2 stars for allowing this on the air.

Adam Kempenaar and Josh Larsen review new and classic movies, offering "affable, insightful film analysis since 2005" (NY Times).This show includes AI-generated content.