12 min
First Person Charlottesville - Marley Nichelle In My Humble Opinion
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- Society & Culture
Charles Lewis: Welcome to First Person Cville, the podcast. I'm Charles Lewis, your host, and also the co-host of In My Humble Opinion, from 101.3 FM.
One night—while visiting a friend in New York City—photographer Marley Nichelle had a weird dream.
Marley Nichelle: In the dream it was this woman telling me that I was a messenger. She said, You got to send out the message. And I was like, What message? Like? What is she talking about?
CL: The next morning, Marley didn’t have much to do. So they started going through their harddrive, organizing old photos.
Marley Nichelle: And as I was going through all my photos, I was like, while I. I really got some nice portraits of a lot of Black people like we are not opposed, like and that's when it hit me. I said, that's it. And I realized my whole career I have been creating work that surrounds things that are not oppressive. And that's the message.
CL: Marley decided to put together a photo essay to capture that message—in Marley’s own words, they wanted to “create a narrative of liberation and healing for communities of blackness by showing them power through language and visual arts.” And they called the series: “No, We Are Not Oppressed.”
Charles Lewis: How have you used your camera to self liberate as well as liberate others?
Marley Nichelle: Through the stories I tell. As artists, it's our job to evoke emotions. I had to be taught that and not be afraid to. You know, tap to my emotions and how I'm feeling, because honestly, that is what helps me create the world. Liberating work is not just for people, it's for me too. And I feel like every artist should have a way to where they take their pain and trauma, their negatives, their bads, their pain, and make it something beautiful. It’s so important for me when I navigate through my emotions and my healing is like, how do I take these things and put it into art? And a lot of times when I have conversations with people just in Charlottesville, I hear, like I say, hearing people's stories is so heartbreaking and I'm so compassionate because I don't want people feeling that way. Like I don't want Black people here to feel like they can't thrive or they can't succeed because it's so oppressing. And it's like oppression is a mindset for real. It's really a mindset. Llike, when I realized that, I was like, okay, I feel like the easiest way to help people is through art.
And I hate that my work only pertains, like a lot of people do tell me like, you only do work for Black people. I your work is just around like, so run around Black people only like why don't you, you know, have it diverse? And I'd be like, because this is a real life reality of my life. Like this is how I was raised, this is how I grew up. This is all I know. HBCU life, all of those things, like just being around blackness is all I know. I don't want to change that because I benefited from that. Like, I can go anywhere and know that I belong, especially with a camera, you know, and I want to just show other Black people, that too. And you can go anywhere and belong. And I get to tell those stories behind my lens, and that's why I create those liberating stories. And that to me is, is empowering because it's like, yes, figure it out.
Charles Lewis: Now when you have you would people considered oppression In Charlottesville. How has it been different than what oppression may look like in the Gullah Geechee community?
Marley Nichelle: You know, this is why I always encourage people to leave away from home, because you get to see a different perspective of oppression. And when you live in Gullah culture, we really are self-sufficient culture like, land is important to us. Surviving is like we don't depend on anybody. You know. To provide for us. We just do we have a do it ourselves mentality. And so being raised like that and coming here, like a lot of times I would look at Black people and be like, Well, why don't you just d
Charles Lewis: Welcome to First Person Cville, the podcast. I'm Charles Lewis, your host, and also the co-host of In My Humble Opinion, from 101.3 FM.
One night—while visiting a friend in New York City—photographer Marley Nichelle had a weird dream.
Marley Nichelle: In the dream it was this woman telling me that I was a messenger. She said, You got to send out the message. And I was like, What message? Like? What is she talking about?
CL: The next morning, Marley didn’t have much to do. So they started going through their harddrive, organizing old photos.
Marley Nichelle: And as I was going through all my photos, I was like, while I. I really got some nice portraits of a lot of Black people like we are not opposed, like and that's when it hit me. I said, that's it. And I realized my whole career I have been creating work that surrounds things that are not oppressive. And that's the message.
CL: Marley decided to put together a photo essay to capture that message—in Marley’s own words, they wanted to “create a narrative of liberation and healing for communities of blackness by showing them power through language and visual arts.” And they called the series: “No, We Are Not Oppressed.”
Charles Lewis: How have you used your camera to self liberate as well as liberate others?
Marley Nichelle: Through the stories I tell. As artists, it's our job to evoke emotions. I had to be taught that and not be afraid to. You know, tap to my emotions and how I'm feeling, because honestly, that is what helps me create the world. Liberating work is not just for people, it's for me too. And I feel like every artist should have a way to where they take their pain and trauma, their negatives, their bads, their pain, and make it something beautiful. It’s so important for me when I navigate through my emotions and my healing is like, how do I take these things and put it into art? And a lot of times when I have conversations with people just in Charlottesville, I hear, like I say, hearing people's stories is so heartbreaking and I'm so compassionate because I don't want people feeling that way. Like I don't want Black people here to feel like they can't thrive or they can't succeed because it's so oppressing. And it's like oppression is a mindset for real. It's really a mindset. Llike, when I realized that, I was like, okay, I feel like the easiest way to help people is through art.
And I hate that my work only pertains, like a lot of people do tell me like, you only do work for Black people. I your work is just around like, so run around Black people only like why don't you, you know, have it diverse? And I'd be like, because this is a real life reality of my life. Like this is how I was raised, this is how I grew up. This is all I know. HBCU life, all of those things, like just being around blackness is all I know. I don't want to change that because I benefited from that. Like, I can go anywhere and know that I belong, especially with a camera, you know, and I want to just show other Black people, that too. And you can go anywhere and belong. And I get to tell those stories behind my lens, and that's why I create those liberating stories. And that to me is, is empowering because it's like, yes, figure it out.
Charles Lewis: Now when you have you would people considered oppression In Charlottesville. How has it been different than what oppression may look like in the Gullah Geechee community?
Marley Nichelle: You know, this is why I always encourage people to leave away from home, because you get to see a different perspective of oppression. And when you live in Gullah culture, we really are self-sufficient culture like, land is important to us. Surviving is like we don't depend on anybody. You know. To provide for us. We just do we have a do it ourselves mentality. And so being raised like that and coming here, like a lot of times I would look at Black people and be like, Well, why don't you just d
12 min