
3 episodes

Folk Tunes and Englishness Oxford University
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- Education
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5.0 • 1 Rating
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In this 3-part series, Dr Alice Little speaks with folk musicians, researchers and music collectors about English folk music in history, in performance today, and what it means for music to be 'English'.
In this series you will hear from Becky Price, Rob Harbron, Sam Sweeney, Matt Coatsworth, Cohen Braithwaite-Kilcoyne, Alan Lamb, Marie Bashiru, Jeremy Barlow, Nicola Beazley, Stewart Hardy, and Tom Kitching. Each episode includes discussion as well as musical demos and recordings provided by the musicians.
Alice Little is a Knowledge Exchange Fellow with TORCH (The Oxford Research Centre in the Humanities) at the University of Oxford and the English Folk Dance and Song Society.
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English folk tunes, borders, nationalism and race
Dr Alice Little speaks with folk musicians and researchers Cohen Braithwaite- Kilcoyne, Nicola Beazley, Stewart Hardy, Tom Kitching, and Marie Bashiru about the borders of English folk music - regionally, racially, and conceptually. From the traditions of the North East to those of the North West, from Scottish musicians in England to the influences of Irish immigration, this episode features recordings of a range of folk music (including previously unreleased tracks) in addition to the discussion.
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English folk tunes in performance today
Musicians Sam Sweeney, Rob Harbron, and Alan Lamb join Dr Alice Little to discuss English folk music in performance today. From eighteenth-century manuscripts to traditional sea shanties, where do they find their tunes, how do they play them in an 'English' way, and how do audiences respond?
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A history of English folk tunes
Dr Alice Little speaks with folk musicians and music collectors Jeremy Barlow, Matt Coatsworth, and Becky Price about the history of English folk music, and what makes it so 'English'. From seventeenth-century Playford to twenty-first century Boldwood, the speakers look primarily at instrumental music and discuss the migration of tunes around the world, how they are played, their use in dance, varying instrumentation and the restrictions that brings, and how tune titles relate to each other.