Some call it old country; classic country; real country. We call it traditional country, and that's exactly what we do here at "If That Ain't Country".
For three hours each week, we feature the very best traditional country, honky tonk, bluegrass and western swing from the golden years 'til today. It's pretty simple but we think you'll like it.
Hosted by Western Red - it's US country with an Australian twist, keeping true to the traditions that make country great.
With a genuine love and deep respect for the foundations of the genre, the legends are right alongside the best of today's independent artists - a mix you won't find anywhere else.
For more information, email: firstname.lastname@example.org.
Become a supporter of this podcast (with thanks!!): www.patreon.com/ifthataintcountry
Curtis Potter - Them Old Honky Tonks
In this week's episode we're featuring the first of three albums compiled on the sensational Curtis Potter on Heart Of Texas Records: "Them Old Honky Tonks". Plucked from a budding career in Abilene in his late teens, Potter joined Hank Thompson's legendary Brazos Valley Boys as frontman and bass player and released his first solo album on Hank T.'s own label (Dot) in 1971. A working relationship with legendary producer and songwriter Ray Pennington began in about 1974 at RCA, but by the mid 80s Potter found himself without a contract. Initially co-founded by Pennington with the intention of giving Curtis Potter a home to record at, Step One Records was formed in 1984 and in those mid 80s, Potter and Pennington were busy in studio. The majority of that material, for whatever reason, remained unreleased until Pennington handed it over (with his blessing) to Potter, who sought to have it released at Heart Of Texas Records. Transferred untouched from the original reel-to-reel tapes, "Them Old Honky Tonks" became the first of three compiled albums from Potter's mid 80s time at Step One on Heart Of Texas: heavy on the honky tonk shuffles and heavy on twin fiddles and steel guitar. Curtis Potter, as a student of the "Ray Price school of singing", is in fine voice on this collection - unearthed from a period when Potter and Pennington were making some of the finest hard country music never heard until now.NB. Big thanks to Justin Trevino for the help in compiling this episode!
Chris LeDoux - Whatcha Gonna Do With A Cowboy
In this week's episode we're featuring an album from the commercial peak of singing cowboy Chris LeDoux: "Whatcha Gonna Do With A Cowboy" (1992). LeDoux's talent with a cowboy song earnt him a loyal fanbase and impressive sales as an independent artist over 22 albums in the 18 years to 1990. However, legitimate national stardom eluded him until a young Garth Brooks namechecked his idol in "Much Too Young (To Feel This Damn Old)" in 1989. Though radio barely allowed him a "hit", LeDoux's fanbase only continued to grow on the back of his signing with Liberty/Capitol as well as his relatable and sometimes high-energy material and stage show. Despite pyrotechnics and coast-to-coast touring, LeDoux remained a humble, down-to-earth and sometimes shy family man who's inspiration for music remained in the sport of rodeo, his wife, kids and life in The West.
Dale Watson - Whiskey Or God
In this week's episode we're featuring a killer all-original album from classic country torchbearer Dale Watson: "Whiskey Or God" (2006). After stints in Houston, Los Angeles and Nashville, Watson ended up in Austin, Texas around the time a record deal with Hightone came to fruition in the mid 90s. Over the next decade or so, Watson established himself in that city as a very popular draw and around the world as a staunch traditionalist whose music hails back to a time when Merle Haggard and Johnny Cash ruled the airwaves. The five or six years leading up to "Whiskey Or God" were tough for Watson - his girlfriend's sudden passing in 2000 was the catalyst for a particularly rough stretch - and there was even very serious talk about giving up music for good. Thankfully, Watson was able to turn it around and "Whiskey Or God" proved he hadn't missed a beat. Fourteen all-original and sensationally twangy tracks made it exceptionally hard to narrow down the playlist for this week's show: highlights incude a handful of two-step floor fillers like "Sit, Drink And Cry" and "It Hurts So Good"; a cut later found on the "Truckin' Sessions" trilogy twangs to perfection on "No Help Wanted" and the cajun fiddle and Watson's Lone Stars rip through the infectious "I Ain't Be Right, Since I've Been Left". "Whiskey Or God" is just another Dale Watson album. They're all that good.
Holly Dunn - Across The Rio Grande
In this week's episode we're featuring the third album from one of the neo-traditional movement's shining lights: Holly Dunn's "Across The Rio Grande" (1988). In this reviewer's estimation, the late 80s saw only a handful of female country voices making honest-to-goodness roots-inspired country music, of which Dunn was one (another being Patty Loveless); and on this, her third album and final for MTM Records, Holly Dunn took on a much bigger production role. "Across The Rio Grande" was a mostly stripped-down affair compared to Dunn's previous offerings - there was barely an electric instrument to be seen (except maybe a bass, according to Dunn). There's some excellent songwriting with her brother Chris Waters as well as a couple of chart singles which did well enough, but the real strength lies in the heartfelt delivery of album cuts including the tender (and poignant, given Dunn's untimely passing) "On The Wings Of An Angel" and the yearning "Just Across The Rio Grande". A fine textured and multi-layered album from one of the neo-traditional era's finest young talents.
COVER TO COVER Ep. 5 - Johnny Paycheck - Again
Howdy hard country fans! I thought it was time to release another piece of bonus content this week - usually exclusive to our Patreon members - it's called "COVER TO COVER", where we take a great traditional country album and play it right the way through, from front to back, in order and in full. And trust me when I say it's music you won't hear anywhere else - we specifically check to make sure our COVER TO COVER albums aren't on Spotify before featuring! Aside from the regular show, we'll be doing COVER TO COVER at least once a month for our Patreon members at any level and intermittently I will be releasing a COVER TO COVER episode as a podcast to you here, but for the most part, this feature is intended as a piece of bonus content - so enjoy! This time we go cover to cover on the one and only album Johnny Paycheck ever recorded for the short-lived Certron Records. After legendary producer Aubrey Mayhew's Little Darlin' Records went bust in 1969, he scrambled to keep the operation going and partnered with Certron Corporation, bringing a chunk of his roster and his signature hard country sound with him. It didn't last long though, and Paycheck's "Again" is one of the final original era examples of the Little Darlin' Sound that traditional country fans have come to love.
Jesse Daniel - Rollin' On
In this week's episode we're taking a long overdue dive into the sophomore album from California young gun Jesse Daniel: "Rollin' On" (2020). Co-produced by A-class steel man Tommy Detamore, this album rips right out of the gate. An all-original project, this collection is packed with punchy, catchy and relatable writing and rarely lets up on the high-energy twang - the reaction to "Rollin' On" reflects how well put together this album is. Indeed, excellent sales and streaming stats got the attention of plenty of industry players, but Daniel remains proudly independent on his own imprint Die True Records. With harmony vocals and several co-writes from Daniel's partner Jodi Lyford, highlights are plentiful: the colourful story of "Champion"; the clever metaphor of "Mayo And The Mustard"; a road-trip in song on "Tar Snakes" and the wistful ode to Daniel's hometown of Ben Lomond, CA in "Son Of The San Lorenzo". One full listen will be all it takes to understand why "Rollin' On" was at or near the top of so many "Best Of 2020" lists. Simply superb.
Fantastic podcast! Love traditional country, and Western Red really delivers it here. My favorite of all the podcasts that I listen to.
If you like REAL country music, you’ll absolutely love this podcast. It doesn’t get any better! No other podcast that I’ve found even come close to this one!
This is ok I guess
I mean if u like this stuff go u but...me this is not my thing this is not the kind of country I like I like the modern things but this can go in the trash sry artists try harder next time!!😌😔🌚👀