It's Parsa Parsa

سلام :)

Cézanne produced a number of sketches of his son Paul, as well as several paintings. This portrait is the most ambitious and the most accomplished of the portraits of his young son.
Paul appears to be seated on the arm of an armchair, only the back of which is painted on the right of a plain background. The close framing, which abruptly crops both model and chair, is reminiscent of photography.
Cézanne here uses highly simplified forms with defined outlines that recall the work of Gauguin. The composition is based on an interplay of curves: those of the armchair, the shoulders and neck of the young boy, and the curves of his face and hair. There is a strong contrast between the armchair blending with the boy’s clothes, and the blue green background. This portrait is typical of Cézanne’s experimental work around 1880.

Provenance: Ambroise Vollard, Paris (en 1931) ; Paul Guillaume (?) ; Domenica Walter

A Serbian special police officer guards “Boy in a Red Waistcoat” by Paul Cezanne in Belgrade. Police in Serbia recovered the impressionist masterpiece, which was one of four paintings stolen at gunpoint four years ago from a Swiss gallery in one of the world's biggest art heists. ( Marko Djurica/Reuters)

Cezanne’s “Still Life with Skull,” a 1952 gift to the White House, has never hung there.

من رفتم به خواب زمستانی

این اپیزود آخر از فصل دوم است

فعلا دوستای عزیزم

"Excuse me.

Excuse me.

Hey. Could we do that again? I know we haven't met, but I don't want to be an ant, you know? I mean, it's like we go through life with our antennas bouncing off one another, continuously on ant auto-pilot with nothing really human required of us. Stop. Go. Walk here. Drive there. All actions basically for survival. All communication simply to keep this ant colony buzzing along in an efficient polite manner. "Here's your change." "Paper or plastic?" "Credit or debit?" "You want ketchup with that?" I don't want a straw, I want real human moments. I want to see you. I want you to see me. I don't want to give that up. I don't want to be an ant, you know?

Yeah. Yeah, no. I don't want to be an ant either. Heh. Yeah, thanks for kind of jostling me there. I've been kind of on zombie auto-pilot lately, I don't feel like an ant in my head, but I guess I probably look like one. It's kind of like D.H. Lawrence had this idea of two people meeting on a road. And instead of just passing and glancing away, they decide to accept what he calls "the confrontation between their souls." It's like, um, freeing the brave reckless gods within us all.

Then it's like we have met."

From the movie "Waking life"