Conversations with Musicians, with Leah Roseman

Leah Roseman
  • ٥٫٠ (٥)
  • فنون
Conversations with Musicians, with Leah Roseman

There’s a fascinating variety to a life in music; this series features wonderful musicians worldwide with in-depth conversations and great music. Many episodes feature guests playing music spontaneously as part of the episode or sharing performances and albums. The inspiration and connection found in a meaningful creative life, the challenges faced, and the stories from such a diversity of people will draw you into this weekly series, with many topics that will resonate with all listeners. Available also as video and transcript: https://www.leahroseman.com/about

  1. Nimrod Borenstein: Composer and Conductor

    قبل ٣ أيام

    Nimrod Borenstein: Composer and Conductor

    Nimrod Borenstein is a brilliant composer, who was a child prodigy as both a composer and performer. His often complex music is beloved by performers and audiences alike, and has been widely recorded and performed internationally. He is also a renowned conductor, and he spoke to me about his difficult decision to cut short his career as a violin soloist in order to find alternate career options as he developed his career as a composer. Vladimir Ashkenazy has been an active champion of Nimrod’s music, and you’ll hear the charming story of their first meeting.  Ashkenazy first conducted Borenstein’s orchestral work The Big Bang and Creation of the Universe op. 52 to great acclaim, and the Chandos label released a very successful album devoted to Borenstein’s music conducted by Ashkenazy featuring his Violin Concerto and orchestral works.   Nimrod shares his insights about interpreting music for performers and conductors, the development of his compositional style and his views on creativity in general. Nimrod has an infectious energy in his enthusiasm for the pursuit of beauty.  Nimrod has exceptional parents, and you’ll hear how they met, and we start with Nimrod’s close relationship to his father the renowned painter Alec Borenstein.  You’ll be hearing excerpts from a couple of recordings, with thanks to both SOMM recordings and Naxos; links to Nimrod Borenstein's compositions and recordings below This episode is also a captioned video on YouTube, and you can read the transcript at this link as well: https://www.leahroseman.com/episodes/nimrod-borenstein Nimrod Borenstein website, for his discography, compositions and current projects: https://www.nimrod-borenstein.com/recordings To support this series, please either buy me a coffee or shop at my merchandise store Newsletter sign-up Catalog of Episodes Timestamps: (00:00) Intro (03:27) father Alec Borenstein, sharing ideas about great art and creativity (10:44) Un moment de sérénité Shirim, op. 94, no. 5  performed by pianist Clélia Iruzun with thanks to SOMM recordings (13:24) the importance of contrast (15:06) importance of dynamics, notation, interpretation (18:04) evolution of Nimrod’s compositions,  decision to give up career as a violin soloist  (22:37)Concertos (24:51) piano Etudes (30:11) Tango Etude. op. 66 No. 3 on the Naxos label with pianist Tra Nguyen (32:32) piano Etudes, first symphony (35:24) Chopin performed very little, Nimrod’s decision to prioritize composition (36:41)decision to conduct (43:47) excerpt from the 3rd movement of the Borenstein Concerto for Piano and Orchestra op. 91, performed by Clélia Iruzun and the Royal Philharmonic Orchestra, Nimrod Borenstein conductor (47:11) conducting, composition and interpretation (55:35)past episodes you may enjoy, different ways to support this series (56:20) English Chamber Orchestra 2025 collaboration Shakespeare Songs (57:16)how Vladimir Ashkenazy became a champion of Nimrod’s compositions (01:06:38) evolution of Nimrod’s compositional style, use of polyrhythms, finding his voice (01:24:09) excerpt from the 2nd movement of the Borenstein Concerto for Piano and Orchestra, op. 91, performed by Clélia Iruzun and the Royal Philharmonic Orchestra, with Nimrod conducting. (01:27:31) Nimrod’s childhood in France, then move to the UK, musical influences, rating composers (01:37:32) Nimrod’s family  (01:42:55) piano pedagogy books and approach to teaching (01:48:42) great art separate from the creator photo: Sonia Fitoussi

    ١ س ٥٦ د
  2. Mark Growden: Living an Adventurous Life in Music

    ٢٥ ربيع الآخر

    Mark Growden: Living an Adventurous Life in Music

    Mark Growden is a brilliant, curious, and expressive American multi-faceted musician.  He’s a multi-instrumentalist, composer, singer, music educator, conductor, and visual artist. In this episode we focus on his large and varied instrument collection and he demonstrates several unusual instruments, including different jaw harps, biclycle handebars, and overtone flutes. He shares his unique journey, and how he developed new skills in response to different challenges and opportunities. I was fascinated to hear about his inspiring recent trip to Kyrgyzstan, about many of his mentors and collaborators, and his expressive approach to musicianship training.   Mark has devoted his life to making music for other people and to helping other people make music for themselves, and he is an advocate for openess about respect and understanding for people with neurodivergence and mood disorders. Mark  is the founder and Artistic Director of The Calling All Choir, The Chromatic Community Music Center, SF SingFest, and The SF Jaw Harp Choir. He has released several critically acclaimed albums and has toured the US extensively. He has composed original musical scores for dozens of dance and theater companies and scored several films. We are featuring music from 3 of his albums during this episode and you’ll find his discography linked below.  This episode on YouTube, and the transcript: https://www.leahroseman.com/episodes/mark-growden Mark Growden website: https://markgrowden.org To support this series, please either buy me a coffee here: https://ko-fi.com/leahroseman or shop at my merchandise store: https://www.leahroseman.com/beautiful-shirts-and-more Newsletter sign-up: https://mailchi.mp/ebed4a237788/podcast-newsletter Catalog of Episodes: https://www.leahroseman.com/about You may be also interested in my episodes with other wide-ranging musicians involved in community music, instrument-making and exploring, such as with Linsey Pollak, Kavisha Mazzella, Philip Griffin, Polina Shepherd, Jesse Stewart, Sarah Jeffery, and Gary Muszynski. Timestamps:  (00:00) Intro (03:16) Kyrgyzstan, Irina Bogatyryova, jaw harp music, Kutman Sultanbekov (08:25) overtone flutes, bicycle handlebars, selijefloyte (14:06) jaw harp history and demo (17:32) jaw harp technique  (21:21)clip from bicycle handlebars improvisation on Mark’s  album Saint Judas (22:02) in-blown flutes, interdental embouchure, Central Asian flutes (28:23) Mark’s childhood, music education, bands  (31:24)Orff Schulwerk,  Blues (35:05) New Orleans, writing for choirs, leading Community Sings (42:36) Mark’s early music education (46:53) Driving into the Sunrise, from In Velvet with the New Orleans Heavies and Mark Growden (50:20) other episodes you may like and different ways to support this series (51:07) Juggling, busking, bands, digeridoo, studying art, jazz (53:04) Kodaly method (55:11) Mark’s approach to teaching musicianship, hearing intervals according to function (59:11) how Mark got into singing and choral direction, claw hammer banjo, album Lose me in the sand (01:04:26) Shady Grove from Lose me in the sand (01:08:53) move to Portland, show for the Getty museum Edyth Eyde (01:16:15) Aron Szilagyi jaw harp festival World Vibes Hungary (01:17:53) bass jaw harp demo (01:19:06) Lithuanian psaltery tuned in whole tones, Veljo Tormis Tabu, kankles psaltery (01:22:07) video music art new projects (01:25:47) mentors Vance George, Alice Parker, Michael Kaulkin (01:31:50) living and creating with bipolar type 2 and ADHD

    ١ س ٤٢ د
  3. Omo Bello: Celebrating African Art Song

    ١٨ ربيع الآخر

    Omo Bello: Celebrating African Art Song

    Omo Bello is an acclaimed French-Nigerian operatic soprano , and in this episode we are focussing on her newly-released album “African Art Song” on Somm recordings with pianist Rebeca Omordia. Many of you heard my episode this past summer with pianist and curator of the African Concert Series, Rebeca Omordia, and I’ll be linking that episode below for you.   Omo talked to me about overcoming shyness and stage fright,  her childhood and university years in Lagos, Nigeria, and some of her mentors including Grace Bumbry and Thomas Quasthoff.  I was fascinated to gain insights from her life as an opera singer, and to learn about many of the composers from Africa and the African diaspora featured on this wonderful album, including Ayo Bankole, Fred Onovwerosuoke,  Ishaya Yaron, Chirstian Onyeji and Shirley Thompson .   Like all my episodes, you can watch this on my YouTube channel or listen to the podcast on all the podcast platforms, and I’ve also linked the transcript to my website:  https://www.leahroseman.com/episodes/omo-bello Episode with Rebeca Omordia: https://www.leahroseman.com/episodes/rebeca-omordia-african-pianism African Art Song album: https://somm-recordings.com/recording/african-art-song/ Omo Bello website: http://www.omobello.com/about.html Omo Bello instagram: https://www.instagram.com/omo_bello Merch store to support this series: https://www.leahroseman.com/beautiful-shirts-and-more Buy me a coffee? https://ko-fi.com/leahroseman Newsletter sign-up: https://mailchi.mp/ebed4a237788/podcast-newsletter Catalog of Episodes: https://www.leahroseman.com/about Linktree Social Media: https://linktr.ee/leahroseman photo: Vincent Pontet Timestamps: (00:00) Intro (02:53) African Art Song album with Rebeca Omordia (09:12) Ayo Bankole (10:40) Ayo Banko’s Adura fun Alafia Prayer for Peace (14:22) Ayo Bankole (17:00) Omo’s childhood and university years in Lagos (32:22) Fred Onovwerosuoke, cultural context to interpret this music (39:13)  excerpt of “Ngulu” by Fred Onovwerosuoke  (40:11) the voice as instrument (44:49) other episodes you may like, and different ways to support this series (45:33) Grace Bumbry (53:44) Shirley Thompson (58:15) excerpt from  Shirley Thompson’s "Psalm to Windrush” (59:44) Omo Bello Music Foundation in Nigeria (01:07:47) Ishaya Yarison (01:10:26) excerpt from Ishaya Yarison’s Ku zo, mu raira waƙa  (01:11:54) Christian Onyegi, African Art Song album themes (01:15:34) Giri Giri by Christian Onyegi (01:17:31) percussionist Richard Olatunde Baker on the album, transmitting oral tradition of the music (01:20:46) challenges in music education in France (01:28:17) Thomas Quastoff, Des Knaben Wunderhorn album (01:34:21) challenges and joys of an opera singer

    ١ س ٤١ د
  4. Gilad Weiss: Moving Strings

    ١١ ربيع الآخر

    Gilad Weiss: Moving Strings

    Gilad Weiss takes us on a visit to his music studio and improvises on several of his instruments, including the fretless guitar, and some of the instruments from Turkey and Central Asia, such as the kopuz, the baglama and the Turkmenistani dutar. He also spoke to me about his duo project with the Anatolian kamanche player Melisa Yildirim and we’re including a track from their beautiful album, which is linked below, along with Gilad’s album Improvisations on Fretless Guitar Volume 1, and the ways to connect with Gilad. He shared his valuable insights about teaching music, and teaching the guitar, improvisation and interesting details about the modes and tuning systems for the various instruments he demonstrates. This episode has a lot of improvised music; Gilad spent much of the interview with an instrument in his hand; please use the detailed timestamps (below) to navigate the episode, which like all my episodes you can either watch on my YouTube or listen to on all the podcast platforms, and the transcript is here too: https://www.leahroseman.com/episodes/gilad-weiss https://giladweiss.bandcamp.com/album/improvisations-on-fretless-guitar https://www.youtube.com/@TheShfanfan https://www.facebook.com/giladweis https://www.instagram.com/gilad.weiss.hadad/ https://talus.info/ It’s a joy to be able to bring these meaningful conversations to you, but this project costs me quite a bit of money and lots of time; please support this series through either my merchandise store or on my Ko-fi page: https://ko-fi.com/leahroseman Here's the merchandise store: https://www.leahroseman.com/beautiful-shirts-and-more Newsletter sign-up: https://mailchi.mp/ebed4a237788/podcast-newsletter You may be also interested in my episodes with lutenist Elizabeth Pallett, guitarists including masters Derek Gripper, Daniel Ramjattan, or Marc van Vugt, along with many episodes featuring traditional and improvised music from around the world.  Catalog of Episodes: ⁠https://www.leahroseman.com/about⁠ photo: Daria Perelmuter  Timestamps:  (00:00) Intro (02:24) saz, dutar, guitar, fingernails (06:31) intro to “Late Night” from Improvisations on Fretless Guitar, Volume 1 (07:16)fretless guitar “Late Night” from Improvisations on Fretless Guitar, Volume 1 (11:50) Gilad’s fretless guitar, Erkan Oğur  (14:29) fretless guitar improvisation (16:30) album with kamancheh player Melisa Yildirim (24:49) Yeldeğirmeni Zeybeği | Windmill Zeybek from Talûs with Melisa Yildirim and Gilad (28:11) musical experiences in Turkey, Engin Topuzkanamış (33:40) kopuz (tambur) history and demo, tuning system (36:50) kopuz improv (39:37) huseyni mode and tuning systems  (43:18) kopuz improv (44:00) kisa sap baglama  (46:23) other episode you will enjoy, different ways to support this series (47:15) different playing techniques, history of microtonal frets (55:48) tambur  (58:46) Turkmensitani dutar  (01:04:08) Gilad’s early musical influences (01:11:07) Gilad’s approach to teaching music and guitar (01:18:25) improvising and different approaches to learning  (01:28:35) different guitars, approach to tuning and teaching guitar (01:34:44) next recording project

    ١ س ٤٢ د
  5. Sara Caswell: Jazz violinist

    ٢ ربيع الآخر

    Sara Caswell: Jazz violinist

    I was honoured to have this opportunity to record this conversation with the phenomenal violinist Sara Caswell, who is a GRAMMY Nominee for the Best Improvised Jazz Solo. We focused on the recent 9 Horses album, Strum with mandolinist and composer Joseph Brent, and she also spoke to me about some of her other collaborators including esperanza spalding, Chuck Owen, Nadje Noordhuis, and mentors including David Baker, Mimi Zweig and Josef Gingold. She shared how she started playing the 10 stringed Hardanger d’amore, her rich early musical life in Bloomington, and how she is grounded and inspired from her family and friends.  You can read the transcript or watch the video, both linked here on my website: https://www.leahroseman.com/episodes/sara-caswell  https://9horses.bandcamp.com/album/strum https://saracaswell.com/ Merchandise store: https://www.leahroseman.com/beautiful-shirts-and-more Buy me a coffee? https://ko-fi.com/leahroseman Thanks! Newsletter sign-up: https://mailchi.mp/ebed4a237788/podcast-newsletter Catalog of Episodes: https://www.leahroseman.com/about photo: Shervin Lainez Timestamps (00:00) Intro (02:19) 9 Horses album Strum, Joe Brent (07:12) clip from The House that Ate Myself, 9 horses album Strum (08:30) 9 horses trio and different recording projects (11:50) clip from Americannia from 9 horses ablum Strum (13:09) acoustic versus electric violin (15:06) about Sara’s Hardanger d’amore fiddle (23:00) clip from Long Time Away  (25:27) Sara’s approach to teaching jazz (28:33) GRAMMY nomination, Chuck Owen the Jazz Surge (32:59) Sara Caswell quartet The Way to You, Nadje Noorduis (34:26) excerpt from South Shore  Sara Caswell quartet The Way to You by Nadje Noorduis (37:30) early musical life in Bloomington, David Baker, supportive parents, Mimi Zweig (40:55) Josef Gingold (48:14) related episodes and ways to support this project (48:57) Bloomington years with David Baker, Jamey Abersold, Janis Stockhouse, Stanley Ritchie (53:32) New York early years, John Blake, Sylvia Rosenberg (56:47) clip from Jennie Pop Nettle-Eater (57:22) meeting Joe Brent (59:18) esperanza spalding (01:02:54) the joy of collaboration (01:04:31) clip from Strum (01:05:19) work-life balance and self-care

    ١ س ٨ د
  6. Mark Deutsch and his Bazantar

    ٢٧ ربيع الأول

    Mark Deutsch and his Bazantar

    Mark Deutsch is a brilliant and unique musician who has devoted the last 3 decades of his life to his instrument the Bazantar, which is unique to him. There is only one Bazantar, which is a double bass hybrid with elements of the sitar:  it has 6 main strings, 4 drone strings, and 29 sympathetic strings. Mark grew up as a multi-instrumentalist, but primarily a classical, jazz and rock bass player, and gave up a successful career as a performer to devote himself to the Bazantar. While studying sitar with Ustad Imrat Khan, Mark begin delving into the universal fundamentals of music and its underlying frequency structures. The nonlinear mathematical patterns that exist in sound are found universally in the natural world, includeng seashells, and Mark goes into some of the math of the overtone series in some detail, as well as fascinating specifics of how the Bazantar and his playing of it have evolved.  You’ll hear Mark talk about how he developed his patented engineering solution to construct a separate housing for the sympathetic strings. In this episode, Mark demonstrated live, and also is sharing not only excerpts from previously released recordings, but a preview from an upcoming album.  Mark Deutsch website https://bazantar.com/ Podcast website with Transcript and Video link: https://www.leahroseman.com/episodes/mark-deutsch-and-his-bazantar Buy me a coffee? https://ko-fi.com/leahroseman Merchandise store to support the podcast: https://www.leahroseman.com/beautiful-shirts-and-more Newsletter sign-up: https://mailchi.mp/ebed4a237788/podcast-newsletter Timestamps: (00:00) Intro (03:16) Mark’s background, sitar, and inspiration for creating the Bazantar (10:52) Bazantar music: excerpt from Lahja from the Picasso Tunings (12:13) studying sitar with Imrat Khan (14:10) Alain Danielou’s book Music and the Power of Sound, the math of frequencies and music (18:14) building the Bazantar (22:17) excerpt from Avodah from the album Fool (23:32) Prehistoric Planet (25:09) 8Dio samples, different tunings and playing techniques (34:19) Bazantar demo (39:37) Other episodes you’ll like and different ways to support this series! (40:54) sympathetic strings with demo (44:09) excerpt from The Crooked Road from The Picasso Tunings (45:04) prototypes and the patented engineering solution to the Bazantar (55:55) different bridge designs  (58:46) improvisation plucked Bazantar (01:04:13) cross-country tour stories with the Bazantar, Mark’s musical interests (01:08:38) different approaches to improvisation, learning to play what you’re hearing (01:14:05) Mark’s approach to teaching and playing (01:21:50) first album “Fool” with both sitar and Bazantar (01:25:40) excerpt from Painted Bird on Fool (01:26:58) fasting (01:29:00) Picasso Tunings albums (01:31:45) Antique Slippers, 8th movement from the Picasso Tunings (01:35:25) decision to move to San Franciso, different tunings (01:39:18) special effect with just the sympathetic strings with demo from unreleased recording Bardo (01:42:29) Jaron Lanier, Quincy Jones disbelief (01:44:13) more Bazantar demos, ideas about improvisation, background to Kundalini Rising (01:51:54) excerpt from Kundalini Rising from Fool (01:52:55) more demos and the math of the harmonics and frequencies, developing the Bazantar (02:08:25) Mark’s approach to improvisation

    ٢ س ١٣ د
  7. Stephen Burns

    ٢٠ ربيع الأول

    Stephen Burns

    Trumpeter, composer and conductor Stephen Burns is the Founder and Artistic Director of the Fulcrum Point New Music Project in Chicago. He has been acclaimed on four continents for his virtuosity and interpretative depth in recitals, orchestral appearances, chamber music, and multi-media performances.In this interview you’ll hear him talk about some of his mentors including Arnold Jacobs, and Pierre Thibaud. Stephen Burns won several important competitions and awards which helped launch his solo career at a young age,  the Maurice André Concours International de Paris, but touring internationally brings challenges which he discussed candidly with me. Stephen has worked closely with Madeline Bruser and is a certified teacher in the Art of Practicing.  We talked about mindfulness, the importance of a  student-centered approach to teaching, the deep connection to your audience, programming innovative programs, and specific advice for not only brass players and musicians, but for all of us. See Timestamps below for the topics covered.  Like all my episodes, you can also watch this on my YouTube channel and I’ve also linked the transcript to my website: https://www.leahroseman.com/episodes/stephen-burns Stephen Burns Fulcrum Point: https://www.fulcrumpoint.org/founder Episode with Madeline Bruser: https://www.leahroseman.com/episodes/madeline-bruser Telemann: https://www.youtube.com/playlist?list=OLAK5uy_m5b5ZQtTEQjEfrDUAsQv6qjxLVALKEV0E Hindemith: https://www.youtube.com/watch?v=dmHwJbYls5Y&list=OLAK5uy_nUp5ihSm80-NXa1Zk5nGGEqvsh7PvWQ6o&index=5 Original Merch for sale: https://www.leahroseman.com/beautiful-shirts-and-more Can you buy this independent podcaster a coffee? ⁠https://ko-fi.com/leahroseman⁠ Complete Catalog of Episodes: ⁠https://www.leahroseman.com/about⁠ Newsletter sign-up: ⁠https://mailchi.mp/ebed4a237788/podcast-newsletter⁠ Linktree for social media: ⁠https://linktr.ee/leahroseman⁠ photo: Josh R Zepka Timestamps: (00:00) Intro (03:13) Madeline Bruser, The Art of Practicing, Buddhist principles (07:05) Fulcrum Point New Music Project, programming concerts (16:02)  Hindemith Sonata for Trumpet 2nd mvt Maessig bewegt with David Korevaar on piano (18:45) middle school band teacher Dan Riley (26:13) making the decision to pursue music as a career (33:33) moving to New York (35:03) Telemann Concerto in D Major, 1st mvt Adagio (35:18) overcoming injury, Armando Ghitalla, Vince Penzerella (41:44) realistic goals for musicians, finding what makes you happy (44:51) the personal challenges of an international touring career (48:48) moving to Indiana then Chicago (53:33) teaching Mindfulness for Musicians (55:48) other episodes of interest and ways to support this series (56:37) Arnold Jacobs (01:01:26) Telemann’s Trumpet concert  in D Major; the  last mvt Allegro (01:01:24) the importance of body awareness, working with dancers Martha Clarke, Ruby Shang, overcoming injuries (01:07:54) advice for brass players, Pierre Thibaud, Madeline Bruser (01:15:44) Stephen’s teaching, online challenges (01:18:40) stage fright, performance anxiety, Arnold Jacobs, Brass playing concepts of sound, building trust (01:32:58) a life of travel (01:39:22) the most important aspects of mindset, Bobby Shew, George Zan, Madeline Bruser

    ١ س ٤٧ د
  8. Alicia Svigals: Fidl Afire Catch-Up Episode

    ١٦ ربيع الأول

    Alicia Svigals: Fidl Afire Catch-Up Episode

    This episode is a special short Catch-Up episode with the Klezmer violinist and composer Alicia Svigals. I first spoke with her in 2021 in Season 1 of this podcast, and that wide-ranging in-depth conversation is here: https://www.leahroseman.com/episodes/e15-s1-alicia-svigals-klezmer-violinist-and-composer Today we are focusing on Alicia’s new album Fidl Afire https://borschtbeat.bandcamp.com/album/fidl-afire, with several excerpts from the album with her insights.  Alicia Svigals website: https://aliciasvigals.com/home I have many episodes featuring klezmer musicians such as Polina Shepherd https://www.leahroseman.com/episodes/polina-shepherd and Marilyn Lerner https://www.leahroseman.com/episodes/marilyn-lerner, and many artists in the folk and world music scene, so please check out my catalog of episodes. https://www.leahroseman.com/about Like all my episodes, you can also watch this on YouTube, or read the transcript, everything linked here: https://www.leahroseman.com/episodes/alicia-svigals-catch-up-fidl-afire Original Merch for sale: https://www.leahroseman.com/beautiful-shirts-and-more Can you buy this independent podcaster a coffee? ⁠https://ko-fi.com/leahroseman⁠ Thanks! Newsletter sign-up: ⁠https://mailchi.mp/ebed4a237788/podcast-newsletter⁠ Linktree for social media: ⁠https://linktr.ee/leahroseman⁠ Timestamps (00:00)Intro (01:18)Fidl Afire album (05:17)excerpt from Alician’s Patsch Tants (10:38) excerpt from Mayn Mame Ver Ikh featuring Vira Lozinsky (15:57) excerpt from Dybbuk Honga (18:57) excerpt from South Fallsburg Bulgar (21:36) excerpt from Fidl Afire Fantasy (23:44) excerpt from Levitt Bulgar

    ٢٥ من الدقائق
مشاهدة الكل (١٧٨)

مقاطع ترويجية

٥
من ٥
‫٥ من التقييمات‬

حول

There’s a fascinating variety to a life in music; this series features wonderful musicians worldwide with in-depth conversations and great music. Many episodes feature guests playing music spontaneously as part of the episode or sharing performances and albums. The inspiration and connection found in a meaningful creative life, the challenges faced, and the stories from such a diversity of people will draw you into this weekly series, with many topics that will resonate with all listeners. Available also as video and transcript: https://www.leahroseman.com/about

المعلومات

  • صناع العمل
    Leah Roseman
  • سنوات النشاط
    ١٤٤٢ هـ - ١٤٤٦ هـ
  • الحلقات
    ١٧٨
  • التقييم
    ملائم
  • حقوق النشر
    © Leah Roseman
  • موقع البرنامج على الويب
    Conversations with Musicians, with Leah Roseman

قد يعجبك أيضًا

للاستماع إلى حلقات ذات محتوى فاضح، قم بتسجيل الدخول.

اطلع على آخر مستجدات هذا البرنامج

قم بتسجيل الدخول أو التسجيل لمتابعة البرامج وحفظ الحلقات والحصول على آخر التحديثات.
تحديد بلد أو منطقة

أفريقيا والشرق الأوسط، والهند

آسيا والمحيط الهادئ

أوروبا

أمريكا اللاتينية والكاريبي

الولايات المتحدة وكندا