New Books in Music

Marshall Poe
  • 4.5 (11)
  • MUSIC
  • UPDATED WEEKLY
New Books in Music

Interviews with Scholars of Music about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

  1. DEC 13

    Toby Manning, "Mixing Pop and Politics: A Marxist History of Popular Music" (Repeater, 2024)

    From rock & roll to contemporary pop, Mixing Pop and Politics: A Marxist History of Popular Music (Repeater, 2024) is a timely and original exploration of popular music’s role in shaping our society. Told through a Marxist lens, Toby Manning traces the last seventy years of political and social upheavals through its most iconic US and UK-based music. Mixing Pop and Politics examines the connections between popular music and political ideology and explores themes like the liberation of rock ’n’ roll, containment of girl groups, defiance of glam, resignation of soft rock, the communal spirit of disco, and the individualism of 1980s pop. Spanning the early 1950s to today, the book reveals how music—from doo-wop to hip-hop, punk to crunk, and grunge to grime—has both reflected and resisted the political forces of its time. Toby Manning is the author of The Rough Guide to Pink Floyd (2006) and John le Carré and the Cold War (2018). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

    22 min

  2. DEC 11

    Leah Kardos, "Kate Bush's Hounds of Love" (Bloomsbury, 2024)

    Hounds Of Love invites you to not only listen, but to cross the boundaries of sensory experience into realms of imagination and possibility. Side A spawned four Top 40 hit singles in the UK, 'Running Up That Hill (A Deal with God)', 'Cloudbusting', 'Hounds of Love' and 'The Big Sky', some of the best-loved and most enduring compositions in Bush's catalogue. On side B, a hallucinatory seven-part song cycle called The Ninth Wave broke away from the pop conventions of the era by using strange and vivid production techniques that plunge the listener into the psychological centre of a near-death experience. Poised and accessible, yet still experimental and complex, with Hounds Of Love Bush mastered the art of her studio-based songcraft, finally achieving full control of her creative process. When it came out in 1985, she was only 27 years old. Kate Bush’s Hounds of Love (Bloomsbury, 2024) charts the emergence of Kate Bush in the early-to-mid-1980s as a courageous experimentalist, a singularly expressive recording artist and a visionary music producer. Track-by-track commentaries focus on the experience of the album from the listener's point of view, drawing attention to the art and craft of Bush's songwriting, production and sound design. It considers the vast impact and influence that Hounds Of Love has had on music cultures and creative practices through the years, underlining the artist's importance as a barrier-smashing, template-defying, business-smart, record-breaking, never-compromising role model for artists everywhere. Leah Kardos is a senior lecturer in music at Kingston University London, UK. She is the author of Blackstar Theory: The Last Works of David Bowie (Bloomsbury, 2022), which was included as one of The Wire's 'Best Books of 2022'. Leah on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025). Bradley on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

    1h 2m

  3. DEC 11

    Kathleen A. Abromeit and Dyani Sabin, "Music Information Literacy: Inclusion and Advocacy" (Library Juice Press, 2024)

    Becoming a more equitable librarian is an ongoing process. In the face of the last decade’s events and increased public awareness of issues of diversity, equity, inclusion, and accessibility (DEIA), library workers in music libraries can do things to create the space in our teaching for optimal creativity and connection by and with our library users. As the editors of Music Information Literacy: Inclusion and Advocacy (Library Juice Press, 2024), Kathleen A. Abromeit and Dyani Sabin bring together contributions that imagine what it would be like to expand our inclusion structures so that we increasingly recognize and accommodate differences in our music libraries. The ways librarians teach and assist students must change to amplify the voices of those who have been traditionally marginalized and create effective and equitable libraries and classrooms. Doing so is a multi-part process, where critical information literacy overlaps with self-reflection as a librarian and a deep understanding that our students have identities and experiences that influence how they navigate their world. Many of our students have experienced trauma from the generational oppression of systemic racism, gender fluidity, invisible disabilities, discrimination, or poverty. Ongoing trauma triggers toxic stress that can rewire parts of the brain and impact one’s ability to process information, formulate questions, and feel safe enough to be creative and in the zone of ideas. The chapters in the volume are authored by librarians who have actively been learning and self-reflecting on what is needed to invite users into their libraries and teaching spaces fully. The book is divided into three sections: Critical Theories, Concepts, & Reflections, Bringing Underrepresentation to the Forefront, and Supporting Activism. Each chapter includes case studies and discussion questions supporting ideas and concepts. A sample reading guide for each chapter is included as well. Kathleen A. Abromeit is the Head of the Conservatory Library at Oberlin College and Conservatory, and Dyani Sabin is a writer based in the Midwest. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

    45 min

  4. DEC 6

    Eric Drott, "Streaming Music, Streaming Capital" (Duke UP, 2024)

    Streaming Music, Streaming Capital (Duke University Press, 2024)  provides a much-needed study of the political economy of music streaming, drawing from Western Marxism, social reproduction theory, eco-socialist thought and more to approach the complex and highly contested relationship between music and capital. By attending to the perverse ways in which recorded music has been ultimately decommodified under the current regime of music production, circulation and consumption, Eric Drott explores issues that far exceed music - consumer surveillance, Silicon Valley monopolism, the crisis of care, capitalist extractivism and the climate emergency - while showing us how the streaming economy is thoroughly imbricated, and implicated, in these processes. Drott's rigorous and wide-ranging analysis thus offers novel ways of understanding music, culture, digitalisation and capitalism in present and future tenses . Eric Drott is Associate Professor of Music Theory at the University of Texas at Austin. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

    1h 34m

  5. DEC 5

    Toby Bennett, "Corporate Life in the Digital Music Industry: Remaking the Major Record Label from the Inside Out" (Bloomsbury, 2024)

    How does the music industry actually work? In Corporate Life in the Digital Music Industry: Remaking the Major Record Label from the Inside Out Toby Bennett, a Senior Lecturer in Media, Culture & Organisation in the School of Media and Communications at the University of Westminster offers a deep ethnography of everyday life in a contemporary record company. The book examines the challenges facing music, both businesses and artists, as digital transforms every element of the industry. Offering a detailed theoretical framework for understanding these changes, as well as rich details on the ordinary organisational practices that keep the music industry running, the book will be essential reading across humanities, social sciences, and for anyone interested in music and culture industries. Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

    49 min

  6. DEC 4

    Joy White, "Like Lockdown Never Happened: Music and Culture During Covid" (Repeater, 2024)

    What happened to culture in 2020? In Like Lockdown Never Happened: Music and Culture During Covid (Repeater, 2024), Joy White, a Lecturer in Applied Social Studies at the University of Bedfordshire, explores the impact of Covid, along with social, community and artistic responses. The book ranges widely, including comparative analysis of the UK and Jamaica, deep dives into contemporary Black music and Black culture on TV, digital modes of making and distributing music, and emerging cultural practices on platforms such as TikTok. Theoretically rich as well as offering detailed media and cultural analysis, the book is essential reading of humanities, social science and public health scholars, as well as for anyone interested in reflecting on the era when Covid first hut society. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

    35 min

  7. NOV 29

    Seth Rogovoy, "Within You Without You: Listening to George Harrison" (Oxford UP, 2024)

    Seth Rogovoy's latest book for Oxford University Press is called Within You Without You: Listening to George Harrison (Oxford University Press, 2024). Often, biographies of musicians put the story of the subject’s life front and center, letting the music recede into the background. For a musician like George Harrison, this would be a mistake. George, the lead guitarist of the Beatles, sometimes referred to as the “quiet one,” was one of his generation’s greatest guitarists. He quietly steered the Fab Four in directions that made them legendary, through his innovative use of sitar or his thoughtful, self-reflective song-writing that contrasted with John’s ironic poetics and Paul’s cheery symphonies. A late-bloomer of sorts, George truly came into his own as a solo artist pursuing a rock and roll that centered spirituality and existential yearning. For a chapter-by-chapter playlist, check out Seth's guided listen. Subscribe to Seth's Substack: Everything is Broken. Seth Rogovoy is the author of Bob Dylan: Prophet Mystic Poet and The Essential Klezmer: A Music Lover's Guide to Jewish Roots and Soul Music and contributing editor for The Forward. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

    1h 13m

  8. NOV 25

    Veronica Keller and Sabrina Mittermeier, "From Broadway to the Bronx: New York City’s History through Song" (Intellect, 2024)

    From Broadway to the Bronx: New York City’s History through Song (Intellect, 2024) tells the history of New York City in song across a variety of different genres that the city has been home to and instrumental in developing, covering everything from early twentieth-century sheet music to Broadway’s musical theater, hip-hop, disco, punk, dancehall, but also contemporary metal, rock, and pop. It features an analysis of the work of artists with intimate connections to the city like Billy Joel, Lin-Manuel Miranda, Debbie Harry, Shinehead, and the Wu-Tang Clan, as well as an exclusive interview with RENT original cast member, Anthony Rapp. The collection includes essays from authors across the disciplines of cultural studies, media studies, cultural history, and musicology, resulting in a far-ranging treatment of the interconnection of the city space and its musical history. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

    57 min
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Ratings & Reviews

4.5
out of 5
11 Ratings

About

Interviews with Scholars of Music about their New Books Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Information

  • Creator
    Marshall Poe
  • Years Active
    2011 - 2024
  • Episodes
    725
  • Rating
    Clean
  • Copyright
    © New Books Network
  • Show Website
    New Books in Music

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