QuarterTones | Music from the Arab World The afikra عفكرة Channel

Fadi Tabbal is a hidden giant of Beirut's alternative music scene. He joins us in our studio in Beirut to talk about the music he's produced over the years, the independent musicians on the rise, and the work that his studio – Tunefork studios – is doing. He compares the music scenes in Beirut, Cairo and Dubai, and explains how there are no records or archives of the alternative music that came before the last decade. He takes us on a journey through the 70s to the 2000s and 2010s, talks about music in the internet age, and tells us how Red Bull shaped the music scene in Lebanon for a period of time.

From medic to musician, Amman to Palestine, and quitting Ritalin, The Synaptik is a multifaceted musician who has grown out of change and transition. In this QuarterTones episode filmed live in afikra's studio in Beirut, The Synaptik tells us about his adolescence in Jordan defined by frustration and Ritalin, which was prescribed to him at a young age. He shares how the drug impacted him and how his life changed as he weaned off it; what he learnt about himself through music; and why he chose to build his career in Palestine.

Emmy-nominated composer Kareem Roustom joins us on Quartertones to discuss all things Arabic music. With musical interludes from across his albums, we talk about the origins of Arabic Classical Music, current and previous perceptions around it, and the pioneers of the genre including Sayed Darwish and Sabah Fakhri. We get to grips with what defines Arabic music, hear about what it's like to get an Emmy nomination, and whether it was fun to work with Shakira and Tina Turner.

Buzq player and musicologist Farah Kaddour, joins us in the afikra studio in Beirut to give us a tour of her music and her instrument. Alongside musical interludes and live performances, we talk about the specific sound and identity of the Buzq and Farah's individual performance style. She tells us about how she experiments with the sound she's able to create with the Buzq and how playing this traditional instrument is in itself a form of political resistance. Finally she tells us about her first solo project — Badā — which consists of a mix of composed and improvised music.

We sat down with Maysa Daw and Tamer Nafar from Palestinian Hip-Hop group DAM for a live recording of Quartertones at Sole DXB in December 2023. We play short clips of music from their albums and talk about representing their home city of Lydda through rap, working with Israeli musicians in “co-resistance” and writing music that goes beyond the occupation as Palestinian musicians.