The Manuscript Academy

#MSWL
The Manuscript Academy

The Manuscript Academy brings you conversations with agents, editors, and writers who can help you on your publishing journey.

  1. 7 DE NOV.

    The Formula For Successful Books with Editor Ivan Taurisano

    Is there a formula for success? What do you do when "A new twist on something familiar" starts to feel overly simplistic? Enter editor Ivan Taurisano, editor at Abrams, who works from the opposite direction of most editors: he can think of a concept that's marketable, then put together the team to make it happen. We discuss: ***Collaborating with Licensing Partners: Ivan works closely with major brands like Disney, Netflix, and others to create books that resonate with current market trends. ***Data-Driven Decision Making: Unlike traditional editors who wait for manuscripts, Ivan actively seeks out market trends and creates content that meets those demands. ***Monitoring Bestseller Lists: Checking Amazon and New York Times bestseller lists to identify common themes and outliers. ***Examining BISAC Codes: Understanding how books are categorized to spot market trends. ***Creating Engaging and Humorous Content: Books should be fun and engaging for children, encouraging a love of reading. ***Finding the Sweet Spot: Balancing humor and content that resonates with children while being appropriate for parents. Ivan Taurisano was born in Rome, Italy, and moved to the United States almost ten years ago to pursue a children’s book publishing career. The guiding principle of his work is that a child whose life is changed by a book will always be a step closer to becoming an adult who will change the world. Ivan’s all-time favorite book is James and the Giant Peach, and his best friend is a chihuahua named Bilbo. Ivan has a BA in English and Creative Writing, an MA in Children’s Literature, and an MFA in Writing for Children. He started his career at Sourcebooks as an Editorial Assistant, then moved on to become an Assistant Editor. His responsibilities included developing children’s board books, picture books, and graphic novels, as well as acquiring board books and picture books. Ivan has worked with many successful series and brands, including How to Catch, Little Heroes Big Hearts, Sesame Street, Disney, Tokidoki, and Pokémon. Currently, Ivan lives in New York and works at Abrams as an Associate Editor on the Children’s Entertainment Publishing and Content Development team. In this role, he focuses novelty books, board books, graphic novels, and select MG and YA titles. He is especially interested in stories with a strong commercial hook, crave-able content, compelling characters, and series potential. Board books and picture books: Ivan is interested in children’s board books and picture books that are kid-centric, interactive, character-driven, and have series potential. He enjoys titles with a strong hook, fun read-alouds, great rhymes, bold and playful imaginative stories, books that break the fourth wall and invite reader participation, as well as seasonal stories such as Christmas and Halloween. MG: Ivan is interested in plot-driven, action-packed adventures with a strong commercial hook, compelling characters, magic, quests/competitions, and high stakes. YA: Ivan prefers strong commercial hooks, well-plotted, character-driven, atmospheric stories, and series potential. He loves fantasy, magic, and quests/competitions. He likes unique, morally grey characters, memorable villains, and propulsive, cinematic writing. Ivan is not the best fit for nonfiction, retellings, historical fiction, biographies, and novels in verse. *** Schedule a meeting with Ivan here: https://manuscriptacademy.com/faculty-members/ivan-taurisano

    45min
  2. 16 DE OUT.

    The Art of Feedback: What To Take, What To Ignore & How To Know The Difference

    We love Bonnie Jo Pierson. Not only is she a Manuscript Academy alum and a published author, she’s a member of a 20-person writing group—and an expert on knowing what feedback to take, what to ignore, and how to tell the difference. After 17 years of writing, her novel is ready—and we talk about keeping work fresh, learning and growing as a person, and remaining emotionally open to your work and your life. Bonnie Jo is the author of What Happens in Idaho, July 24, 2024. Gifted with a short attention span, Bonnie Jo Pierson wants to experience and do as much as she can. Using the great powers of YouTube she’s taught herself how to knit, crochet, paint with oils, acrylics, and watercolors, coach volleyball, play the piano and cello, ride a motorcycle, renovate a house, sing, sew, raise livestock, bake, and most importantly how to write. With a degree in biology, she’s a lover of all things science, especially in the microscopic world. She and her Navy veteran husband have four children and spent several years bouncing around to various locations in the United States. Now she’s made her home in small-town Idaho, where she’s attempting to resurrect her great-grandparents one hundred year-old farm. You can email her at bonniejopierson@gmail.com or you can find her on: instagram: https://www.instagram.com/authorbonniejopierson/ goodreads: https://www.goodreads.com/user/show/23922408-bonnie-jo-pierson facebook: https://www.facebook.com/bonniejopiersonauthor twitter: https://twitter.com/BonnieJo_author tiktok: https://www.tiktok.com/@bonniejo_author?lang=en

    37min
  3. 9 DE AGO.

    Messy Characters, Building Tension & How Agents Should Advocate For Your Work with Agent Nour Sallam

    We are so happy to welcome Nour Sallam, agent at P.S. Literary, to the podcast! We discuss: *How agents should advocate for clients from signing to offers to contracts to publication and beyond *Why messy characters and their interiority are often the one thing missing from your work *Why we should experience empathy for your villain *Opportunities to build tension, pulling the reader (or agent!) into your story Meet with Nour here: https://manuscriptacademy.com/faculty-members/nour-sallam See a clip of this episode here: https://youtu.be/xBbNAb0d5sM?si=8NLlvwhX3X04p5vB Transcript and timestamps here: https://manuscriptacademy.com/podcast-nour-sallam Nour Sallam is an associate literary agent at P.S. Literary Agency representing adult fiction and nonfiction. Nour has previously worked in editing, podcasting, communications, and journalism. She got her start at the University of British Columbia where she studied English Literature and Political Science. She then got her publishing certificate at Toronto Metropolitan University. As an Arab woman and an immigrant, she loves books of any genre that amplify joy and connection, or feature complex and nuanced histories, power dynamics, or underrepresented narratives. Nour is seeking commercial and upmarket fiction titles as well as select literary fiction, edgy psychological thrillers, mysteries, and light horror. In fiction, she gravitates towards voicey characters that are haunted by something: a secret, a past, a fear— or an actual haunting! She’s actively seeking character-driven stories featuring women in power, unhinged women, and stories of female rage. She also has a soft spot for unreliable narrators, family sagas with dysfunctional families, protagonists in their 20s-30s navigating adulthood, protagonists on the cusp of major life changes, and stories that focus on friendship dynamics. She is also drawn to stories that explore the diverse experiences of underrepresented groups and challenge our understanding of diasporic experiences and/or cultures. Bonus points if these stories are also fun and celebrate joy. For nonfiction, Nour welcomes fresh and accessible perspectives on big ideas or industry deep dives as well as personal narratives on pop culture, art, and nature. She appreciates books that offer incisive commentary on culture, socio-economic structures, corporate underbellies, health and wellness, and lifestyle. Her taste in non-fiction gravitates towards books that generally challenge what we know or explain what we might not know.

    33min
  4. 27 DE JUL.

    Genres, Tropes, Trends, and Finding Your Agent Fit with Agent Erica Bauman

    We are so pleased to welcome agent Erica Bauman from Aevitas Creative Management to the podcast! We discuss: *How to make your work more atmospheric *Where to place emphasis when writing between genres *Balancing keeping the reader in their heads vs. their senses *When the genre of our world gets closer to dystopia, how does the dystopian genre change? *Why do agents ask for exactly your metatags—and then say no? Meet with Erica here: https://manuscriptacademy.com/faculty-members/erica-bauman Erica Bauman is a literary agent at Aevitas Creative Management and represents a wide variety of authors across middle grade, young adult, and upmarket adult fiction, including acclaimed YA author Maria Ingrande Mora, New York Times Bestseller Kayla Cottingham, and Lambda Literary Fellow Naseem Jamnia. Erica is a graduate of Johns Hopkins University and has worked in the publishing industry since 2012. Prior to Aevitas, she worked at Spectrum Literary Agency. Based in New York, Erica is most interested in commercial novels that feature an exciting premise and lyrical, atmospheric writing; imaginative, genre-blending tales; speculative worlds filled with haunting, quietly wondrous magic; fresh retellings of mythology, ballet, opera, and classic literature; sharply funny rom-coms; graphic novels for all ages; fearless storytellers that tackle big ideas and contemporary issues; and working with and supporting marginalized authors and stories that represent the wide range of humanity.

    45min
4,8
de 5
291 avaliações

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The Manuscript Academy brings you conversations with agents, editors, and writers who can help you on your publishing journey.

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