500 episodes

The weekly RA Exchange is a series of conversations with artists, labels and promoters shaping the electronic music landscape.

RA Exchange Resident Advisor

    • Music
    • 4.4 • 83 Ratings

The weekly RA Exchange is a series of conversations with artists, labels and promoters shaping the electronic music landscape.

    EX.610 Reflections: Volatility In New York Nightlife

    EX.610 Reflections: Volatility In New York Nightlife

    On the debut episode of our new Reflections series, New York staff writer Kiana Mickles analyses recent developments in local nightlife following the closure of a treasured Brooklyn venue.

    Resident Advisor publishes several pieces of long-form journalism per week but due to word count limitations, there's only so much information our reporters can pack in. To ensure important stories get the full coverage they deserve, we've started a new series on the RA Exchange. Reflections takes a deeper dive into the editorial content on our website by inviting writers to dissect one of their recent features. A behind-the-scenes look into the conceptualisation and research behind these articles, Reflections aims to provide updates on the highlighted topic as well as shed light on the journalistic process.

    For the inaugural episode, New York staff writer Kiana Mickles discusses her feature on Bossa Nova Civic Club from February this year. Ever since a fire forced the iconic venue to close indefinitely, Brooklyn nightlife hasn't been the same, she explained in a conversation with Martha Pazienti Caidan. The club was celebrated for its weekday programming but now that it's shut, Brooklynites have fewer party options on school nights, Mickles described.

    Bossa's fire is one of many disturbing incidents in New York nightlife this year, she continued. Recent episodes of violence and crime in various clubs have shaken artists and punters, particularly those from minority backgrounds. Mace-like fumes were reported at Nowadays, Rash was the victim of an arson attack and allegations of drink spiking at popular venues remain rampant.

    Listen to the full conversation below for more details on these issues.


    quest?onmarq - Tropical Goth https://questionmarcdj.bandcamp.com/album/tropical-goth-rave-water
    Ben Bondy - Everything I Can't Be [Quiet Time] https://benbondy.bandcamp.com/album/ben-bondy

    • 28 min
    EX.609 - Jana Rush & Caroline Claus in Conversation

    EX.609 - Jana Rush & Caroline Claus in Conversation

    Live from Rewire Festival, Planet Mu affiliate Jana Rush and sound researcher Caroline Claus discuss gender politics, audio equipment and urban landscapes.

    At this year's instalment of Rewire Festival, which took place in The Hague from April 8th to 10th, artists were paired with sociologists and anthropologists for a series of stimulating conversations. One discussion between Chicago producer Jana Rush and Caroline Claus, a Brussels-based sound researcher, stood out for its interconnections between dance music and urban environments as well as gender and technology so for this week's Exchange, we're presenting their chat.

    Rush, known for her experimental forays into footwork and juke, incorporates a range of textures in her albums. From industrial to funky, her tracks frequently enter the realm of sound art but no matter how avant-garde she gets, her city remains a constant source of inspiration. Whether evoking the groove of house vocalists or the Windy City's politically-charged jazz movement, she's been a pillar of Chicago's club community for years. Claus, meanwhile, focuses on a topic known as "sonic urbanism," or how noise and vibrations impact city spaces such as railways and parks. Whether using field recordings for urban planning or engaging with the concept of sonic warfare, her studies explore interactions between individuals and spaces through sound. It can be said that both Rush and Claus are rooted in a sense of place—albeit in different ways. Rush, for instance, explained how she draws inspiration from music played in passing cars.

    The two also tackle the role of gender on their respective equipment. Claus mentions how her identity shapes the intentions of her recordings while Rush describes how she felt compelled to master technical equipment because "if you don't know what you don't know, people are gonna capitalise off that and they're not gonna let it go because you're a female." During their 25-minute long talk, Rush also explains how she uses binary code and how people often perceive her as aggressive. Listen on for the full details.

    Jana Rush - Clown [Planet Mu]

    • 29 min
    EX.608 - Critics' Roundtable [May 2022]

    EX.608 - Critics' Roundtable [May 2022]

    Every day at Resident Advisor, we discuss the latest interesting music but there's only so much information we can pack into features, reviews and news. The Critics' Roundtable podcast, part of our Exchange series, is a chance for the team to go deeper into striking artists, records and industry trends in the global club underground.

    This instalment, featuring senior staff writer Nyshka Chandran, music editor Andrew Ryce and chief creative and brand officer Kazim Rashid, touches on recent releases in London, Ecuador, Atlanta and beyond. First, each highlight their favourite albums from the past four months, with selections ranging from Terrence Dixon's supremely abstract techno to Marcela Dias Sindaco's sexy electro. Next, contributors discuss an artist or platform of note. Washington DC label PPU gets a mention, as do the hard-hitting bass mutations of Nikki Nair and Colombian label Insurgentes. Finally, Nyshka, Andrew and Kazim reflect on significant developments in the electronic music world, commenting on the ongoing attempts to get artists paid for online mixes, the intersection of club music and theatre and the recent passing of hip-hop icon DJ Kay Slay.

    Alabaster DePlume - Visitors XT8B – Oak [International Anthem]
    Terrence Dixon - Aurora - Other Dimensions [30D Records]
    Marcela Dias Sindaco - À Flor Da Pele - Rio de Janeiro 3025 EP [Fixed Rhythms]
    Nikki Nair & Nala - The World Is Always Ending - The World Is Always Ending [Dirtybird]
    Dwight Sykes - You’re Exactly - On The Rocks [PPU]
    PVSSY & Entrañas - Manía (Menzi remix - Fervor [TraTraTrax]
    Terrence Dixon - Aurora - Other Dimensions [30D Records]

    • 29 min
    EX.607 - Zepherin Saint

    EX.607 - Zepherin Saint

    Zepherin Saint's first release, 1988's Give Me Back Your Love as Boyz in Shock featuring Carol Leeming, was one of the first soulful house records to hit the UK. Saint played a key role in the UK's dance music scene, but as journalist Marcus Barnes highlights in this week's Resident Advisor Exchange, the influence and value of his work over the years has often been overlooked.

    Saint grew up in Harrow, North West London. His earliest experiments with music happened at school, playing the drums in a band making music that he describes as "Spandau Ballet funk, soul and pop tracks." The tunes were so good that their teacher organised studio time so they could make a demo.

    Handed down one of Harrow's key soundsystems from his older brother, Saint would go on to build rigs, and recording studios, of his own, supplying the sound for many acid house nights as the scene exploded. He worked at legendary London shop Black Market Records and spent time in the US managing R&B artists like Terri Walker, before returning to the UK to launch Tribe Records, bringing dance music from South Africa and establishing the blueprint for what is now the Afro house scene. Today, Saint is based in Melbourne, where he's started a new label, Inner Sauce, to celebrate the live house sound bubbling there.

    In an enlightening conversation with Barnes, Saint discusses Melbourne's return to partying post lockdown, building soundsystems, finding his identity in London as a young West Indian man, working at Black Market Records and how he's now turning his focus back onto his own productions.

    • 1 hr 15 min
    EX.606 - Nik Colk Void

    EX.606 - Nik Colk Void

    Nik Colk Void's new LP, Bucked Up Space, is her ninth studio album, but her first as a solo artist.

    Based in Norfolk, Void is an electronic musician and analogue synthesiser virtuoso who forms part of both Factory Floor and Carter Tutti Void (with Chris Carter and Cosey Fanni Tutti of pioneering industrial group Throbbing Gristle). Her work has been released on iconic labels like DFA, Mute and Throbbing Gristle's Industrial Records, and in late 2017 she released 33 33, a collaborative record as NPVR with the late Peter Rehberg of Editions Mego.

    In this week's Resident Advisor Exchange, Void talks about her relationship with Rehberg and how her confidence grew significantly through their working together. Without him, she explains, she may not have found the voice and the language she was looking for to put out her own full-length record. It is fitting and meaningful, therefore, that on April 8th, Bucked Up Space came out on Editions Mego.

    In conversation with RA writer Katie Thomas, Nik Colk Void discusses her album, the process of mastering analogue synths, the art and value of collaboration and affirming performances—plus details about a new Factory Floor record that's on the horizon.

    Nik Colk Void - Big Breather (Editions Mego)
    Nik Colk Void - FlatTime (Editions Mego)

    • 48 min
    EX.605 - Fabio & Grooverider

    EX.605 - Fabio & Grooverider

    This week's Resident Advisor Exchange was recorded in January, live from Southbank Centre in London. Shortly before their Royal Festival Hall performance with The Outlook Orchestra, drum & bass and jungle originators Fabio & Grooverider sat down with Heléna Star to talk about the show. As you can hear from the applause and roars of laughter throughout the recording, the audience was besotted.
    The UK dance music scene would look very different without Fabio & Grooverider's contributions over the last few decades. Coming from pirate radio, where they first teamed up in 1987 on Phase One, the duo would go on to carve out the path for drum & bass and jungle, as well as to influence the trajectories of house, techno and breakbeat. Grooverider captures their legacy best when he says: "We are this music."
    Launched in 2017, The Outlook Orchestra has collaborated with other pioneering artists like David Rodigan and Mala. The show with Fabio & Grooverider, which they will perform again at Outlook Festival in June, saw 30 years of drum & bass history packed into 31 tracks.
    In conversation with Heléna Star, Fabio & Grooverider discussed how the show came together, as well as their staying power in the scene, the legacy of their seminal club night Rage, how drum & bass is still growing and how humour is a vital part of their relationship. Fittingly, they also cracked a lot of jokes.

    • 21 min

Customer Reviews

4.4 out of 5
83 Ratings

83 Ratings

dogital.rain ,

Love the Idea but still space to grow.

I really love the Idea. Think the execution could improve. Like some said before sound quality. Also maybe a more interesting Storytelling style for the Podcast could also be interesting and maybe make it easier to listen even when the sound quality is not as good.

Echoes1313 ,

For an Electronic Music Noob, This is a Goldmine

I know very little about the world of electronic music except the fact that I like it. This podcast is informative and captivating. Martha is such a talented host, I’d listen to her on any show. Love this show for long drives.

melodie-c ,

Stop deleting episodes.

Why are you deleting the older episodes on Hyph11e and other artists? I understand if your company is greedy and puts them behind a paywall, but that’s not the case, they’re still free on soundcloud, so what’s the point of removing them from podcast apps so they can no longer be listened offline? You used to have the best catalog of any music podcast, but now it’s impossible to search and most people will look elsewhere for music content.

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