RA Podcast

Resident Advisor

Front left since 2001.

  1. 1d ago

    RA.1053 Public Service

    New York summertime in all of its glory. New York City has had an epic few months. From clinching a milestone NBA Championship title, to Mayor Mamdani rolling out affordable housing and fixing potholes, to World Cup fever, the summer of 2026 has (for the most part) been a rush of pure elation for residents. Soundtracking it all is Public Service. Even if there's no special occasion, the atmosphere is always electric. Multiple dance cyphers form; musicians bring instruments to jam; free pizza is distributed; informal marketplaces emerge in the back. Public Service is a living tapestry of block party culture, serving as a reminder that church-like communal joy doesn't need four walls or a roof. Toribio and Perez man the decks each time, dishing out heaters across Afro house, dembow, cumbia, electro, hip-hop and techno. It might be the city's only DIY party where you can hear Jackmaster, Kendrick Lamar and Willie Colón in a single hour or see kids, aunties and grandfathers in the crowd. RA.1053 is a recording of this year's season opener in May—its vibrant blends and carnival-like mood will likely have more than a few listeners planning trips to experience the magic. Taking place in Brooklyn parks during the summer and clubs during cold weather, the party has also held editions in Detroit, Miami and Montréal. Sound is powered by hot pink speaker stacks, decorated with flower garlands, courtesy of Karlala Soundsystem whose founder Karl Scholz regularly provides rentals for free or at a sliding scale to cultural organisers. A true labour of love, the gathering relies on donations to fund operating costs and city permits. Based on the ever-expanding number of regulars, fuelled by word-of-mouth recommendations, it's only a matter of time before Public Service becomes a global phenomenon. Find the tracklist and Q&A at ra.co/podcast/1072 @publicservicenyc @mickeyperez @toribiomusic

    RA.1053 Public Service
  2. Aug 2

    RA.1050 O Ghettão

    The Príncipe all stars transmit the future sound of batida, live from Waking Life. In theory, a supergroup should be a carefree yet thrilling assembly of well-known talents, bound to multiply each other's creative output. But in practice, bringing out the best in every artist on stage, especially for electronic musicians, most of whom are used to working solo, is not an exact science. O Ghettão—the powerhouse trio of DJ Niggafox, DJ Danifox and Firmeza, all associated with Lisbon's Príncipe record label—however, prove it can live up to it's promise. Armed with a handful of small drum machines, hand-sized controllers, and laptops packed with drum kits, the three are one the most exhilarating live acts in the underground. About 20 minutes into RA.1050, amid an intoxicating polyrhythmic hoodoo, a commanding voice sneaks in the repeated phrase in over wistful, semba-laced chords. "Each one dances as they like," claims the MC in Portuguese, and few phrases could be more evocative of the O Ghettão sound. The wonder team came together at the latest Waking Life in Portugal and recorded another woozy, freeform live PA—a gargantuan patchwork ranging from outlandish batida to slapping acid house. RA.1050 is also an indisputable sign of how vivid the batida scene, one they all forged, has truly become. Príncipe Records, founded in 2011, has spurred the birth of artists and imprints, like Nídia and Tia Maria Produções, while also fueling a new, welcoming spirit in Lisbon's nightlife, from Rua Rosa to clubs like Lux Frágil. Following a path paved by acts such as Underground Resistance, O Ghettão can indeed be tagged as an electronic music group. More than that, however, they're an impressive showcase of the intense renewal of sonic palettes crossed by Afro-diasporic idioms on the dance floor. Read more at ra.co/podcast/1069

    RA.1050 O Ghettão
  3. Jul 26

    RA.1049 Topdown Dialectic

    The long-anonymous Peak Oil favourite breaks cover with two hours that run from post-punk and dub to vintage New York house. Mystery is a powerful force. What stays unknown stays enticing—negative space the listener fills in for themselves. Minimalists may be its largest constituency, and few have held the line as long as Topdown Dialectic. That changed with False LP A, which finally named him: Izaak Schlossman, a San Francisco photographer who spent years issuing untitled, identically timed tracks with no narrative attached. Coming out of the shadows hasn't cost the music its haze. Working in the Basic Channel lineage, Schlossman lays tracing paper over house and dub techno and pulls through the faintest outline—a bassline's shadow, the memory of a chord. Tracks surface the way bodies emerge in a steam room. He belongs to a North American underground that's been among dance music's most progressive forces this past decade—no surprise, then, that he credits Scott Zacharias of Detroit's No Way Back in the Q&A. This isn't quite the end of the mystery. Only the second Topdown Dialectic mix to surface, RA.1049 wipes the condensation from the glass just long enough for a look inside: it opens with a cut from German label Workshop before drifting from atmospheric post-punk and dubbed-out house into cosmic electro and, by the close, vintage New York house. It moves at an unhurried, chugging pace, but never mistakes restraint for stasis—each track quietly recalibrating until another contour comes into view. Find the tracklist and Q&A at ra.co/podcast/1068 @peakoil @falsearalia @aught0101

    RA.1049 Topdown Dialectic
4.7
out of 5
370 Ratings

About

Front left since 2001.

More From Resident Advisor

You Might Also Like