Agnes Callard is an ethical philosopher who dissects, in dazzlingly precise detail, familiar human experiences that we think we understand. Whether her topic is expressing anger, fighting with others, jockeying for status, giving advice, or navigating jealousy, Callard provokes us to rethink the emotions and habits that govern how we live. She also happens to be one of my favorite columnists.
In this conversation, I wanted to hear what Callard had to say about a tangle of topics we’ve explored before on the show: how we measure and trade status, and how that feeds into the amorphous thing we call “the meritocracy.” Callard’s argument is that we can have a “non-punitive” meritocracy, one that rewards us for our (virtuous) successes but doesn’t blame us for our failures. I’m not so sure, but it’s a fantastic conversation I’m still thinking about.
But as they say on the infomercials — that’s not all! We also talk about why advice is useless, the benefits of jealousy, whether polyamory and monogamy suffer from the same problem, sad music, why Callard’s office is such a riot of color, and the secret to a good divorce. And, at the end, I’ve got some music recommendations for you. Enjoy!
Mentioned in this episode:
“Who Wants to Play the Status Game?” by Agnes Callard, The Point
“Against Advice,” by Agnes Callard, The Point
“The Other Woman,” by Agnes Callard, The Point
“Parenting and Panic,” by Agnes Callard, The Point
"Aspiration" by Agnes Callard
"Tolstoy: A Russian Life" by Rosamund Bartlett
"Pessoa: A Biography" by Richard Zenith
"Augustine of Hippo" by Peter Brown
“Real Death” by Mount Eerie
You can find transcripts (posted midday) and more episodes of "The Ezra Klein Show" at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein.
Thoughts? Guest suggestions? Email us at email@example.com.
“The Ezra Klein Show” is produced by Annie Galvin, Jeff Geld and Rogé Karma; fact-checking by Michelle Harris; original music by Isaac Jones; mixing by Jeff Geld, audience strategy by Shannon Busta. Special thanks to Kristin Lin.