The Warrior Artist

Eadaoin Glynn
The Warrior Artist

The Warrior Artist podcast, interviews and insights inspire you on your creative journey. www.eadaoinglynn.com/podcast www.instagram.com/eadaoin_glynn

  1. MAY 8

    Aideen Barry - the role of the artist as rule breaker and messenger [26]

    In this episode of the Warrior Artist Podcast, host Éadaoin Glynn interviews Irish visual artist Aideen Barry, who shares insights into her expansive practice that includes performance, sculpture, film, text, and experimental lens-based media. Barry discusses her personal journey to becoming an artist, the themes in her work such as domestic labor, environmental changes, and human vulnerability, and her unique approach to engaging with varied mediums. She reflects on the significance of international collaboration and how her work resonates on a global scale, touching on social and political issues. Highlights include discussions on her projects, 'Oblivion' and 'The Song of the Bleeding Tree,' as well as her approaches to art as a form of protest and responsibility. Barry also discusses upcoming projects, her thoughts on art's role in society, and her efforts to support emerging artists and diversify representation in the art world. 00:00 Welcome to the Warrior Artist Podcast 00:12 Introducing Aideen Barry: A Visual Artist's Journey 00:48 The Early Desire to Create: Aideen's Path to Art 01:55 Exploring Artistic Mediums: A Journey Through College and Beyond 03:17 Building an International Profile: The Importance of Global Connection 06:10 Folklore and Identity: Diving into the Archives 10:26 The Bleeding Tree: A Metaphor for Environmental Awareness 13:37 Oblivion: Music as a Medium for Message 14:11 The Role of Artists in Today's World 19:26 Collaborating with Peter Gabriel: Art in Popular Culture 20:43 Klostes: A Feature Film Collaboration 27:06 The Power of Non-Verbal Communication in Art 29:31 Exposing Injustice Through Art: The National Gallery Controversy 30:22 Championing Women's Representation in Art Institutions 34:29 The Power of Artistic Protest and Representation 36:11 Advocating for Equality and Diversity in the Art World 41:08 The Artist's Life: Balancing Creativity, Family, and Activism 48:34 Future Projects and Collaborations: Expanding Horizons 53:28 Final Thoughts and Advice for Emerging Artists Read the blog post here See more details on Aideen Barry on Instagram and her Website. Follow Éadaoin Glynn on Instagram @eadaoin_glynn and her website.

    55 min
  2. 08/09/2023

    The final product is less important than the journey of getting there - Rachel Doolin [21]

    Irish visual artist Rachel Doolin chats to Éadaoin Glynn about the challenge of taking the leap to become a professional artist, how materials inspire her, her slow research-based, collaborative approach and why she likes writing grant applications. Rachel graduated with a BA in Fine Art from the Crawford College of Art & Design and has received many awards, grants and residencies. Rachel's multidisciplinary approach merges art, experimentation, and ecology.  She collaborates with artists, NGOs,  community and professional organisations to create meaningful artworks in response to social and environmental issues.  In this episode Rachel talks about: Going to art college as a new mother Research in the artic Svalbard Seed Bank, the back-up for the world's seeds.   The sound of the glacier Seed research and working with Irish Seedsavers Inspiration for Heirloom Being overwhelmed with information The stories within seeds Seed Cloud recordings Seedarium, a wooden sculptural installation with a collection of donated seeds displayed encased in resin. How she preserved seeds in bioresin. Oscillithic, a collaboration with sound artist Anne Marie Deacy, based on research with Solstice Arts Centre and Dowth lands, Co. Meath. Dowth Hall megalithic passage tomb, said to be the most important megalithic find in Ireland in fifty years by archaeologist, Clíodhna Ní Lionáin Quartz was found in the tomb, which was not local to the area. Why was it there and what did it mean? Triboluminescence - quartz creates an orange glow when rubbed together. Sí in modern Irish language refers to both the megalithic mounds and the spirits believed to be connected to ancient burial sites. White quartz stones, known as 'Clocha Geala' or ‘Shining Stones’ have featured prominently at many of these ancient sites.  The theory is that quartz was used  in religious ceremonies and astronomical observations.  Quartz is an oscillator of sound and is used in our current material culture in our phones, solar panels, fibre optics. Creating a sound sculpture Studio practice - a slow considered process with the journey more important than the final product A disciplined approach to work Collaboration and research Time management, application writing and administration - " 70% of my time as an artist is spent on a computer because that's what I have to do." The benefits of grant application writing as a way of organising her thinking and planning around a project On rejection and asking for feedback Applying for multiple grants at the same time. The challenge of being a professional artist and how winning awards helped her confidence in taking this leap. Working in early years arts education The best advice she received Read the full blog post. Resources and links: Archaeologist Clíodhna Ní Lionáin explains why Dowth is the most important megalithic find in Ireland in the past 50 years on YouTube. Eco-Poxy resin Woodskin Irish Seed Savers  Madeleine McKeever Svalbard Global Seed Vault Will Bonsall  SeedCLOUD  Anne Marie Deacy  James.L.Hayes  Beili Liu  Katie Paterson Cal Flynn - Islands of Abandonment  Solstice Arts Centre Rachel Doolin on Instagram  Rachel Doolin website National Sculpture Factory Éadaoin Glynn on Instagram

    1h 2m
  3. 07/21/2023

    Vanity Galleries are parasites feeding on artists' dreams [20]

    Vanity galleries are parasites who feed on emerging artists' aspirations to show their work.  They make their money from artists' hopes and dreams. The origin of the name comes from vanity publishing.  They were a last resort for authors whose books were not deemed commercially viable by traditional publishers. They would publish any work at the right price. Authors could claim to have work published, but they had paid for it. With vanity galleries, it's a little bit different because the artist is duped. The artist thinks it's genuine and an an investment worth risking. A vanity gallery charges the artist fees to exhibit the work and they make their money from the artist rather than from sales to the public. Vanity galleries are not curated and they will exhibit anyone who pays. They may charge a fee to join them, charge the artist to send their work, to exhibit etc. It's all about money. It's pure commercial operation. Commercial art galleries get their profit from sales of artwork and spend years following artists before inviting them to join them.   If the artwork sells, the gallery makes a profit, and the artist is then paid. Vanity galleries have no incentive to sell art, as they have already been paid by the artist. Vanity galleries are not selective because they do not have to be. They are becoming increasingly sophisticated in their approach. If you're wondering if an approach is genuine, google ' is x a vanity gallery?' There are websites that show lists of vanity galleries and the many different names they use. Resource: Howsmydealing Have you any vanity gallery experiences? Follow Éadaoin on Instagram.

    16 min

Ratings & Reviews

5
out of 5
2 Ratings

About

The Warrior Artist podcast, interviews and insights inspire you on your creative journey. www.eadaoinglynn.com/podcast www.instagram.com/eadaoin_glynn

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