Uncommon Sense The Sociological Review

What makes “good” taste? Who decides? And what’s it got to do with inequality? Sociologist Irmak Karademir Hazir grew up watching women in her parents’ clothing boutique. She explains how her fascination for taste emerged from that and why talking about things like fashion, film and music is far from trivial – it’s how we distinguish ourselves from others; how we’re recognised, or dismissed.
Irmak tells Rosie and Alexis how sociologists such as Pierre Bourdieu have theorised “distinction”, showing how “highbrow” taste is decided by those with money and other kinds of capital. They also discuss the idea of the “cultural omnivore” and ask: Is what looks like broad consumption – of everything from opera to grime – just elitism in disguise?
Plus: Why are Marvel blockbusters Irmak’s “guilty pleasure”? Why is “symbolic violence” as scary as it sounds? And do we have a moral duty to be honest about our tastes?

Guest: Irmak Karademir Hazir
Hosts: Rosie Hancock, Alexis Hieu Truong
Executive Producer: Alice Bloch
Sound Engineer: David Crackles
Music: Joe Gardner
Artwork: Erin Aniker

Find more about Uncommon Sense at The Sociological Review.

Production Note: This episode was recorded shortly before the devastating earthquake in southern and central Turkey and northern and western Syria.

Episode Resources
Irmak, Rosie, Alexis and our producer Alice recommended
The movies of the “Marvel Cinematic Universe”John Waters’ film “Hairspray”Agnès Jaoui’s film “Le Goût des autres” (The Taste of Others)The BBC documentary series “Signs of the Times”From The Sociological Review
“Feminism After Bourdieu” – Lisa Adkins and Bev Skeggs [special issue editors]“Aesthetic labour, class and taste: Mobility aspirations of middle-class women working in luxury-retail” – Bryan Boyle and Kobe De Keere“Taste the Joy: Food, Family, Women and Social Media” – Smriti SinghBy Irmak Karademir Hazir
“Cultural Omnivorousness”“How (not) to feed young children: A class-cultural analysis of food parenting practices”“Do Omnivores Perform Class Distinction? A Qualitative Inspection of Culinary Tastes, Boundaries and Cultural Tolerance” (co-author: Nihal Simay Yalvaç)“Exploring patterns of children’s cultural participation: parental cultural capitals and their transmission” (co-authors: Adrian Leguina and Francisco Azpitarte)Further reading and viewing
“Distinction: A Social Critique of the Judgement of Taste” – Pierre Bourdieu “Formations of Class & Gender: Becoming Respectable” – Bev Skeggs“Reading ‘Race’ in Bourdieu? Examining Black Cultural Capital Among Black Caribbean Youth in South London” – Derron Wallace“Stuart Hall: Selected Writings” – Catherine Hall and Bill Schwarz [book series editors]“Cultural omnivores or culturally homeless? Exploring the shifting cultural identities of the upwardly mobile” – Sam Friedman“‘Anything But Heavy Metal’: Symbolic Exclusion and Musical Dislikes” – Bethany Bryson“The Culture Industry: Enlightenment as Mass Deception” – Theodor Adorno and Max Horkheimer“Follow the algorithm: An exploratory investigation of music on YouTube” – Massimo Airoldi, Davide Beraldo and Alessandro Gandini“Pretty Woman” – Garry Marshall [film director]“Marvel's Defenders of The Status Quo” – Pop Culture Detective

What does it mean to really listen in a society obsessed with spectacle? What’s hidden when powerful people claim to “hear” or “give voice” to others? And what’s at stake if we think that using fancy recording devices helps us to neatly capture “truth”?
Les Back – author of “The Art of Listening” – tells Alexis and Rosie why listening to society is crucial, but cautions that there’s nothing inherently superior about the hearing sense. Rather, we must “re-tune our ears to society” and listen responsibly, with care, and in doubt.
Plus: why should we think critically before accepting invitations to “trust our senses”? And why do so many sociologists also happen to be musicians?
Guest: Les Back
Hosts: Rosie Hancock, Alexis Hieu Truong
Executive Producer: Alice Bloch
Sound Engineer: David Crackles
Music: Joe Gardner
Artwork: Erin Aniker
Find more about Uncommon Sense at The Sociological Review.
Episode Resources
Les, Rosie, Alexis and our producer Alice recommended
Hak Baker’s song “Wobbles on Cobbles”John Cage’s composition “4′33″”The “Walls to Bridges” initiativeHari Kunzru’s novel “White Tears”From The Sociological Review
“A Sociological Playlist” – Jack Halberstam“Listening to community: The aural dimensions of neighbouring” – Camilla Lewis“Loudly sing cuckoo: More-than-human seasonalities in Britain” – Andrew WhitehouseBy Les Back
“The Art of Listening”“Tape Recorder 1”“Urban multiculture and xenophonophobia in London and Berlin” (co-authors: Agata Lisiak and Emma Jackson)“Trust Your Senses? War, Memory, and the Racist Nervous System”Further reading and viewing
“Hustlers, Beats, and Others” – Ned Polsky“The Politics of Listening: Possibilities and Challenges for Democratic Life” – Leah Basel“The Souls of Black Folk: Essays and Sketches” – W. E. B. Du Bois“Talking Back: Thinking Feminist, Thinking Black” – bell hooks“White woman listen! Black feminism and the boundaries of sisterhood” – Hazel Carby“Presentation fever and podium affects” – Yasmin Gunaratnam“Ear Cleaning: Notes for an Experimental Music Course” – Murray SchaferAlso, have a look at the scholarly work of Paul Gilroy and Frantz Fanon, and the music of Evelyn Glennie.

In this supposedly “post-colonial” age, the idea of the native continues to be distorted and deployed, whether in Narendra Modi’s India or calls for “British jobs for British workers”. How and why has this word – so powerful in the age of empire – lived on into the 21st century? Who gains? And how has it gone from being a term applied to those ruled over by colonisers, to a label chosen by people promoting their own interests against others?

Nandita Sharma joins Alexis and Rosie to discuss all this and more, including the exclusionary logic at the heart of the post-colonial nation state. We further ask: how can true decolonisation occur if the very idea of the nation state still features colonial logic? Does it make the idea of decolonising the “national” curriculum an oxymoron?

Also, Nandita exposes the assumptions revealed by researchers’ fears of “going native”, and reflects on the idea of a borderless world. Plus: a celebration of Manuela Zechner’s “Remembering Europe”.

Guest: Nandita Sharma
Hosts: Rosie Hancock, Alexis Hieu Truong
Executive Producer: Alice Bloch
Sound Engineer: David Crackles
Music: Joe Gardner
Artwork: Erin Aniker

Find more about Uncommon Sense at The Sociological Review.

Episode Resources
Nandita, Rosie, Alexis and our producer Alice recommended
Manuela Zechner’s film-essay “Remembering Europe”Nakkiah Lui’s playwriting workSnotty Nose Rez Kids’ songs’ lyricsCathy Park Hong’s book “Minor Feelings”Daša Drndić’s book “Canzone Di Guerra”From The Sociological Review
“Migrant NHS nurses as ‘tolerated’ citizens in post-Brexit Britain” – Georgia Spiliopoulos and Stephen Timmons“Securitized Citizens: Islamophobia, Racism and the 7/7 London Bombings” – Yasmin Hussain and Paul Bagguley“State containment and closure of gendered possibilities among a millennial generation: On not knowing Muslim young men” – Mairtin Mac an Ghaill and Chris HaywoodDecolonising Methodologies, 20 Years On: The Sociological Review Annual Lecture – Linda Tuhiwai SmithBy Nandita Sharma
“Home Rule: National Sovereignty and the Separation of Natives and Migrants”“Against National Sovereignty: The Postcolonial New World Order and the Containment of Decolonization”“No Borders As a Practical Political Project” (co-editors: Bridget Anderson and Cynthia Wright)Further readings
“Racism, Class and the Racialized Outsider” – Satnam Virdee“Return of a Native: Learning from the Land” – Vron Ware“Natives: Race & Class in the Ruins of Empire” – Akala“Us and Them? The Dangerous Politics of Immigration Control” – Bridget Anderson“Neo-colonialism: The Last Stage of Imperialism” – Kwame Nkrumah “Decolonization is not a metaphor” – Eve Tuck and K. Wayne Yang“Decolonizing Methodologies: Research and Indigenous Peoples” – Linda Tuhiwai SmithFrederick Cooper’s work on how people fought against subordination in the French empireGurminder Bhambra’s work on Decolonizing Whiteness

Emojis! Feminism! Rage! Sociologist Billy Holzberg joins us to talk about emotion. Why is it dismissed as an obstacle to progress and clear thinking – and to whose benefit? How can we let anger into politics without sanctioning far-right violence? And why are some of us freer than others to play with emotional abjection? Billy reflects on all this and more with Alexis and Rosie, celebrating thinkers from Sara Ahmed to Karl Marx, W.E.B. Du Bois to Yasmin Gunaratnam.

Billy also reflects on queerness, childhood and shame; the emotional precarity of TV’s Fleabag; the playfulness of emojis; and the desperate but subversive power of the hunger striker. Plus: a welcome clarification of the slippery line between affect and emotion.

Guest: Billy Holzberg
Hosts: Rosie Hancock, Alexis Hieu Truong
Executive Producer: Alice Bloch
Sound Engineer: David Crackles
Music: Joe Gardner
Artwork: Erin Aniker

Find more about Uncommon Sense at The Sociological Review.

Episode Resources

Billy, Rosie, Alexis and our producer Alice recommended
Jim Hubbard’s documentary “United in Anger: A history of ACT UP”The idea of thinking sociologically with EmojisRobert Munsch and Sheila McGraw’s children’s book “Love You Forever”Lesley Jamison’s essay collection “The Empathy Exams”From The Sociological Review
“Everyone shows emotions everywhere but class photos” – Laura Harris“‘Serenity Now!’ Emotion management and solidarity in the workplace” – Jordan McKenzie, et al.“Diane Abbott, misogynoir and the politics of Black British feminism’s anticolonial imperatives: ‘In Britain too, it’s as if we don’t exist’” – Lisa Amanda PalmerBy Billy Holzberg
“The Multiple Lives of Affect: A Case Study of Commercial Surrogacy”“‘Wir schaffen das’: Hope and hospitality beyond the humanitarian border”“The affective life of heterosexuality: heteropessimism and postfeminism in Fleabag” (co-author: Aura Lehtonen)Further readings
“The Cultural Politics of Emotion” – Sara Ahmed“Death and the Migrant: Bodies, Borders and Care” – Yasmin Gunaratnam“Economic and Philosophic Manuscripts of 1844” – Karl Marx “Postcolonial Melancholia” – Paul Gilroy“The Souls of Black Folk” – W.E.B. Du BoisThe work of psychologist Paul Ekman“The Uses of Anger: Women Responding to Racism” – Audre Lorde“The Politics of Compassion: Immigration and Asylum Policy” – Ala Sirriyeh“Affective Relations: The Transnational Politics of Empathy” – Carolyn Pedwell“The Spiritualization of Politics and the Technologies of Resistant Body: Conceptualizing Hunger Striking Subjectivity” – Ashjan Ajour“On Heteropessimism” – Asa Seresin

Lonely? Mean? Hostile? Cities get a bad rap. But why? Romit Chowdhury has lived in cities worldwide; from Kolkata to Rotterdam. He tells Alexis and Rosie about the wonder of urban “enchantment” found in a stranger’s smile, our changing ideas of the “urban”, and why anonymity is not always in fact the enemy of civility and friendship in the city.

Plus: how did “walking the city” emerge as a revolutionary research method? And why is Romit so fascinated with public transport – from exploring auto-rickshaw drivers’ masculinity in Kolkata, to studying sexual violence on the busy trains of Tokyo.

Romit, Alexis and Rosie also share their tips for thinking differently about urban life – from Japanese film to novels that explode norms about bodies in the city.

Guest: Romit Chowdhury
Hosts: Rosie Hancock, Alexis Hieu Truong
Executive Producer: Alice Bloch
Sound Engineer: David Crackles
Music: Joe Gardner
Artwork: Erin Aniker

Find more about Uncommon Sense at The Sociological Review.

Episode Resources

Romit, Rosie, Alexis and our producer Alice recommended
Claudia Piñeiro’s novel “Elena Knows”N. K. Jemisin’s book “The City We Became”Shinya Tsukamoto’s filmographyTeju Cole’s novel “Every Day is For the Thief”From The Sociological Review
“Karachi” – Shama Dossa“Whose City Now?” – Ray Forrest“Trash Talk: Unpicking the deadlock around urban waste and regeneration” – Francisco Calafate-Faria“Rising with the Rooster: How urban chickens are relaxing the pace of life” – Catherine OliverBy Romit Chowdhury
“Sexual assault on public transport: Crowds, nation, and violence in the urban commons”“The social life of transport infrastructures: Masculinities and everyday mobilities in Kolkata”“Density as urban affect: The enchantment of Tokyo’s crowds”Further readings
“Dangerous Liaisons – Women and Men: Risk and Reputation in Mumbai” – Shilpa Phadke“For Space” – Doreen Massey“The Metropolis and Mental Life” – Georg Simmel“The Arcades Project” – Walter Benjamin “Delhi Crime” (TV series) – Richie Mehta“The Country and the City” – Raymond Williams“Why Women of Colour in Geography?” – Audrey Kobayashi“‘Delhi is a hopeful place for me!’: young middle-class women reclaiming the Indian city” – Syeda Jenifa Zahan“The Way They Blow the Horn: Caribbean Dollar Cabs and Subaltern Mobilities” – Asha Best“Black in Place: The Spatial Aesthetics of Race in a Post-Chocolate City” – Brandi Thompson SummersAnd the work of Ayona Datta, Linda McDowell, Patricia Noxolo, Linda Peake, Tracey Skelton, Andrea Roberts and Gill Valentine

We each have a body, but every body’s story is unique. In this intimate conversation, sociologist Charlotte Bates tells Alexis and Rosie why studying bodies – and how we talk about them – matters in a society where some are privileged over others, and why ableism harms us all.
Charlotte talks about her co-authored work on wild swimming, arguing that despite its commodification, it holds subversive power. She also considers how the unwell body collides with the demands of capitalist life – revealing just how absurd it can be. Plus: what “wellness” fails to capture – and why health is not a lifestyle choice.

Guest: Charlotte Bates
Hosts: Rosie Hancock, Alexis Hieu Truong
Executive Producer: Alice Bloch
Sound Engineer: David Crackles
Music: Joe Gardner
Artwork: Erin Aniker
Find more about Uncommon Sense at The Sociological Review.
Episode Resources
Charlotte, Rosie, Alexis and our producer Alice recommended
Nina Mingya Powles’ book “Small Bodies of Water”Andy Jackson’s poem “The Change Room”Viktoria Modesta’s song “Prototype”Mark O’Connell’s book “To Be A Machine”From The Sociological Review
“Making Visible: Chronic Illness and the Academy” – Anna Ruddock“Race and Disability in the Academy” – Moya Bailey“Embodying Sociology” [Supplement Issue]By Charlotte Bates
“Vital Bodies: Living with Illness”“Conviviality, disability and design in the city”Research on wild swimming with Kate Moles – including this article and this forthcoming publication.Further readings
“Beyond the Periphery of the Skin” – Silvia Federici“Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980s” – Donna Haraway“Moving Beyond Pain” – bell hooks“On Being Ill” – Virginia Woolf“Believing Your Pain as Radical Self-Care” – Jameisha Prescod (in this publication)“Wellness Culture is Ableism in Sheep’s Clothing” – Lucy Pasha-RobinsonThe Polluted Leisure Project – Clifton Evers and James DavollThe Moving Oceans project“Illness: The Cry of the Flesh” – Havi Carel Alexandre Baril’s scholarly work“Everybody Needs Beauty: In Search of the Nature Cure” – Samantha Walton“Why climate justice is impossible without racial justice” – Georgia WhitakerOn maternal mortality – Divya Talwar