Death of a Rock Star Crowd Stories+

David Bowie is dying, and no-one knows it. No journalists, no fans. Just the chosen few. His wife. His grown-up son, his young daughter. A handful of others, all sworn to secrecy. And he’s been rushing to get songs recorded, videos made, plays performed. Because his life's always been about reinvention, about creativity. About working out who you are, what you want to say. About control of image, and intent. All those wild incarnations – the costumes, the make-up, the poses. All those characters he becomes – Ziggy Stardust, the Thin White Duke, the Man Who Fell To Earth. And now, he's releasing one more album. It’s time for the final performance. The last great artistic move...
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Richey Edwards is the frontman of the Manic Street Preachers. But he's quiet. A little pale. And one day... he's gone. For some fans, the possibility that he’s watching, listening, smiling somewhere, is impossible to resist. There are loose ends. The money that was never found. Richey’s fascination with Israel. The books he left behind. And there are the sightings. In Newport by the passport office. On the hippy trail in Goa.  In a bar on a Spanish island. On a beach in the Canary Islands. Each time, the story’s similar. A gaunt, quiet man, flitting out of view and remaining out of reach...

WARNING: this episode contains graphic descriptions of self-harm and references to suicide. If you’ve been affected by any of the issues we spoke about in this podcast or are worried about someone you love, please call the Samaritans at 116 123. Someone will always be there to listen, day or night, and it’s free for all UK phone numbers. Or, go to crowdnetwork.co.uk/helplines to find a list of people you can go to for help.
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Sam Cooke's music makes you feel nostalgic for a time you never knew. Perfect little love songs that take you back to the innocence of the late Fifties, the early Sixties. But they could've sounded so different, in a world where a black man could sing like a black man to everyone. Where he could be himself everywhere. But there’s other stuff you need to know about Sam Cooke. Because he’s the voice, but he’s so much more. The dodgy managers stealing his money, the run-ins with the Mafia. The racism – the threats, the violence. The wiretaps from the FBI. And how it all ends… In a cheap motel, with a call girl and a handgun, when he’s just starting to change the world.
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Cass? She’s the one the band can’t do without. Those 40 million records sold? The six top ten hits? It’s her voice that powers them. Her charisma that makes the Mamas & the Papas so lovable. When they all sing together, it sounds like the times squeezed and bottled with added vitamins. It’s sunshine and smiles and bright swirls of primary colours. But there’s always this sadness close by. A melancholy, lying there just under the surface. And that's Cass. She doesn't feel lovable. Doesn’t fit the mould. Doesn't look like 60s rock'n'roll. She’s the sunshine and darkness in one troubled woman. The openness, the paranoia. The dreams of a golden generation, living and dying under a perfect blue Californian sky...
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‘Moon the Loon.’ That’s the nickname. The bloke who drove a Rolls-Royce into a swimming pool. Who liked blowing up toilets and trashing hotel rooms. Moon’s life and death is one of pop music’s great cautionary tales. It’s textbook stuff. A man who becomes so grotesque that people forget what a genius he was. Before the drink and drugs and darkness reduce him to a husk. Is the golden age of rock really so golden, when its gods die so young? 
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Lady Day was the greatest singer of a generation. A sound they’ll try and copy for years to come. A girl who starts with nothing, who runs with pimps and hookers, but grows up to diamonds, furs, and adulation. But there's always been heroin around jazz. And she's playing a game where the odds are stacked against her. There are powerful men who want to bring it all crashing down...
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