New Books in Environmental Studies Marshall Poe

Departing from the conventional association of modernism with the city, Hannah Freed-Thall's Modernism at the Beach: Queer Ecologies and the Coastal Commons (Columbia University Press, 2023) makes a case for the coastal zone as a surprisingly generative setting for twentieth-century literature and art. An unruly and elusive confluence of human and more-than-human forces, the seashore is also a space of performance--a stage for loosely scripted, improvisatory forms of embodiment and togetherness. The beach, Hannah Freed-Thall argues, was to the modernist imagination what mountains were to Romanticism: a space not merely of anthropogenic conquest but of vital elemental and creaturely connection. 
With an eye to the peripheries of capitalist leisure, Freed-Thall recasts familiar seaside practices--including tide-pooling, beachcombing, gambling, and sunbathing--as radical experiments in perception and sociability. Close readings of works by Marcel Proust, Virginia Woolf, Claude McKay, Samuel Beckett, Rachel Carson, and Gordon Matta-Clark, among others, explore the modernist beach as a queer refuge, a precarious commons, a scene of collective exhaustion and endurance, and a visionary threshold at the end of the world. Interweaving environmental humanities, queer and feminist theory, and cultural history, Modernism at the Beach offers new ways of understanding twentieth-century literature and its relation to ecological thought.
About the guest: Hannah Freed-Thall is an Associate Professor of French Literature, Thought and Culture at NYU
About the host: Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism. 
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Bombarded with the equivalent of one Hiroshima bomb a day for half a century, Pacific people have long been subjected to man-made cataclysm. Well before climate change became a global concern, nuclear testing brought about untimely death, widespread diseases, forced migration, and irreparable destruction to the shores of Oceania. 
In The Ocean on Fire: Pacific Stories from Nuclear Survivors and Climate Activists (Duke UP, 2023), Anaïs Maurer analyzes the Pacific literature that incriminates the environmental racism behind radioactive skies and rising seas. Maurer identifies strategies of resistance uniting the region by analyzing an extensive multilingual archive of decolonial Pacific art in French, Spanish, English, Tahitian, and Uvean, ranging from literature to songs and paintings. She shows how Pacific nuclear survivors’ stories reveal an alternative vision of the apocalypse: instead of promoting individualism and survivalism, they advocate mutual assistance, cultural resilience, South-South transnational solidarities, and Indigenous women’s leadership. Drawing upon their experience resisting both nuclear colonialism and carbon imperialism, Pacific storytellers offer compelling narratives to nurture the land and each other in times of global environmental collapse.
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Operating on the premise that our failure to recognize our interconnected relationship to the rest of the cosmos is the origin of planetary peril, Ecological Solidarities: Mobilizing Faith and Justice for an Entangled World  (Penn State University Press, 2019) presents academic, activist, and artistic perspectives on how to inspire reflection and motivate action in order to construct alternative frameworks and establish novel solidarities for the sake of our planetary home.
The selections in this volume explore ecologies of interdependence as a frame for religious, theological, and philosophical analysis and practice. Contributors examine questions of justice, climate change, race, class, gender, and coloniality and discuss alternative ways of engaging the world in all its biodiversity. Each essay, poem, reflection, and piece of art contributes to and reflects upon how to live out entangled differences toward positive global change.
Constructive and practical, global and local, communal and personal, Ecological Solidarities is an innovative contribution to the discourses on relational and liberative thought and practice in religion, philosophy, and theology. It will be welcomed by scholars of World Christianity and theology as well as seminary students, activists, and laity interested in issues of justice and ecology.

Krista E. Hughes is Associate Professor of Religion and Director of the Muller Center at Newberry College.

Dhawn B. Martin is Executive Director of the Source of Light Center in San Antonio, Texas.

Elaine Padilla is Associate Professor of Philosophy and Religion and Latinx/Latin American Studies at the University of La Verne. She is the author of Divine Enjoyment: A Theology of Passion and Exuberance and coeditor of three volumes in the series Christianities of the World.


Caleb Zakarin is editor at the New Books Network.
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Eliza Scidmore (1856-1928) was a journalist, a world traveler, a writer, an amateur photographer, the first female board member of the National Geographic Society — and the one responsible for the idea to plant Japanese cherry trees in Washington DC. Her fascinating life is expertly told by Diana Parsell in Eliza Scidmore: The Trailblazing Journalist Behind Washington's Cherry Trees (Oxford UP, 2023).
This is the first biography of Eliza Scidmore, and it draws not only on Scidmore’s surviving letters and photographs but also her some 800 articles and 6 books. By piecing together the chronology of Scidmore’s travels, Parsell has crafted a wonderfully intimate picture of Scidmore’s life, one that documents her trips from the glaciers of Alaska (complete with seal-flipper soup) to the streets of Beijing on the eve of the Boxer Rebellion. Throughout, Scidmore’s tenacity and her joy of discovery really shine through, as do the causes that she advocated for: cross-cultural understanding, environmental conservation, and the beautification of the Potomac.
This book is sure to appeal to those interested in travel writing, the history of journalism, and early travelers to East Asia, as well as anyone looking to read a biography about a woman who lived a truly unique life.
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A new kind of city park has emerged in the early twenty-first century. Postindustrial parks transform the derelict remnants of an urban past into distinctive public spaces that meld repurposed infrastructure, wild-looking green space, and landscape architecture. For their proponents, they present an opportunity to turn disused areas into neighborhood anchors, with a host of environmental and community benefits. Yet there are clear economic motives as well—successful parks have helped generate billions of dollars of city tax revenues and real estate development.
In Parks for Profit: Selling Nature in the City (Columbia University Press, 2022) Dr. Kevin Loughran explores the High Line in New York, the Bloomingdale Trail/606 in Chicago, and Buffalo Bayou Park in Houston to offer a critical perspective on the rise of the postindustrial park. He reveals how elites deploy the popularity and seemingly benign nature of parks to achieve their cultural, political, and economic goals. As urban economies have become restructured around finance, real estate, tourism, and cultural consumption, parks serve as civic shields for elite-oriented investment. Tracing changing ideas about cities and nature and underscoring the centrality of race and class, Dr. Loughran argues that postindustrial parks aestheticize past disinvestment while serving as green engines of gentrification.
A wide-ranging investigation of the political, cultural, and economic forces shaping park development, Parks for Profit reveals the social inequalities at the heart of today’s new urban landscape.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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What we see through our windshields reflects ideas about our national identity, consumerism, and infrastructure.
For better or worse, windshields have become a major frame for viewing the nonhuman world. The view from the road is one of the main ways in which we experience our environments. These vistas are the result of deliberate historical forces, and humans have shaped them as they simultaneously sought to be transformed by them. In Consuming Landscapes: What We See When We Drive and Why It Matters (Johns Hopkins UP, 2022), Thomas Zeller explores how what we see while driving reflects how we view our societies and ourselves, the role that consumerism plays in our infrastructure, and ideas about reshaping the environment in the twentieth century.
Zeller breaks new ground by comparing the driving experience and the history of landscaped roads in the United States and Germany, two major automotive countries. He focuses specifically on the Blue Ridge Parkway in the United States and the German Alpine Road as case studies. When the automobile was still young, an early twentieth-century group of designers―landscape architects, civil engineers, and planners―sought to build scenic infrastructures, or roads that would immerse drivers in the landscapes that they were traversing. As more Americans and Europeans owned cars and drove them, however, they became less interested in enchanted views; safety became more important than beauty.
Clashes between designers and drivers resulted in different visions of landscapes made for automobiles. As strange as it may seem to twenty-first-century readers, many professionals in the early twentieth century envisioned cars and roads, if properly managed, as saviors of the environment. Consuming Landscapes illustrates how the meaning of infrastructures changed as a result of use and consumption. Such changes indicate a deep ambivalence toward the automobile and roads, prompting the question: can cars and roads bring us closer to nature while deeply altering it at the same time?”
Eric Grube is a Visiting Assistant Professor in the Department of History at Boston College. He also received his PhD from Boston College in the summer of 2022. He studies modern German and Austrian history, with a special interest in right-wing paramilitary organizations across interwar Bavaria and Austria. His publications include:


"Making Austria German Again: Austrofascist ‘Home Guards’ against ‘Austrian Legionaries’, 1933-1934," Fascism: Journal of Comparative Fascist Studies, 2024


"Borderland Brothers: Austrofascist Competition and Cooperation with National Socialists, 1936–1938," Journal of Austrian Studies, 2023, Winner of Austrian Studies Association’s Max Kade Prize, 2024


"Casualties of War? Refining the Civilian-Military Dichotomy in World War I", Madison Historical Review, 2019


"Racist Limitations on Violence: The Nazi Occupation of Denmark", Essays in History, 2017.


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