Culture Study Podcast Anne Helen Petersen

The very first episode of this pod was on how clothes got so s****y — and it prompted a whole bunch of you to write in with your questions about how the entire experience of obtaining those clothes became so s****y. Some of it is just what’s going on in the fashion world more broadly (and a continued refusal to believe that anyone larger than a size 12 wants cute, well-made clothes that fit and wants to pay you money for them) but some of it is just the weird ever-changing world of online shopping, which encourages our worst impulses and often leaves us with earrings that look nothing like the picture and make our earlobes turn green. To answer your questions (about best online shopping practices, about email marketing tactics, about how to quell or at least abate your anxiety shopping) I wanted to talk to the best and smartest shopper I know: Caroline Moss.Join the ranks of paid subscribers and get bonus content, access to the discussion threads, ad-free episodes, and the knowledge that you're supporting an indie pod trying to make its way in the world. If you're already a subscriber-- thank you! Join us in the discussion thread for this episode! Got a question or idea for a future episode? Let us know here.


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I spent years of my life studying celebrity images and what makes them meaningful to us. A celebrity’s actions or words can make or deepen our connection to them — or they can really piss us off. But why? Is it just a classic case of dashed expectations? What makes, oh, Taylor Swift hanging out with Matty Healy so disappointing? For this episode, I asked celebrity feelings expert Margaret H. Willison to come answer your questions about the broad contours of celebrity-directed anger — and work through some very specific examples. I promise: you’ll leave this episode with a more textured understanding of your own celebrity feelings.
Note: This episode was taped before the conversation re: the Met Ball and celebrity silence on Gaza; you can read more about it here.
Join the ranks of paid subscribers and get bonus content, access to the discussion threads, ad-free episodes, and the knowledge that you're supporting an indie pod trying to make its way in the world. If you're already a subscriber-- thank you! Join us in the discussion thread for this episode! Got a question or idea for a future episode? Let us know here.


To hear more, visit culturestudypod.substack.com

If you grew up in or adjacent to evangelical culture, the sounds of ‘90s and early 2000s Christian Rock are as familiar to you as the beginning bars of Britney Spears “Hit Me Baby One More Time.” The Newsboys, dcTalk, Jars of Clay, Third Day, Jennifer Knapp, Caedmon’s Call — these groups peaked just twenty years ago, but the sound and vibe feels like an archeological find. Same for the crossover “secular” hits from Creed, Lifehouse, Sixpence None the Richer, and Switchfoot. Where did Christian rock go? Did it just get devoured by Nickelback and Noah Kahan? Was it actually good? And what purpose did it actually serve in what we now understand as the evangelical culture war?
Leah Payne, author of a God Gave Rock & Roll To You: A History of Contemporary Christian Music joins us to root the rise of Christian rock in history — and consider the ways it was wielded to control teens. If you grew up in this culture, there will be a lot of nostalgic groaning; if you didn’t, we’ve worked hard to make it as accessible as possible — and help connect some dots about how evangelical ideologies work their way into the mainstream.
Join the ranks of paid subscribers and get bonus content, access to the discussion threads, ad-free episodes, and the knowledge that you're supporting an indie pod trying to make its way in the world. If you're already a subscriber-- thank you! Join us in the discussion thread for this episode! Got a question or idea for a future episode? Let us know here.


To hear more, visit culturestudypod.substack.com

A platform where you can record what you’re reading and talk to others about what they’re reading doesn’t sound like a recipe for dystopia. But throw in a negligent billionaire conglomerate owner, optimization culture, and a competitive industry in which the line between reader and author is continually blurred… and you have a legitimate book lover’s hellscape. In other words: Goodreads! Today, I’m joined by book lover and book critic Maris Kreizman to talk about the rot at the heart of the platform, what feeds it, and whether there’s any hope of salvaging the entire enterprise. (Plus: a special bonus section where we give advice about dealing with self-imposed pressure to read X number of books a year). Also: it doesn’t matter if you’ve never gone on Goodreads in your life. If you read books, if you’re interested in the way we talk and think about books, you’re going to appreciate this episode.
Join the ranks of paid subscribers and get bonus content, access to the discussion threads, ad-free episodes, and the knowledge that you're supporting an indie pod trying to make its way in the world. If you're already a subscriber-- thank you! Join us in the discussion thread for this episode! Got a question or idea for a future episode? Let us know here.Thanks to Bookshop.org for sponsoring today's episode! Use promo code CULTURE to get 10% off your next purchase.


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A listener submitted a question earlier this week that was basically: Why are we talking about Taylor Swift again???? And I get it: if you’re not a fan, if her music is not for you, you too might be tired of the ongoing Taylor Swift Conversation. But I’m ultimately less interested in Taylor Swift herself and more interested in the shape of that conversation: what are we actually talking about when we talk about Taylor Swift? We’re talking about work and scarcity, we’re talking about aesthetics and whiteness, we’re talking about the performance of authenticity and narratives of romance… and we’re talking about all of those things today with Sarah Chapelle, the fashion journalist behind the enormously popular Instagram account Taylor Swift Style.
Today's episode is free for everyone-- so if you like what you hear, join the ranks of paid subscribers and get bonus content, access to the discussion threads, ad-free episodes, and the knowledge that you're supporting an indie pod trying to make its way in the world. If you're already a subscriber-- thank you! Join us in the discussion thread for this episode! Got a question or idea for a future episode? Let us know here.


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Who can force a nationwide conversation about musical genre for a whole damn month? Beyoncé can. And I knew I wanted to be several weeks into that discussion — and several weeks into my own relationship with the album — before I dove in myself. I also knew I wanted to talk about it with someone else with a similarly deep and ambivalent relationship with country music: the good, the white, the cold-beer-nation-building, all of it. So I was absolutely thrilled when Elamin Abdelmahmoud agreed to come on the show and engage in what he calls one of his favorite hobbies: “talking about Beyoncé at length.” You’re gonna love the show and you’re gonna love Elamin and it’s gonna make you think a lot more about Cowboy Carter, even if it’s not (yet) your fav. I can’t wait for your thoughts (and to argue more about Jolene in the comments).
Join the ranks of paid subscribers and get bonus content, access to the discussion threads, ad-free episodes, and the knowledge that you're supporting an indie pod trying to make its way in the world. If you're already a subscriber-- thank you! Join us in the discussion thread for this episode! Got a question or idea for a future episode? Let us know here.


To hear more, visit culturestudypod.substack.com