The New Yorker Radio Hour The New Yorker
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- News
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Profiles, storytelling and insightful conversations, hosted by David Remnick.
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Jerry Seinfeld on Making a Life in Comedy (and Also, Pop-Tarts)
The comedian could have retired decades ago, but he continues to hone his craft onstage, and at age seventy he’s directed his first feature film, “Unfrosted.”
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Judi Dench on Bond and Shakespeare
The acclaimed actor talks with David Remnick about her new book, and a lifetime of performing Shakespeare.
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Jonathan Haidt on the Plague of Anxiety Affecting Young People
The evidence implicating social-media apps, the social psychologist says, is not another moral panic over technology. “Actually, this time is different,” he insists. “Here’s why."
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Maya Hawke on the Fear of “Missing Out,” and Jen Silverman on “There’s Going to Be Trouble”
The popular actor and songwriter speaks with Rachel Syme about not going to college—the subject of her new single. And a novelist discusses the excitement and uncertainty of protests.
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How a Republican and a Democrat Carved out Exemptions to Texas’s Abortion Ban
Rare across-the-aisle coöperation in Austin aims to protect the lives of some women who need abortions—and protect their doctors from prosecution.
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The Film Critic Justin Chang on What to See in 2024
The New Yorker’s new critic on three films he’s excited about this year.
Customer Reviews
Indeed the Best Magazine
The best magazine in print today. Those properties don’t always travel as well in the podcast format. The guests/topics are often interesting, sometimes compelling. David Remnick is mult-italented: nearly as keen a podcast host as he is an editor. There is value in brevity however, some topics require the long form.
Latest episode
The best magazine. Sometimes a great podcast. Really don’t need the Biden propaganda though, or to be told how things the most important election. Perhaps try spinning the fact that it’s the least consequential election of our time, with the two worst candidates we’ve ever had.
Film Review
Is Justin Chang going to be another reviewer who hypes films like Mad Max? Can we never get beyond these Marvel films? Same thing over and over and over. What do they really feed in our culture?