Useless and Hard: Talking About Art Eli Kabir

Anthony Marcellini is an artist and writer. His practice examines the social relationships of seemingly disparate things: objects, artworks, individuals, historical events or natural phenomena. Through absurdist acts, suspensions of belief or metaphysical postulations, he levels the divisions between the natural and constructed world by creating a more horizontal space where these entities can communicate with each other. He co-founded and directed the collaborative art group It Can Change (2000-2004) with John Hoppin, a collective that produced art, interventions and performances in public space and in art institutions. From 2004-2007, Anthony worked alongside curator Sofia Hernandez Chong Cuy as the Curatorial Assistant at Art in General in New York City. He received his MFA in Social Practice from California College of the Arts, San Francisco in 2009. His work has been exhibited internationally at museums, galleries and art institutions, including Apex Art, New York City; Kunsthall Fridericianum, Kassel; Gavin Brown’s Enterprise, New York City; Deitch Projects, New York City; The Soap Factory, Minneapolis; San Francisco Arts Commission Gallery: Sequences Art Festival, Reykjavik; Etc. Gallerie, Prague; Gagnef Festival, Sweden; Skulpturengarten Strombad Kritzendorf, Vienna, amongst others.

Casey Rocheteau was born on Cape Cod, and raised as a sea witch. She was the recipient of the inaugural Write A House permanent residency in Detroit in 2014. She has attended Callaloo Writer’s Workshop, Cave Canem, and Bread Loaf Writers’ Conference in Sicily. She is an Artist in Residence at InsideOut Literary Arts in Detroit and an editor at The Offing. Her first book of poetry, Knocked Up On Yes, was released on Sargent Press in 2012. Her second poetry collection, The Dozen, was released on Sibling Rivalry Press in 2016.

http://caseyrocheteau.org/

http://siblingrivalrypress.bigcartel.com/product/the-dozen-by-casey-rocheteau

Music Courtesy of Anitek and the Free Music Archive

Photo credit Thomas Sayers Ellis 2013