The Vowel Mouth Poetry Podcast Vowel Mouth Poetry

The Vowel Mouth Poetry Radio Hour - showcasing a variety of poetic works in modern music. This episode features:

You Took the Words Right Out of My Mouth (Hot Summer Night) - Meatloaf 
Your House (Live at London’s O2 Shepherd’s Bush Empire, 2020) - Alanis Morissette 
Prince of Tides - Jimmy Buffett
Beats & Poetry - Good WTHR featuring Learic
Ghost Song - Jim Morrison
Howl Pt. 1 - Gary Rees
Bad Guy - Billie Eilish 
The Black Widow- Alice Cooper 
No Spoken Word - Stevie Nicks 
Fell on Black Days (live at the Keswick Theater, recorded on April 10th, 2011)  - Chris Cornell
Poem - Taproot
At The Bottom of Everything - Bright Eyes
BEAT NOTES: 
October 7th commemorates the night in 1955 when a 29-year old Allen Ginsberg read his epic Beat Poetry manifesto, “Howl” for the first time to a sold out crowd at the now legendary Gallery 6 Reading in San Francisco. “Howl” became known as “The Poem that Changed America”. In 1957, U.S. Customs seized over 500 copies of Howl and Other Poems declaring the poetry collection “obscene.” Specifically, the obscene material in “Howl” refers to vulgar diction, drug and sexual references and sexuality. A short time later, two undercover police officers went into City Lights Bookstore to purchase “Howl and Other Poems,” and then immediately arrested the clerk for selling the obscene literature. A warrant was issued for the publisher & book store owner, who turned himself in. That man was Lawrence Ferlinghetti.  It was “The People of The State of California v. Lawrence Ferlinghetti”. And Lawrence Ferlinghetti won that case. The Judge noted that if these obscene words were substituted, the work would lose its meaning, and ruled that if this book were banned & deemed obscene, that it “would destroy our freedoms of free speech and press”. “Howl and Other Poems” was not deemed obscene—the charges were dropped. It was a win for Freedom of Speech. It was a win for sexual liberation. It was a win for creative expression. The poetry of the underground Beat Movement was a catalyst for the civil rights and social justice movements of the ’60’s, and which continues today.




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The Vowel Mouth Poetry Radio Hour - Showcasing a variety of poetic works in popular music. This episode features: 

Late Lament (Live at Red Rocks) - Moody Blues   

Punch-In/Punch-Out - Seven Mary Three    

Spill the Wine - Eric Burden & WAR    

Hey Pretty - Poe    

I had a slouch hat, too, one time - Jack Kerouac    

Subterranean Homesick Blues - Bob Dylan    

Once In a Lifetime - Talking Heads    

The Future - Leonard Cohen    

St. Augustine in Hell - Sting   

Life on Mars - David Bowie    

The Future Will Not be Televised - Gil Scott Heron    

The Trees - Rush   

BEAT NOTES: 

The Beat Generation was a literary movement started by a group of poets & writers whose work explored and influenced American culture and politics in the post-war era. The end of World War II left young intellectuals questioning the mainstream politics and culture of their parents, as well as a society which had sold them the American  Dream as a lie, and which had been a party to the horrors of war abroad, and to poverty & brutality across America. And as a result, the Beat generation emerged; writers, poets, musicians & artists interested in changing societal consciousness and defying conventional boundaries. The battle against social conformity and literary tradition were key elements of Beat culture. They chose to reject standard narrative values, reject economic materialism, explore spirituality, shine a light on explicit portrayals of the human condition, experiment with psychedelic drugs, and freely explore sexual liberation.  All rather taboo subjects in the 40's, 50's & 60's. Poetry and literature became the focus of obscenity trials that ultimately helped to ensure Freedom of Speech in publishing in the United States.  It was Kerouac who introduced the phrase "Beat Generation" in 1948 to characterize a perceived underground, anti-conformist youth movement. Beat described the mood of a disillusioned generation of young people let down by the adults they'd been told to trust. The Beats changed the landscape of our culture by incorporating poetry, art & music into a powerful voice for the marginalized, the oppressed, and the misunderstood.   





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"Message From Confucius." Regina Beck (ubuweb.com)

"To Jack Kerouac" from Ted Berrigan (ubuweb.com)

"Der Letzte Gedanke" - Lobo Loco (FreeMusicArchive.org)

"MakeAChange" - K.I.R.K (FreeMusicArchive.org)

"What You Should KNow to be a Poet" - Gary Snyder (ubuweb.com)

"Crossroads" - #VoMoPo

"Coffee" - Cliff Fyman (ubuweb.com)

"Bird Poem" - Bryan Coley (FreeMusicArchive.org)

"The Hitchhiking Robot & A Girl with a Penis" - Ripdae La Wise & Carl Yvan Prévil (FreeMusicArchive.org)

"Lady Tactics" - Ann Waldman (ubuweb.com)

"3 Subway Poems from a Temporary Worker" - Robin Messing (ubuweb.com)

"Homeless" - Andrew Walton (FreeMusicArchive.org)

"4 the Culture" - K.I.R.K. (FreeMusicArchive.org)

"Twilight" - You're the Guy (FreeMusicArchive.org)


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Susan Howe - There is No Good on Earth and Sin is But a Name (ubuweb.com). Project 5am - Space Mothlight- A collaboration with Diana Norma Szokolyai (FreeMusicArchive.org). Ink - Vowel Mouth Poetry (SoundCloud). Symphony of Science - Science is the Poetry of Reality (melodyshee.bandcamp.com).
Frank O'Hara - Poem/Poem. Erika Huggins - For a Woman.
Michale Mclure -There's Cruelty in Every Jewel. (ubuweb.com). Taboo - Les Baxter (Capitol Records, 1956). Natasha Donoway - I Drove an Hour For Ass (You Tube - Vowel Mouth Poetry)

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In observance of Women's History Month. Get to know #VoMoPo. Poetry. Funny clips. Weirdness. A different kind of poetry show. 

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We are celebrating the declaration of October 7th as National Beat Poetry Month.

Featuring:

Over Sexteen - Jubilee Record Co., 1951

Aesop's fables The Smothers Brothers Way - Mercury Records, 1965

Jose Jimenez - The Artist ("More... Jose Jimenez" - Kapp Records, Inc., 1959)

"The Difference Between Men and Women" - ("Bill Cosby is a Very Funny Fellow... Right!" - Warner Bros Records, 1963)

Anne Waldman - "How the Sestina (Yawn) Works (1972)
- ubuweb.com

Jim Carroll reading from The Basketball (1969) - ubuweb.com

Taylor Mead - "Motorcycles" (1969) - ubuweb.com

Emmet Williams - "Duet" (1968) - ubuweb.com

Faeries at the Bottom of Our Garden - Dead Peoples Records - FreeMusicArchive.org

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