Front Row BBC Radio 4

Colm Tóibín's not a fan of follow-ups so why has he written a sequel to his bestseller Brooklyn, which was made into a film starring Saoirse Ronan? He talks to Tom Sutcliffe about not overwriting sex - and how Domhnall Gleeson's screen performance as a "quiet Irishman" in Brooklyn inspired him.
Miranda Rutter and Rob Harbron's new folk album, Bird Tunes, is inspired by birdsong they hear in woods in the Cotswolds. They perform a track on fiddle and concertina and talk about how manipulating the sounds made by blackbirds, wrens and cuckoos helped to inspire musical phrases in different keys.
Photographer John Deakin is now often overlooked, but he chronicled the artistic underbelly of mid-century Soho with iconic pictures, including those used by Francis Bacon. Iain Sinclair, whose new book Pariah/Genius revives Deakin, retraces his footsteps around town.
Presenter: Tom Sutcliffe
Producer: Paula McGrath

Furiosa: A Mad Max Saga is the latest film from the writer director George Miller, 45 years after the first Mad Max film with Mel Gibson aired. He joins us to talk about where the vision for the film came from and how it's evolved, and about working with stars Anya Taylor-Joy and Chris Hemsworth.
The visual artist, filmmaker, and novelist, Miranda July, discusses her second novel “All Fours” where a middle-aged woman’s detour from a planned road trip across America becomes a wry and provocative odyssey of self-exploration.
Orchestral Qawaali Project is the brainchild of composer Rushil Ranjan and multi-instrumentalist and singer Abi Sampa. Fusing devotional south Asian qawwali singing with the western classical tradition, it has grown from a lockdown project that went viral to a performance at the Royal Albert Hall later this month involving 135 performers on stage. We hear a taster of their work live in the studio.
Presenter: Samira Ahmed
Producer: Corinna Jones

Tom Sutcliffe is joined by journalist Kevin Le Gendre and critic Hanna Flint to review The Big Cigar, which tells the story of Black Panther leader Huey P. Newton; Elton John’s Fragile Beauty exhibition at the V&A and IF, a family film about imaginary friends. Tom also announces the winner of the Dylan Thomas Prize.
Presenter: Tom Sutcliffe
Producer: Claire Bartleet

Fawlty Towers arrives on the West End stage nearly 50 years after it first appeared on TV. John Cleese talks about why the sitcom wasn’t initially regarded as a great success, his love and appreciation of comedy as an art form, and how a future project will see Basil running a hotel with his daughter.
100 years ago this month, the musician Beatrice Harrison was responsible for a landmark event in BBC history when she persuaded the corporation to broadcast live from her garden as she played her cello, accompanied by nightingales. Writer and cellist Kate Kennedy who has recreated this event for a new Radio 3 documentary and Patricia Cleveland-Peck who has edited a book about Beatrice Harrison join Front Row to discuss the significance of this historic event.
Jason Solomons joins us from the Cannes Film Festival to tell us what people there are getting excited about and what's in store over the next ten days.
Presenter: Tom Sutcliffe
Producer: Torquil MacLeod

Bruce Robinson has written a stage adaptation of his cult 1987 film Withnail And I - a tragicomedy that evokes the end of an era as the 60s give way to 70s and dreams collide with reality in the lives of the two main characters. The play has just opened at the Birmingham Rep, directed by Sean Foley. Both of them talk about the challenges of adapting and staging a much loved classic and the degree to which it needed to remain true to the original.
Now You See Us - an exhibition spanning 400 years of women in art - opens at Tate Britain this week. Art critic Charlotte Mullins and art historian and biographer Frances Spalding give their verdict on how the collection represents the pioneers from Angelica Kauffman to Laura Knight.

A memoir about growing up gay in Scotland under the shadow of Thatcherism, Maggie & Me was published to wide acclaim in 2013. Damian Barr joins to discuss how he as adapted it with James Ley for a new National Theatre of Scotland touring production.
As Roberto Rossellini's classic 1945 film Rome, Open City (Roma città aperta) is re-released by the BFI, writer Thea Lenarduzzi and film historian Ian Christie reassess its role in launching Italian neorealism and compare it with There's Still Tomorrow (C'è ancora domani), a new film by Paula Cortellesi that borrows many of neorealism's visual and thematic hallmarks.
With news last week that fake artworks by Renoir and Monet were being sold online, Samira is joined by art specialist and A.I. expert Dr. Carina Popovici and writer and art crime expert Riah Pyror to discuss the problem and how A.I. is being used to solve it.