The Radiophonic Broadcast

Radiophonic Institute

The Radiophonic Broadcast examines innovations in sound and music. From field recordings and fictional journeys to Foley-inspired performances and music made by fungi, get to know the artists working at the vanguard of sound. This podcast gives equal balance to speech and music. Think of it as two sides of an LP or cassette: the first side contains conversations and interviews; the second – uninterrupted compositions made by or featuring our interviewees. Brought to you by The Radiophonic Institute. Hosted on Acast. See acast.com/privacy for more information.

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  1. Sound Of The Year Awards 2025-26

    18. Juni

    Sound Of The Year Awards 2025-26

    From everyday sounds to extraordinary noises, from the sounds of conflict to those of animals and an environment increasingly under pressure, the Sound of the Year Awards (SOTYA) is an annual celebration of sound in all its forms and complexities. Now in its sixth year, we looked to celebrate the social, political and environmental sounds from around the world. With submissions from over 50 countries, the entries this year represented some of the most engaging recordings from across our changing environmental and social landscapes.  Join SOTYA co-producer Ilia Rogatchevski as he guides you through the shortlisted, highly commended and winning sounds from this year’s awards. Nineteen submissions, along with the artists’ voice notes, have been sequenced to evoke a journey from the southernmost recording location (Madagascar) to the northernmost (Svalbard).  The order logic adheres to the recording location, not necessarily the nationality or domicile of the recordist which, if different, is recorded after the forward slash. In order of appearance: Georgie Styles & Laura Misch - A Lemur’s Song (Madagascar/UK) This submission is a compilation of sections of the soundscape used in the radio documentary A Lemur's Song, a 2 Degrees West Production for BBC Radio 4 'Illuminated' Rafael Diogo - Batwa Tribe, The Pygmies of the Impenetrable Forest (Uganda/UK) Obed Fiobetauw - Noise Pollution in Pauy Village (West Papua) SPECIAL MENTION, In partnership with the EarthSonic Fund Markus Rumbino - Alikine Ane Pesek (West Papua/Indonesia) HIGHLY COMMENDED Erick Villegas - Yachak Cleansing Ritual (Ecuador) Tom Fisher aka Action Pyramid - Treehopper Songs Inside a Plant Stem (Colombia/UK) RUNNER UP Sejal Pawar - Jingrwai Lawbei (The Whistling Names) (India) HIGHLY COMMENDED Shaahin Peymani - Threshold (Iran/Germany) RUNNER UP Julio César Palacio - IDF Israel Checkpoint Between Bethlehem and Jerusalem (Palestine-Israel border/Spain) *Explicit Boyi Bai - New Year in the Prohibition Zone (China/UK) Hee Ju Im (2bpencil) - Sound of Daenam Broadcast (South Korea) HIGHLY COMMENDED Alberto Rangel - EC-ELQ 1991 (Spain) Sol Archer and Giulia Zabarella - Tawny Pipit (Italy/Netherlands) Read about the Tawny Pipit project here Felice Sciorilli - Tiny Worlds (Italy) Victoriia Kralko - 20 Places Left at the Field of Honor (Ukraine/Czechia) MUELLER-DIVJAK (Jeanette Mueller & Paul Divjak) - The Sound of Data (Austria) The Sound of Datais part of Mueller-Divjak’s arts-based research project Sensing Living Systems (2023-2027). Funded by the Austrian Science Fund SPECIAL MENTION Irene Trejo aka Merma Suelo - Winters in Ruhleben (Germany) Stijn Demeulenaere - C-Power Windfarm, March 2026 (Belgium) Read more about the Sounding Lines project here. Mathias Arrignon - Songs of the Bearded Seals (Svalbard/UK) SOTYA 25-26 WINNER | Website This edition of the awards were judged by Rana Eid, Will René, Anton Spice, Karen Sutton, Neil Spencer Bruce and Matthew Herbert. Reflecting on her experience of judging the awards, Rana Eid said: “What was particularly interesting this year was how many artists seemed preoccupied with capturing the sounds of the unseen and the unknown. Perhaps this was a way of confronting — and even embracing — the dark times the world is going through.” Produced and presented by Ilia Rogatchevski. The lead producer for the Sound of the Year Awards is Isabella Pierce. Both projects are brought to you by the Radiophonic Institute, the creative director of which is Matthew Herbert.  A special thanks to our sponsor this year, Teenage Engineering who provided us with this year’s prize CM-15 microphone.  For more sounds from this and previous year go to soundoftheyearawards.com or follow us @sound_awards.  Thank you to everyone who submitted their sounds. We’ll see you again next year!  Hosted on Acast. See acast.com/privacy for more information.

    1 Std. 3 Min.
  2. Scotland Before & After the Highland Clearances

    31.10.2024

    Scotland Before & After the Highland Clearances

    Taking place in the 18th and 19th centuries, the Highland Clearances saw people from the Highlands and Islands of Scotland forced from their homes, with whole communities having to seek opportunities elsewhere. These events were sometimes violent and led to famine, displacement and mass emigration.   The Scottish writer and campaigner Kenneth Murray, along with the dramaturg Kirsty Housley, produced a script for a Radiophonic Travel Agency episode that explored this period in history through the prism of a fictional sound journey. The award-winning composer Ella Kay produced the sound design based on their script. Travelling through time, we hear Scotland from the 1700s to the present day from the perspectives of different characters. With sounds ranging from blacksmiths and farm animals to waulking songs and Gaelic psalms, this episode allows anyone from across the world to visit Scotland before and after the Highland Clearances.  The journey is preceded by interviews with Murray and Kay, where we discuss their respective creative practices and approaches to this unusual time-travelling brief. Dramaturg - Kirsty Housley Writer - Kenneth Murray Sound Design - Ella Kay The recording “Wool Waulking Display at the inaugural Outlander Day at Highland Folk Museum” (Newtonmore, 2015) appears courtesy of Steve McLeish and Outlandish Journeys. “Gaelic psalms at Back Free Church” (Isle Of Lewis, 2003) was produced by  Calum Martin and appears courtesy of Leum Music. Samples of dialogue are derived from “The Western Isles” (1941, dir. Terence Egan Bishop) and appear courtesy of the British Council film archive under a CC BY-NC 3.0 licence. Images courtesy of The MacKinnon Collection at the National Library of Scotland and David Brooks at Unsplash.                                                                                Co-produced by Ilia Rogatchevski and Louis Gillespie for the Radiophonic Institute. Tracklist: Calum Martin - Gaelic psalms at Back Free Church, Isle Of Lewis Interview with Kenneth Murray Steve McLeish - Wool Waulking Display at the inaugural Outlander Day at Highland Folk Museum Interview with Ella Kay Fictional Sound Journey, Scotland Before & After The Highland Clearances Hosted on Acast. See acast.com/privacy for more information.

    50 Min.
  3. Sound Of The Year Awards 2023

    15.10.2024

    Sound Of The Year Awards 2023

    Join us as we explore sounds that encapsulate 2023 with the Sound Of The Year Awards. We speak with the judges Jez Riley French, Kate Carr, Rana Eid and Will René about “nature” and sound preservation, the ethics of field recording, sound as a political act, and the poetry of imagined sounds. The interviews are followed by a sound collage composed from this years’ entries, featuring recordings submitted from across the world. If you’d like to revisit any of the sounds, head over to soundoftheyearawards.com where you can listen to them in their entirety, read about their wider context and check out submissions from previous editions of the awards. Produced by Ilia Rogatchevski for the Radiophonic Institute.   Track list:   Archipelagos - Charles Van Kirk Todmorden Market - Cornholme Junior, Infant and Nursery School, Hepworth Class (Y5) Croydon, South London - Ark Oval - Year 2  Community Sounds - Alkis Karagiannis-Avar and Melia Karagianni-Avar The Disorderly Harmony Orchestra - Yoichi Kamimura Landschaftspark Rheinbogen (City Park) - The Musikschule Monheim am Rhein The 1st grade class (1°U) of the Primary School "Livio Tempesta" in Quattro Castella (RE), Italy Left Ear / Right Ear - Lola de la Mata Primary School of Volakas - Year 3 and Year 5 R9A Arrowhead - Jake Mehew The Grain of the Voice - Jake Parry Eastanbul - Alp Tuğan Harmonics’ Lettrism - Cateri Muro (read by Laura Michelle Smith) Amazon river dolphins hunting - Jana Irmert Voice of the Morteratsch Glacier - Ludwig Berger Weddellscape - Finbarr Dillon Surreal Ice Sounds at Medicine Lake - Kelly Rafuse Tree Hyrax in Mt Kenya - Martha Mutiso Port Jackson Shark Egg - Vicki Hallett Co-existing with sound via hearing aids - Geo Aghinea Left Ear / Right Ear - Lola de la Mata Subsonic blast waves from military training activities - John Grzinich Listening Desk - Emily Peasgood The sound of biodiversity disappearing from London's freshwater ponds - Emily Peasgood Aural Prespa - Alexandros Hadjitimotheou The Disorderly Harmony Orchestra - Yoichi Kamimura Eagle's Cry Amidst Danger - Jakub Orzęcki Free Palestine Protest - Cosmin Sandu A wild Feast in Maasai Mara Game Reserve - Martha Mutiso A sound to stop all wars - Claire Dunn (read by Laura Michelle Smith) Message to Homeland - danil repin Hosted on Acast. See acast.com/privacy for more information.

    49 Min.
  4. The Sound of the Year Awards 2022

    13.08.2024

    The Sound of the Year Awards 2022

    Celebrate the sonic achievements of 2022 with the Sound Of The Year Awards. Mathew Herbert – composer and director of the Radiophonic Institute – speaks with the audio producer and SOTYA judge Alannah Chance, Drew Daniel and M. C. (Martin) Schmidt of Matmos, and co-host Naomi Paxton about the power of sound. They discuss its ability to represent political events, disappearing organisms, nature and society as a whole. Their discussion is followed by a multitude of amazing submissions from 2022, featuring sounds from Indonesia, Ukraine, South Africa, Canada and Taiwan ranging from cicadas and political protests to drift ice and poetry performed by Axel Kacoutié. Produced by Ilia Rogatchevski for the Radiophonic Institute.   Track list:   SOTYA Performance - Axel Kacoutié Black Lives Matter Demonstration In Vancouver - Anonymous NYC Police Communication During Black Lives Matter Demonstrations - Anonymous I imagined a Sound. - CLIP Sound and Music (read by Axel Kacoutié) A Yorkshire Clough - Primitive Percussion Youth Orchestra Moodsonic Soundscaping - Fran Board The Sniffing Rock - Manja Ristić Mimpa Owa (A Duet with Javanese Gibbons) - Gardika Gigih Pradipta Curlew Bubbling Song - Merlyn Driver Calf Trying to Breathe After Dehorning - Mélia Roger Bombina Bombina Mysterious Call - Jakub Orzęcki Conversations at the Edge of the World - Emma Kate Matthews Control - Tansy Xiao In the Middle of Giants - Pablo Cerqueira Mutations XX/XX/XX - Cândida Borges Guide Me Across The Street - Leonard Maassen Community - Hamed Mafakheri 'Capra' - The Goat Dance - Cosmin Sandu King & Bells - Sheffield 8th September 2022 - Duncan Chapman ​​Remuage - Cà Del Bosco - Giuseppe Cordaro and Riccardo Caspani Wonderwash - Berk Offset broken metronome concrète - Owen Duff Photon Smasher - CLIP Photosynthetic Beats (Utricularia) - Ludwig Berger Music for PlayStation - Jesse Austin-Stewart gestures of thaw (Sólheimajökull, Iceland - July 2022) - Pablo Diserens Ryuhyo - Yoichi Kamimura Solitary Seal Pup Screeching - Horsey Beach - Joe Harvey- Whyte Wind Turbine Like Fingernails on a Chalkboard - Rick Hannon Sédiment Narratif - Audiotopie / La Quadrature Vaillant aroTHERM plus - Vaillant Changing Shifts - Chris Hails Crépuscule automnal à l'étang du Ravoir (Autumn Nightfall at Ravoir's Pond) - Jocelyn Robert War Over Nature - Jet Fighters Training Over Wildlife Conservation Sanctuary - Samuel Monceau Silence of Sirens - Kyiv - Philipp Markovich One Minute in Bakhmut - Ihor Babaiev February 26 12.07 AM Chernihiv - Anton Stuk Hosted on Acast. See acast.com/privacy for more information.

    46 Min.

Info

The Radiophonic Broadcast examines innovations in sound and music. From field recordings and fictional journeys to Foley-inspired performances and music made by fungi, get to know the artists working at the vanguard of sound. This podcast gives equal balance to speech and music. Think of it as two sides of an LP or cassette: the first side contains conversations and interviews; the second – uninterrupted compositions made by or featuring our interviewees. Brought to you by The Radiophonic Institute. Hosted on Acast. See acast.com/privacy for more information.

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