Prime Lenses Iain Farrell

Dan Baker is a UK based photographer specialising in seaside photos, although specialising doesn’t really cover it. Dan doesn’t just specialise. He set himself the challenge of shooting a single 100m stretch of beach front in his home town. This hyper specifc focus has produced beautiful colour imagery that’s rich, playful and often features a dropped ice cream cone.
I love his work we had a great conversation about three very similar lenses, but then that’s very Dan, he has found great variety and depth over several years in a place most photographers would feel they’ve explored in an afternoon.
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More about this show:
A camera is just a tool but spend enough time with photographers and you’ll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I’m interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.

David is the founder of a company called Pixii, a French based team of folks who decided to make a new type of camera. A digital rangefinder without a screen that seeks to reinvent the way that we engage with a high quality interchangeable lens system. I worked with David over a decade ago in open-source software and was stunned when I saw his face on the website for Pixii a couple of years ago. He’s passionate about his company and what they can make. He and his team are making something special and it was a real thrill to talk to someone making a camera. How often do you get to do that!?
Sign up to the Prime Lenses newsletter for a mid week treat.
More about this show:
A camera is just a tool but spend enough time with photographers and you’ll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I’m interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.

Mattias Burling has worked in media production since 2007. Experience in Production, video and stills made a YouTube channel about photography a natural fit and to date he has published over 420 videos about cameras. For me he’s one of photography’s permanent fixtures and I often watch his videos as I really trust his no nonsense approach to technology not to mention his fantastic eye. His images are stunning, dynamic, and beautiful.
Sign up to the Prime Lenses newsletter for a mid week treat.
More about this show:
A camera is just a tool but spend enough time with photographers and you’ll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I’m interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.

Director, producer and journalist for The Verge, Vjeran gets to work on a little bit of everything — from writing to filming, editing and running a video team. His free time is a lot more photography centric — street, pets, drones and a lot of different lenses.
Sign up to the Prime Lenses newsletter for a mid week treat.
More about this show:
A camera is just a tool but spend enough time with photographers and you’ll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I’m interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.

Kevin Mullins is a documentary and reportage-style photographer from the UK who’s best known for his wonderful candid wedding photos. His journey in photography only began sixteen years ago and we get into that a little in the conversation. He has a very human approach and firmly believes that "a photograph doesn't have to be good, it just needs to be important”.
Sign up to the Prime Lenses newsletter for a mid week treat.
More about this show:
A camera is just a tool but spend enough time with photographers and you’ll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I’m interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.

Born into photography by way of a family entrenched in it (father, grandfather, uncle and husband are all photographers), Ali took a circuitous path back to this medium by way of old, digital and analog cameras when she started my YouTube channel one month two cameras.
Sign up to the Prime Lenses newsletter for a mid week treat.
More about this show:
A camera is just a tool but spend enough time with photographers and you’ll see them go misty eyed when they talk about their first camera or a small fast prime that they had in their youth. Prime Lenses is a series of interviews with photographers talking about their photography by way of three lenses that mean a lot to them. These can be interchangeable, attached to a camera, integrated into a gadget, I’m interested in the sometimes complex relationship we have with the tools we choose, why they can mean so much and how they make us feel.