Art of the Cut

Steve Hullfish, ACE
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Conversations with Film, TV, and Documentary editors.

  1. vor 1 Tag

    The Invite

    Today on Art of the Cut we discuss Olivia Wilde’s film, The Invite, with its two editors, Yorgos Mavropsaridis, ACE, and Anthony “Ant” Boys, ACE. Yorgos worked on the edit through the assembly cut then Ant took over for most of the rest of the edit.  Yorgos has been on Art of the Cut before multiple times for Bugonia, Poor Things, and The Favourite. Yorgos is a Greek editor and graduate of the London Film School. He was nominated for Oscars, BAFTAs, and ACE Eddies, for Poor Things and The Favourite. His other films include Kinds of Kindness, Killing of the Sacred Deer, and The Lobster. Ant has been nominated for a BAFTA for The Thick of It. He won an ACE Eddie for the TV series, Veep. He’s also edited The Marvelous Mrs. Maisel and The Great, among other work.  Today on the show, a discussion of the rules of cutting comedy, how to talk about the performance of an actor who’s also the director, and the difficulty of editing overlapping dialogue. If you're interested in reading along with this podcast and seeing the movie clips that were discussed, you can visit the BorisFX blog site: borisfx.com/blog/aotc

  2. 9. Juli

    Backrooms

    Today on Art of the Cut, we speak with Greg Ng about editing the Kane Parson’s indie phenomenon, Backrooms. Greg was last on Art of the Cut for LongLegs. Greg is the nominee and winner of numerous Canadian Screen Awards, Canadian Cinema Editors Awards, and Leo Awards. His other work includes The Monkey, Keeper, and the TV series, Bones of Crows. We’ll be talking about how Backrooms was sculpted in the cutting room by structuring the time between the backrooms and the rest of the world, editing within a “Method cutting room,” and patiently basking in the mystery of a “Lovecraftian space.” If you'd like to read along with this podcast and see cool images - like the cutting room decked out in the yellow wallpaper that covers the backrooms - visit the BorisFX blog site: borisfx.com/blog/aotc

  3. 2. Juli

    The Furious

    Today on Art of the Cut we speak with editor Chris Tonick about the feature-film, The Furious. Chris has edited films like Kung Fu Games, Trigger Warning, and Black Friday. He was a producer on the Walter Murch documentary, Her Name Was Moviola. He’s also been part of the post teams of The Suicide Squad, Once Upon a Time in Hollywood, and John Wick 2. On this episode, we're discussing - among other things - why the biggest job in this action movie wasn’t cutting the action, how the film’s most memorable moment came from trying out a left-field idea, and how fight scenes are like pop songs. If you'd like to read along with this interview and see the trailer, clips, and exclusive images, check out the BorisFX blog site: BorisFX.com/blog/aotc

  4. 25. Juni

    I Love Boosters

    Today on Art of the Cut, we speak with Terel Gibson, ACE about editing Boots Riley’s feature film, “I Love Boosters”.  Terel has been on Art of the Cut before for his work on the TV series “Skeleton Crew.”  His other work includes Sorry to Bother You, Ready or Not, Hawkeye, and The Astronaut.  If you're interested in reading along with today's podcast, check out the BorisFX blog site. borisfx.com/blog/aotc

  5. 18. Juni

    Disclosure Day

    Today on Art of the Cut, we speak with editor Sarah Broshar, ACE, on editing Steven Spielberg’s Disclosure Day. Sarah has been on Art of the Cut several times, last for her editing of The Fablemans. She was nominated for an ACE Eddie for Spielberg’s The Post. Her credits also include Ready Player One, Pet Sematary, and West Side Story. This discussion will be about the rule when temping score that will be replaced by the legendary John Williams, how the length of the first assembly is a secret even to Spielberg himself, and Sarah’s keys to building suspense and enhancing emotion. If you want to read along this podcast and see images from the film, the trailer, and images on the post crew, check out the BorisFX blog site borisfx.com/blog/aotc

  6. 11. Juni

    Miss You, Love You

    Today on Art of the Cut, we speak with editor Doc Crotzer, ACE, about the HBO film, Miss you, Love You. Doc is an ACE Eddie winner for Roadhouse, and an ACE Eddie nominee for his work on the TV series, Glee. A frequent collaborator of Doug Liman, Doc’s other work includes the John Wick spinoff Ballerina, Sons of Anarchy, and producing, directing and editing the TV series Good Behavior. A discussion about how to find the rhythm in the silences, the challenges of editing with very little music, and when to turn Walter Murch’s “blink” rule against itself. If you want to read along with this interview and see images from the movie, clips, the trailer, timeline screenshots and a photo of Doc's editing set-up, check out the BorisFX blog: borisfx.com/blog/aotc

  7. 4. Juni

    Star Wars: The Mandalorian and Grogu

    Today on Art of the Cut we speak with Rachel Goodlett Katz, ACE, and Dylan Firshein - the editors of Star Wars: The Mandalorian and Grogu. Dylan’s been on the show before when we discussed the TV series, The Mandalorian, for which he’s been nominated for two Emmys. He also edited on The Book of Boba Fett. Dylan was also a first assistant editor on Solo: A Star Wars Story, and The Big Short. Rachel’s also been an editor on The Mandalorian TV series. Her other TV work includes Halt and Catch Fire, The Walking Dead, and Gossip Girl. She also edited parts 1, 2, and 3 of the Fear Street films. Our discussion today is about the value of editing on set, the challenges and possibilities of editing with a masked main character, and the power of cinematic inspiration from the classics If you'd like to read along with this podcast and see images - like the amazing on-set editing set-up, please visit the BorisFX blog site: borisfx.com/blog/aotc

  8. 28. Mai

    Shrinking

    Today on Art of the Cut we speak with two of the editors of Apple TV’s Shrinking – James Refroe, who is also an associate producer on the show, and Sarah Lucky. Sarah has also edited Scrubs, I Love That for You, Senior Year, and Grace and Frankie. James has also edited Abbott Elementary, Bad Monkey, Superstore, Uncle Buck, and The Muppets. Our discussion today details the keys to editing comedy, how to support character development through editing, and the importance of mentorship with assistant editors. If you'd like to read along with today's podcast and see the trailer, clips, exclusive photos and the timelines from the scenes discussed in the podcast, visit the BorisFX blogsite: borisfx.com/blog/aotc

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Conversations with Film, TV, and Documentary editors.

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  • Erstellt von
    Steve Hullfish, ACE
  • Jahre aktiv
    2008 - 2026
  • Folgen
    214
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  • Copyright
    © Steve Hullfish, ACE
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    Art of the Cut

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