Before social media, before streaming, before algorithms decided what you'd hear next, Sydney had the street press — and the street press had the Hopetoun Hotel. In this episode, State Library Fellow Dr Liz Giuffre takes us inside her archival forays into On the Street and Drum Media, two free weekly publications held in the State Library of NSW's collection that served as the first draft of Sydney's music history from the early 1980s to the early 2010s. Combing through 375 issues of On the Street and 685 issues of Drum Media, Giuffre reconstructed the full gig history of the Hoey — a 200-capacity pub in Surry Hills that somehow managed to be the centre of a very special universe. The numbers tell part of the story: 375 slots for live music in just the first decade, the majority free, Wednesday nights the busiest, genres and genders far more diverse than the "blokey pub rock" myth would have you believe. But archives only get you so far — the rest is memory, and this panel has plenty of it. From Machine Gun Fellatio forming almost by accident after a misprint in a gig listing, to Box the Jesuit's anatomically ambitious birthday cakes, to the gentleman's agreements between venue bookers that briefly kept Paul Kelly off the Hopetoun stage, the conversation ranges across what made the Hoey's ecosystem tick: the bands, the bookers, the barflies, the street press journos, Terry the Pieman, and Johnny's fish and chips next door. The panel also looks forward — at what's been lost to unaffordability and dispersal, what's quietly thriving in record stores and warehouse spaces and jewellery shops on Parramatta Road, and why culture, as one panellist puts it, always finds a way. Voices Dr Liz Giuffre is a Senior Lecturer in Communications at UTS, a music and arts journalist, and a fan. Her work has been published widely for academic and general audiences, and she is still an active commentator online and on radio via TheMusic, 2SER FM and ABC Radio Sydney. She was one of the Library’s Visiting Fellows in 2024. Her new book, Spirits of the Hoey, is a love letter to the iconic Hopetoun Hotel. Chit Chat von Loopin Stab is a filmmaker, lyricist, music producer, TV presenter, radio announcer, film score composer and gardener. He cowrote The Whitlams’ hit song ‘No Aphrodisiac’, which was voted number one on the Hottest 100 of 1997 and won the 1998 ARIA Award for Song of the Year. Chit Chat is also founding member, producer, manager, keyboardist and occasional vocalist for Machine Gun Fellatio, as well as a music TV presenter on Foxtel’s Max for 12 years. His score for the 2003 Australian crime film Getting Square won multiple awards. Chit Chat’s first band Vrag were regulars at the Hopetoun, as was Machine Gun Fellatio. Emily Collins is a seasoned music industry leader with deep expertise in strategy, policy and program development. Prior to her appointment as Head of Sound NSW, Emily served for eight years as the Managing Director of MusicNSW, where she played a pivotal role in strengthening the state’s contemporary music sector. Emily’s career began in major music festivals, including the Cockatoo Island Festival and the Great Escape Festival, before expanding into marketing roles at Underbelly Arts Festival, Sydney Writers’ Festival and Darwin Festival. A long-standing champion of the NSW music industry, she has been a prominent advocate for the sector and continues to support artists, venues, festivals and industry organisations across the state through her leadership at Sound NSW. Lex Davidson is the manager of Cultural Strategy for the City of Sydney and the Chairperson of the Music Cities Network, a global network of music policy professionals. Under his stage name Lex Lindsay, he is a multidisciplinary artist, theatre maker and music composer with a background in directing film and music festivals. Lex has produced work for two Biennales of Sydney and is a contributing artist to pieces in the permanent collections of the Museum of Contemporary Art (MCA) and the Australian Centre for the Moving Image (ACMI). His current project, composing choral works for CREATION, a speculative queer climate action religion, has been performed at the Sydney Opera House, Art Gallery of NSW, Carriageworks, and will feature in the grand reopening of the renovated Newcastle Art Gallery in 2026. Susie Beauchamp is half of the songwriting/performance powerhouse Box The Jesuit, an incredible live and recorded Sydney band from the mid 1980s until early 1990s. They supported Nirvana at the first Big Day Out and, more importantly, gave Hoey patrons all singing, all dancing, all death-defying, all pornographic cake eating nights to remember! The band ended when Susie’s partner in music and life, Goose (Stephen Gray) passed away. The legend remains, and the music remains completely captivating. Tamson Pietsch is director of the Australian Centre for Public History and History Lab's presenter. Credits This episode of History Lab was recorded on Gadigal Land, Sydney, at the State Library of New South Wales. For more literary events like this one, see the library's What's On page. Edited and mixed by Lachlan A'Court. History Lab is brought to you by the Australian Centre for Public History and UTS Impact Studios. Executive producer is Sarah Gilbert. Further reading and listening Explore the Spirits of the Hoey web page. Buy Spirits of the Hoey at Melbourne Books. For more Hoey memories, listen to another Impact Studios podcast ep featuring authors Liz Giuffre and Greg Ferris speaking with singer-songwriters Sarah Blasko and Sally Seltman, along with Hoodoo Gurus bassist Clyde Bramley about the life and times of the Hopetoun Hotel.
