School of Podcasting: Expert Tips for Launching and Growing Your Podcast

Dave Jackson
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You want to start a podcast, but you’re unsure where to start. You need advice on how to grow or monetize your show, and stop being so scared that it won’t work! I can help by showing you what mistakes NOT TO MAKE and much more. Subscribe to the show and soak in the 18+ years of podcasting experience from Podcaster Hall of Fame Inductee Dave Jackson.

  1. 2 days ago

    How Mark Grew His Podcast 17% in Five Weeks

    Stop Researching, Start Doing (This Time I Brought Receipts)Be honest: how many podcast growth videos have you watched this month, and how many of those ideas have you actually tried? I get it. I have courses I've bought and never opened. But a few weeks ago I challenged you to quit swinging for the grand slam and just make solid contact, and this time I'm back with proof. My buddy Mark actually did the work, and his downloads jumped 17% in five weeks. I also share the free, 42-second habit that's sending people to my website every week, the five-minute move that got me mentioned on another podcast without even asking, and some surprising data on what happened to shows that added video in Apple Podcasts. If you've been stuck in research mode, this is your nudge to press play and then go do something. Mark Did It: 17% Growth in Five WeeksOver the last several weeks, we've been running growth masterminds inside the School of Podcasting, talking strictly about strategies to grow your show. Plenty of people listened. Mark Lawley from Practical Prepping actually put them to work. Buzzsprout sends him a weekly download count, and over five weeks his numbers grew about 17%, with a lot of people going back into his back catalog. I'll take that all day. Find, Click, ActTo grow your reach, remember the order things happen in: They have to find you first. That means a good episode title that's a promise of what's inside, not clickbait, and show notes full of helpful words (preferably ones that came out of your mouth, not AI's). People find you through word of mouth, paid promotion, or organic search, and Google loves good words.Then they have to click. Once they land on your website, don't make them dig for episodes.Then they have to act. Tell a friend, buy your product, visit your sponsor, whatever your "why" is. My Social Media ExperimentYou can't manage what you don't track. I knew some people wouldn't want to pay for a tool (I LOVE Switchy and it's only $39 for a lifetime deal), so I used Short.io, which gives you 100 trackable links for free and takes about 42 seconds per link. I expected next to nothing from social. Instead, posting once to three times a week, I was getting around 40 clicks a week. That's roughly 160 a month and about 1,920 a year, from less than five minutes per post across Bluesky, Twitter, LinkedIn, and Facebook. Clicks aren't downloads, and nobody's told me yet that they found the show on social. But before I tried this, I had zero clicks to my website. If what you're doing now isn't growing your audience, try something. Stop waiting for the perfect opportunity while week after week goes by. Are You Afraid of Success?Sometimes it's not fear of failure holding you back. You already launched. It might be fear of success. Here's what I hear, and my answer to each: "If I get popular, people will criticize me." People in line behind you at Walmart are already judging you."Who am I to be listened to?" You've done hard things before. You have life experience worth sharing."What if I disappoint people?" You already do, on a regular basis. That's life."What if my hobby turns into a job?" It's your show. You decide."Then I'll have to monetize." No, you won't. If you don't want sponsors, don't have sponsors."What if I try everything and it still doesn't grow?" You've already started to grow. We just want to throw some gasoline on it. Other things get in the way too: perfectionism that keeps you researching forever, goals that are too vague or too big, strategies that don't fit your values (that's okay, you should have values), and plain old discomfort with being visible. I once wanted to refund a client because every option I offered got "I'm not doing that." The Five-Minute Strategy: Leave a VoicemailIf you listen to a show similar to yours, leave it a voicemail. Neal Veglio did this on the Pod News Weekly Review, and he always brought value. He made me think or laugh every time. So when I was telling people to find someone who shares their audience, I went and found Neal's show, cherry-picked episodes because his titles were so good (there's another strategy), and mentioned him on my show. Without me asking, he returned the favor on Podmastery:Podcasting Insights. We haven't even figured out what we're doing together yet, and we've already cross-promoted. Total time: less than five minutes. It reminded me of the Podcasters' Roundtable with Ray Ortega and Daniel J. Lewis. They're technically my competition, and also some of my favorite people on the planet. How I Got Into the Hall of FameI was asked this week how I got into the Podcasting Hall of Fame. My answer is a joke that isn't a joke: I didn't quit. Others did. You can't make a dent in anyone's life if you quit. There was a time you didn't know how to button a shirt, tie your shoes, or walk. You learned by doing it, and sometimes doing it wrong. As Zig Ziglar said, you don't have to be great to start, but you have to start to be great. Figure out who your audience is, go where they are, make friends, and tell them about your show. That's Podcast Growth 101. Using Podcorn? Remove Your Prefix NowPodcorn is going away (I believe sometime in early November). If you added their tracking prefix at your media host, every one of your episodes will stop working when they shut down unless you remove it. Do it now so you don't wake up to zero downloads and a pile of "I can't download your show" emails. Are You Even Close to Being Ready For Ads?While you're in there: when I worked at Libsyn, I'd see shows with 317 downloads running three or four prefixes for companies that require 10,000. Every prefix is one more piece of technology that can fail and take your files down with it. Find out the minimum you need to qualify, and add the prefix when you get there. Does Adding Video in Apple Podcasts Help?Rob Walsh from Captivate always brings the receipts, and he makes stats fun. He looked at shows that opted into Apple's video program in May and compared their August Apple Podcasts numbers to their average for February through April: 15% went up32% stayed flat (within plus or minus 15%)53% went down That's about an 85% chance your Apple numbers stay flat or drop. The theory he heard: listeners saw the show had video and went to watch it on YouTube instead. His advice, and ours from the start: if you want to do video, start on YouTube. If it doesn't add too much stress to your workflow, keep going and maybe add it to Apple. What makes me sad is people who added video, got overwhelmed, and dropped the podcast instead of the video. All of the Podcast Movement presentations, including Rob's, are on the Podcast Movement YouTube channel. Podcasting in Six Weeks Is Starting SoonIf you want to launch a podcast in 2027, my free Podcasting in Six Weeks course starts in a couple of weeks. We'll work our way around the holidays. Sign up at podcastinginsixweeks.com. Bonus: The Wendy's StoryStick around after the outro for a story about a hamburger order that went wrong several times (hamburger, not cheeseburger), me losing my patience, and why I went back to the counter on my way out to apologize. Try saying you're sorry. It makes you feel better, and the other person will probably thank you. Want to grow your show like Mark? Head to schoolofpodcasting.com, click Join, and use the coupon code LISTENER for a monthly, quarterly, or yearly subscription. You get courses, community, and one-on-one coaching, backed by a 30-day money-back guarantee. The website runs on PodPage. Websites MentionedSchool of Podcasting (coupon code LISTENER): https://schoolofpodcasting.comPractical Prepping (Mark Lawley): https://practicalprepping.infoP3 Media Group (Mark's editing services): a href="https://p3mediagroup.net" rel="noopener...

    How Mark Grew His Podcast 17% in Five Weeks

  2. 28 Sept

    The Best (and Worst) Podcast Feedback We've Ever Received

    A listener once told me they hoped I'd quit teaching altogether. Another told me, in the nicest way possible, that the curmudgeon was showing up a little too early these days. Only one of those helped my show. This month's Question of the Month was all about feedback: what's the most constructive feedback you've ever received, and what's the most destructive? A few listeners sent in their answers, I share mine, and to prove how much feedback matters, I dig up some embarrassing basement recordings from a much younger Dave Jackson. Let's get into it. Why Aren't You Getting Feedback?It honestly boggles my mind how many podcasters never ask for feedback and then wonder why their show isn't growing. Think of it like making someone a sandwich. You can ask, "I've got baloney, smoked turkey, or salami. Which do you want?" and make something they'll actually eat. Or you can hand everyone salami and say "tell your friends," while half of them are quietly thinking, "I hate salami." Ralph Estep Jr.: "Go Hire a Speaking Coach"Ralph, the content creator's accountant, says the best feedback he ever got was to hire a speaking coach. People (me included) told him he sounded robotic on his show, nothing like the Ralph you meet on a Zoom call or in person. He found a coach, and it changed the way he does everything. On the other side, he's had people tell him they hope he gets hit by a bus or struck by lightning over his religious views. He's not taking that advice. His point: when you get feedback, consider who it's coming from and whether it makes sense to act on it. York Campbell: The Name Was the ProblemYork's show used to be called Poetic Earthlings, and people kept assuming it was about poetry. It's actually short sci-fi stories: time travel, alien worlds, hyperdimensional creatures, and a few conspiracy theories. A fellow podcaster suggested Welcome to Earth Stories, and once he made the change, the attention and downloads followed. As York put it, sometimes you fall in love with a clever name because of what it means to you, and never stop to ask whether anyone else will understand it. Timothy Kimo Brien: "You Called My Baby Ugly"Tim submitted his old show, KDOI Podcasting (Kimo's Den of Iniquity), to the Podcast Rodeo Show. I said it sounded like a radio station, and the full name sounded like... something else entirely. Tim was not a happy camper. Later, sitting at a podcast conference and hearing someone talk about making your show's title clear, he asked himself what his show actually does: it's about creating art. Hello, Create Art Podcast. He's gone from roughly 200–300 downloads a month to between 1,000 and 1,500. He says it's not necessarily because of the name change. I say probably. Either way, it helped him focus on what the show is really about. My Best Feedback: The Curmudgeon Is ShowingBefore Podfest even started, my buddy Steve Stewart asked me to lunch and asked if I was open to notes. I grew up professionally with "constant improvement" on the walls of my first job, so of course I was. He told me the curmudgeon was coming out a little quicker than it used to. That was gold, because it was something I could control and fix. And it came from someone whose opinion I value, someone who'll tell me when something's good and when it isn't. Knowledge is only power when you act on it. My First Bad Review (and What Good Feedback Looks Like)In 2010, five years into podcasting, I got my first negative review: basically "not good, not enough thought, it's a commercial for bad services." It knocked me back on my heels, but there was nothing I could fix, because it never said why. (This is why I now say you're not a real podcaster until you get a one-star review.) Compare that to a 2017 review from a listener who wanted to hear the show but said the mix had a hiss or too much treble. That's great feedback. It's specific, and I could have adjusted it (I was using the Electro-Voice RE320 back then and liked my S's and T's crisp). The only problem is he should have sent it to me directly. A few things to keep in mind: The person might be having a bad day. After decades in customer support, I've seen people apologize later once they calmed down.Ask yourself: do they have a point? If so, can you fix it?Make it easy for feedback to reach you. A review isn't a direct line.Save the nice messages. On days you don't feel like recording, they remind you people are listening.Reviews are social proof, but they don't help you get found. Apple has said so. When Feedback Goes Wrong: The Podcast Rodeo ShowIn 2017 I launched the Podcast Rodeo Show, where I'd grab a random podcast and give a real first impression. (Half of YouTube is reaction videos now. I'm taking credit for inventing it. I didn't.) One episode, a host opened by sharing a string of genuinely awful personal experiences, all within the first few minutes, and never said what the show was about, who it was for, or even that it was an interview. My feedback was all logic: what's in it for the listener? As Erik K. Johnson says, nobody gets on a bus if they don't know where it's going. Don't bury the lead. People don't care about you until you give them a reason to care. She emailed and attacked me personally, said I was cruel and should never call myself a teacher. It hit me hard enough that I worried the show was hurting my brand, and it's part of why the show eventually ended. Listening back now, I could have been more compassionate. But when I asked my audience whether they wanted a kinder, gentler version, they very loudly said no. So the show evolved (a little less "listen and react," a little more "what do we want them to learn") and got rebranded, first to Podcast Hot Seat (people said that sounded painful) and now to Fix My Podcast. Scott Orr: How to Take Hard FeedbackNow compare that to Scott Orr, an award-winning journalist and host of Code 3 – The Firefighters Podcast. Before one review, I reached out and said, respectfully, "Scott, you sound like you're drunk." He replied that he didn't have a drinking problem. He has Parkinson's. Instead of getting angry, Scott took the feedback and now opens every episode by saying he won't let Parkinson's stop him. When Scott later came on the Podcast Review Show, Erik K. Johnson pointed out that addressing it up front is disarming. Listeners stop wondering what's going on and focus on what Scott's saying, not how he's saying it. Honest? Yes. Awkward? Yes. Helpful? Absolutely. You Can't See Your Own TyposMy favorite example: I once had a typo in the School of Podcasting's own tagline ("plan, launch, grow, and monetize") and didn't catch it. Sometimes you just don't see it. Young Dave Jackson's Basement TapesAt School of Podcasting we hold listener parties, where members listen to an episode together and give feedback in real time. Some people cringe at the idea. So here's my confession: in my twenties I was basically Ross from Friends, recording angry '80s rock in my basement. Guitar, bass, keys, drum machine, and, unfortunately, all the vocals. I'd hit play and leave the room while friends listened. Their feedback? "Who's playing the piano?" Me. "Who's on bass?" Me. Nobody said a word about the music. Just recently, my brother found that CD and told me the songs and singing weren't that bad, but the mix was horrendous. Thirty years later. A little late. Here's the scary part: you're going to be judged anyway. Wouldn't it make more sense to be judged in a way where you can capture the feedback and make changes before you publish? The Sidewalk LessonA few years ago on the Fourth of July, I fell on an uneven sidewalk while looking at my phone and still have the scars on my knees. That was feedback too, just the painful kind. If someone had warned me about that raised block of cement ahead of time, I'd have saved myself a lot of trouble. That's what good feedback does. Give me feedback on this show: head to schoolofpodcasting.com/survey and tell me how I can make it better. I'm doing this show for you. Want help growing your show? Go to schoolofpodcasting.com and use the coupon code LISTENER for a monthly, quarterly, or yearly subscription, backed by a 30-day money-back guarantee. Next week: one thing I did in under five minutes that put me directly in front of my target audience. Follow at schoolofpodcasting.com/follow so you get it the minute it drops. Contributors & LinksRalph Estep Jr., the Content Creator's Accountant: https://ralphestepjr.comBecoming Financially Confident (live weekdays, 11:30 a.m. ET): a href="https://www.becomingfinanciallyconfident.com/" rel="noopener noreferrer"...

    The Best (and Worst) Podcast Feedback We've Ever Received

  3. 21 Sept

    Podcast Movement 2026 Reflections and Behind the Scenes of Two Other Events

    Podcast Movement 2026 Reflections + Lessons from Two People Who Run Podcast EventsI just got back from Podcast Movement, and a lot of you have been asking whether it was still worth going now that it's under new ownership, in a new location, with a whole new format. Short answer: I'm definitely going back. In this episode I walk through what changed, what I loved, what I'd tweak, and what Tom Webster's data says about where podcasting really stands. Then I sit down with two guys who have actually done it, Marc Ronick of Empowered Podcasting and Dr. Brad Miller of Pod Indy, to get the behind-the-scenes story of running a podcast event. If you've ever had that little voice in your head saying "maybe I should start my own meetup or conference," this one is for you. Podcast Movement 2026: Was It Worth It?I went down the list, old Podcast Movement versus new. The hotel and the cost. It used to be at Gaylord hotels, which run $1,000 a night, where the burgers are $30 apiece and you never leave the building. This year was BYOH: bring your own hotel. I stayed two nights at a Holiday Inn Express for $400 a night. Still pricey, but nowhere near the Gaylord. Tickets were also much cheaper because they weren't paying for that hotel arrangement. Point to the new Podcast Movement. The venue. Picture a small theater (think House of Blues) that had a baby with a cruise ship: three floors, and you can look down at the main stage from the top. The rooms were narrower, so the back row was farther from the stage than I was used to. I also learned I need new glasses, because the giant screen was split in two and I couldn't read the slides. Sessions ran with silent-disco-style headphones: turn the dial to yellow or green and you hear that stage. The strange part is that people talk while someone is presenting a few feet away. It went against everything in my body, but it works, and I could network the whole time. My one suggestion: turn on the house lights during networking breaks. When you have 40 minutes to meet people and can't see who's in the room, it's a problem (unless it's Rob Greenley, who is six foot six inches). Networking and the parties. PodPage hosted a small meetup, and I walked over to the Buzzsprout meetup too. Both were places where you could actually talk, with no blaring music. I've talked to Dan Franks, who helps plan Podcast Movement, and he says they tell every sponsor that people want to talk, not have their ears bleed. Nice to see it work. New York City. I'll miss Dallas and Chicago, but it's supposedly staying in New York to make it easier for international attendees. The food was a win, and I never felt unsafe walking around Hell's Kitchen. I ate at Cubbies and at McGee's, which I didn't realize until halfway through is tied to How I Met Your Mother. A smarter schedule. Monday and Tuesday were geared toward the business and advertising side, and Thursday and Friday were for indie podcasters. That means indie folks can save on the hotel bill. The talks are going online. They're putting the presentations on the Podcast Movement YouTube channel for free. I'm looking forward to catching the ones I missed, including Lou Mangiello and Rob Walch's talk about video. What I Learned from Tom WebsterIf you only see one talk at a conference, make it Tom Webster's. Here's what stuck with me: Podcasting has gone flat. It used to grow at least 3 to 5% a year, occasionally 7%. This past year it barely moved. It's still growing, but by a very small amount.Where people listen. In a survey of roughly 5,000 podcast consumers, the top three places were YouTube, Spotify, and Netflix. Not Apple, Pocket Casts, or Overcast.Where I disagree. YouTube and Spotify are open to anyone, so I get why people call them podcasts. Netflix isn't open. They have to choose you, and there's no RSS feed. For me, a podcast is an RSS feed with audio or video in it.Tom's Walmart analogy. Look at the CD section: a tiny collection of only the biggest hits (Back in Black, Rumors), nothing like a dedicated record store. His suggestion was that we should promote podcast-specific apps. My favorite is Pocket Casts: it plays audio and video, it has bookmarks (that's how I grab the clips I play on the show), and it has a web version. Podcast Standards Project: PodRoll Is ComingI sat in on my first Podcast Standards Project meeting. PodRoll, from the Podcasting 2.0 spec, is the modern version of a blogroll: a list of shows you personally recommend, living in your feed. Because feeds are public, anyone can see who's recommended most. That's human recommendations, not an algorithm you try to trick. Ask your media host if they support it (if not move ton one that does). The group is also looking at adding location, so you could find podcasts in your area. Video: Do You Have To?Some people insist you have to do video. Others said not only do you not have to, but the shows that added it didn't see much benefit beyond more work, cost, and time. In Apple's video spotlight, the shows featured were already big. I'm looking forward to Rob Walch's full presentation, because that's exactly the kind of "what's working and what's not" you go to a conference to learn. Small Events vs. Big OnesPodcast Movement had probably over 1,000 people. Empowered Podcasting had a little over 100 (about 150 this year), and Pod Indy will land somewhere between 50 and 100. Podfest usually draws a couple thousand. My favorite kind of event is single-track: everyone hears the same content, so when you step into the hallway you all have something to talk about. Interview: Running a Podcast Event with Marc Ronick and Dr. Brad MillerWhy they started. Brad spent 43 years as a pastor and was a Christian concert promoter, so he'd seen the power of live events. After connecting with his local podcasting group in Indianapolis, he launched Pod Indy in 2023 (I keynoted the first one), and the fourth is coming up. Mark had been podcasting as long as I have, and didn't step into a conference until about five years ago. He felt a little out of place at the big ones, so he built a place where he'd feel comfortable. Small is a feature. Mark went in wanting Empowered Podcasting to become the next Podcast Movement. After the first one (2024, under 100 people) he noticed magic in a smaller, more intimate room, where people were learning from each other outside the sessions. He'd cap it around 200. Brad goes deep on one track, one day. The biggest surprises: You can't do it alone. Mark thought he could run it almost by himself. He carried the financial and emotional load, burned out after year two, and nearly canceled three times. Jason and Rich stepped in to save it, and he made them business partners.Ticket sales come late. In Mark's second year, only about 20 tickets sold before the final month. Brad says two-thirds of tickets arrive in the last month. This year's sales were smoother for both, and both say credibility builds over time.Bring enough lead time. Brad's first event had only three months, and he bit off more than he could chew. He also lost money using a business center, so he moved it to his church, where he has a studio, and kept it to one day with no hotel block.Hotel blocks. If you don't fill the rooms, you pay anyway. Mark's went fine this year because speakers and a good share of attendees needed rooms. Money, honestly. Brad started by deciding what he could afford to lose (he did lose some the first year, and calls it an investment). Mark admits he wasn't careful with money in the first two years and took on some debt. Both credit their wives, Debbie and Amy, for keeping them grounded and for believing in the vision. Advice if you're thinking about it: Mark: Be okay with however many people show up. Start with a few who believe in your message. If they have a good experience, they come back and become your advocates.Brad: Build transformative relationships one on one, then a few together. Have coffee or lunch with someone, or start online, before deciding whether to do a formal event.Both: Virtual is great, but nothing replaces being around like-minded people in person. Choosing speakers. Mark's pet peeve is speaker submissions that are obviously written entirely by AI: "I love using AI, but that's a lazy move, and I don't know that I want a lazy speaker on one of my stages." (My favorite line on this: if you can't take the time to write it, produce it, or record it, why should I take the time to consume it?) Brad recruits speakers through personal relationships instead of an application process. Themes so far: podcasting as a business, AI, and this year taking your podcast (and your life) to the next level with keynote speaker Cliff Ravenscraft. Pod Indy: November 7, 2026When and where: November 7, 2026, in Whiteland, Indiana (suburban Indianapolis), 9 a.m. to 4 p.m.Tickets: $37 in person, $27 live stream.Discount: use code SOP for $5 off.On the lineup: Cliff Ravenscraft (keynote), John Lee Dumas (video), Craig on AI, and me. My TakeawayIf you try to start with 1,000 people, you'll burn...

    Podcast Movement 2026 Reflections and Behind the Scenes of Two Other Events

  4. 14 Sept

    Attention vs. Connection

    A few years ago I accidentally hit a guy on the golf course. I'm not proud of it — although it did bank in almost perfectly off his calf on its way toward the hole. But the swing that caused it taught me something I haven't stopped thinking about: my brother told me to quit trying to kill the ball and just make good contact. Looking at podcasting, it turns into the best explanation I've found for why so many podcasts stop growing. If you've ever chased a bigger download number, wondered why nobody signs up for the thing you're selling despite having a decent audience, or just felt like you're doing everything and getting nowhere, keep listening — because the fix isn't a bigger swing. It's Not About a Big Audience. It's About the Right One.I talk to podcasters constantly who are chasing the same fantasy: flip a switch, get 10,000 downloads overnight. I get it — I've wanted that too. But it doesn't exist unless you've got a massive budget, and even then it doesn't always work. Quick, honest question: who won American Idol season six? They had a million people watching. Doesn't mean you remember them, and it doesn't mean they connected. Here's the math that changed how I think about this: if you ran your show as a $30-a-month membership, you'd only need one person willing to pay to break even (assuming you're spending $30/month). But not just any listener does that — it has to be someone connected to you. So the real target was never more downloads. It's finding roughly 500 right-fit people who trust you. Downloads don't join a membership. Connected people do. What a Musician Taught Me About ConnectionI study podcasters, but I also study musicians, authors, and YouTubers, because we're all in the same business — entertaining people with our art. One of my favorite channels right now is Mary Spender's. She's a musician, not a podcaster, but what she said recently hit me right in the chest: "We've spent years treating streaming numbers as though they measure fandom, but perhaps they often measure familiarity instead. Millions of streams doesn't necessarily become hundreds of people willing to leave the house on a Wednesday evening. Maybe we've become incredibly good at measuring attention, but forgotten how to measure connection." Swap "streams" for "downloads" and "tickets" for "memberships," and she's describing exactly what's happening in podcasting. Mary lost £12,000 on her last tour. Instead of giving up, she changed her approach: "Not to chase the biggest room, to chase the right room. Not to impress the most people, to matter to the people who choose to be there." Knowledge is knowing that. Wisdom is acting on it — and she is, booking her own shows again, more intentionally this time (And enjoying it more). How to Actually Get in Front of the Right PeopleWe've been brainstorming growth ideas in the School of Podcasting community, and the point was never to do all of them — it's to pick one, test it, and measure it. A few examples: Guesting on other podcasts that share your audience — less friction, since that audience already knows how to listen to a podcast.Podcast swaps, shout-outs, or a 30-second promo trade.Speaking engagements or workshops.Writing for a publication your audience already reads.Your own blog and SEO — no, it's not dead.Partnerships that go beyond sponsorship, where you actually help each other promote.Word of mouth — which drives roughly 70% of podcast growth, and yet almost nobody deliberately asks for it. Ask your audience, specifically and simply, to share the show with one friend.Local, unglamorous options: I used to slip a business card into a book on the page matching my age, in a genre my audience would read. Free. Slow. It worked, a little at a time. None of these flip a switch. They're singles, not grand slams. You build an audience one person at a time. Would you spend 5 minutes to get 36 people to your site each week? How I Found Out What's Actually Working: Click TrackersHere's the part that surprised me. I started putting a click tracker (I use Switchy) on every link I post — social, LinkedIn, wherever. Takes about 41 seconds per link. What I found: my email list outperformed every social platform by double digits, while everything else stayed in single digits. One email drove 36 clicks in a week — times four weeks, that's potentially 144 people who might actually listen, follow, or tell a friend. And it cost me less than five minutes. Would you spend 5 minutes a week to get 36 people to your site each week? Again, this is not the 10,000 switch. It's one strategy, and leaves you lots of time to try others. The click isn't the whole story, though — a click is still just attention, the same thing Mary warned about. What matters is what happens after it: did that traffic turn into an email subscriber, a membership signup, a real connection? Track that, and you'll quickly find out which platforms are worth your time and which ones you can quietly stop feeding. (If you want a free option instead of a paid one, Short.io does the same basic job.) So the "extra" time you spent using click trackers, you get back by identifying strategies that don't work for you. Two People Who Grew by Showing Up Consistently, Not LoudlyIn the early days of podcasting, Steve Stewart (Podcast Editors Academy) built recognition for years by simply leaving comments on other people's shows — for free. Eventually every show about podcasting seemed to mention him. Neil Veglio did something similar on Pod News Weekly Review, showing up consistently with sharp, specific insight until listeners started recognizing his name. Neither of them flipped a switch. They just kept showing up in the right rooms. I plan on doing some sort of collab with Neil in the future. Ask Your Audience Who They Actually AreIf you're just starting out and don't have an audience yet, go find where your future audience already hangs out — YouTube comments on a similar channel's most-viewed video, or Amazon reviews for books on your topic (skip the 5-star and 1-star reviews; the 4-star ones that explain what would've made it a 5 are where the real feedback lives). And if you already have an audience: ask them directly what they want, more than once, and explain why it helps them to tell you. Track the link to your survey the same way you track everything else — if 12 people click but only 6 finish it, that's useful data too. The Bottom LineHope is not a strategy. Neither is waiting for the 10,000-download switch — I've been looking for one since 2007, and it doesn't exist. Growth doesn't come from a bigger swing: more effort, more platforms, more reach. It comes from solid contact with the right people, and you won't know what's solid contact until you measure it. If you want help building the kind of connection that actually turns into a membership, that's exactly what I do at School of Podcasting. Head to schoolofpodcasting.com and use coupon code LISTENER for a monthly, quarterly, or yearly subscription — backed by a 30-day money-back guarantee. Links & Resources MentionedSchool of Podcasting — https://schoolofpodcasting.com (coupon code: LISTENER)PodPage — https://podpage.comSwitchy — Click tracker with lifetime one time payment. (aff)Short.io — https://short.io (free click-tracker alternative)Steve Stewart / Podcast Editors Academy — stevestewart.meAsk the Podcast Coach - Weekly live show with free podcast consulting. Also mentioned by name on the episode, but no specific link was given on air — worth dropping in your own before publishing: Big Podcast Playbook (David Hooper)Pod Mastery (Neil Veglio)Buzzsprout (ad platform)Pocket Casts (app) Mentioned In This Episode Join the School of Podcasting Community Profit From Your Podcast Book Power of Podcasting Network Dave's YouTube Channel a...

    Attention vs. Connection

  5. 7 Sept

    Intuition Over Imitation: Lessons from the Empowered Podcasting Conference

    What I Learned (and Relearned) at Empowered Podcasting ConferenceI got triggered at a podcasting conference last week, and honestly? I almost jumped out of my chair. Someone in the room said something that stopped me cold, and it's become one of the biggest lessons I'm bringing back to you this week — along with a story about a $230 million quarterback who won't take feedback, why "cheating off the smart kid" with AI is quietly ruining your podcast, and the subscription I found on my own bank statement that I'd been paying for and not even using. This episode is a mashup of my talk at Empowered Podcasting Conference 3 in Charlotte and everything I picked up just from being in the room. Let's get into it. It's Your Show. Own It.This is the one that made me want to stand up. Someone in a session said, "Well, I can't ask my guest to keep their answers short." Yes, you can. It's your show. If you're doing interviews, you're the goalie — it's your job to keep anything that doesn't serve your audience out of the episode. And if a guest rambles, that's usually on the host, not the guest. Give your guest a target before you hit record: who you're talking to, and whether you want short, medium, or long answers. A guest who doesn't get a target from the host should ask for one. Own your show. Set the boundaries. Your audience is who you're protecting. What Actually Makes Content RemarkableMy talk was about what makes a podcast good, and I focused on what makes any content remarkable. I walked through a few movies to prove it: Saving Private Ryan — that D-Day opening wasn't new information (we all knew WWII was brutal), it was a new way of presenting it. People talked about it because nobody had seen it shown like that. The Sixth Sense — a tiny budget that beat big blockbusters like The Lone Ranger because of one twist: we don't find out Bruce Willis's character is dead until the end. People walked out of the theater and called a friend to say "you have to see this." That's the goal — content remarkable enough that it spreads on word of mouth alone. Gone with the Wind — a 1939 movie with an actual intermission, and people still talk about the burning of Atlanta (a real fire on the studio backlot, no CGI) and that last line — "Frankly, my dear, I don't give a damn" — which had audiences clutching their pearls. Again, something people had not seen before. Star Wars — I saw it eleven times as a kid, and even when half the theater had already seen it multiple times, everybody still cheered when the Death Star blew up. That's not just about the special effects. That's about how it made people feel. A podcast episode is content plus delivery — and delivery is you: your attitude, your confidence, your life skills. My rule of thumb for what makes a good episode: laugh, cry, think, groan, educate, or entertain. Save them time or save them money. Try to hit more than one of those in every episode. The Most Underrated Skill in Podcasting: ListeningEveryone assumes the top skill is a great voice or being funny. It's not. It's your ability to listen — to your audience, and to feedback. Case in point: The Cleveland Brown's quarterback, the one we paid $230 million despite a stack of off-field allegations. He's not good at his job. When fans booed him, his response was basically "you guys don't like me" — not "I need to get better," not "tell me more." He made it personal instead of taking it as information. I hear the same thing constantly from podcasters. I'll offer to help someone grow their show, ask which episode they want me to listen to, and they'll say "oh, it's not the content." If you're not willing to actually hear feedback, don't be surprised when your show doesn't grow. The AI Shortcut That's Quietly Killing Your VoiceThis is the one I need you to sit with. There's a real strategy going around called the outlier strategy: if you and a competitor share an audience, and one of their episodes way outperforms their normal numbers, you make your own version of that topic. Legitimate strategy. Here's where it goes sideways — people are grabbing the transcript of that outlier video, feeding it to AI, and saying "rewrite this in my voice." And the whole reason they're doing a podcast in the first place is to be seen as a thought leader — using someone else's thoughts. It might work about 80% of the time (I'm making that number up), and that missing 20% is the part that's actually, uniquely you. Mark Maron said it best: "You're not thinking your own thoughts. You're a hack with an excuse for why you're failing." I'm not anti-AI — I use it to organize my own brain dumps into an outline. But when you let it write the content, you get exactly what everyone else already sounds like. Led Zeppelin became Kingdom Come became Greta Van Fleet. Cinderella became Girl School. The copy is never as good as the original, and eventually the audience notices. Which brings me to a phrase I have to credit to YouTuber Aprillynne Alter, because she said it better than I could: protect your intuition. When you let AI do all your thinking, you never actually process the information — and you lose your gut instinct for what your audience needs. That's exactly why I watched every single Dolly Parton video myself for last week's episode instead of asking AI to summarize them. I wanted that information in my head, not just in the output. Cheating off the smart kid might get you the grade. It won't get you the understanding. Own Your Audience — Don't Rent It From a PlatformI had a great conversation with email marketing expert Paul Gowder about this. I moved my main marketing list from Kit (formerly ConvertKit) over to Substack, and while my subscriber count is actually growing there, I can see in my stats that it's not driving nearly as much traffic to my website. Paul's question stopped me: " What do platforms do once they get popular enough? They change the rules." TikTok, Facebook, YouTube — every one of them eventually limits your reach to your own audience unless you pay up. Email doesn't have an algorithm. Those are people who raised their hand and said "I want more." I'd rather have a 40% open rate on my newsletter than a meaningless "view" on YouTube. And I export my list every single month just in case, because platforms can turn on you fast — there was a parenting podcast that got pulled off YouTube with zero warning, appealed to an AI system, got denied by that same AI, and only got reinstated after Podnews' James Cridland made it a public story. You don't want your show's survival to depend on someone shaming a platform into doing the right thing. Audit Your Subscriptions — You're Probably Bleeding MoneyMy buddy Ralph Estep Jr. — "the content creator's accountant" — gave the keynote, and his advice was simple: go look at your podcast's checkbook. So I did. In five minutes I found I'd been paying $57 a month for an SEO mastermind I hadn't attended in ages, plus $10 a month for an email address I don't even use anymore. Close to $100 a month, gone, just from things I forgot to cancel. This is exactly why you want a separate bank account for your podcast — every charge in there is tied to something you're using for the show, and it makes the leaks obvious. If you need a separate account I use both Sofi and Acorns. Don't Copy the Gear. Be You.One more story from my talk. We all think if we buy the same mic or use the same host as someone successful, we'll get their results. It's not the gear. The band Extreme had guitarist Nuno Bettencourt, who idolized Eddie Van Halen his whole career — and finally got to play Eddie's actual rig, in front of Eddie. He was sure he'd finally sound like his hero. Instead, he said it was "so horrible," because he just sounded like himself. Same thing happened in early podcasting — we all bought the same expensive mic because we wanted to sound like a famous podcaster. Lean into being you. You're already very good at it. Bonus: Sometimes "Remarkable" Means Remarkably BadA tiny, ultra-low-budget Chinese film (reportedly made for around $200 by a mother and son on an iPhone) got pulled from theaters and mocked online as one of the worst movies ever. The memes were brutal. And because everyone was talking about it, curiosity took over — it ended up making an estimated $9.3 million. Remarkable works both ways. Quick Update on Episode 1049In a href="https://www.schoolofpodcasting.com/1049" rel="noopener noreferrer"...

    Intuition Over Imitation: Lessons from the Empowered Podcasting Conference

  6. 31 Aug

    12 Business Lessons Podcasters Can Learn From Dolly Parton

    Dolly Parton died on August 25, 2026, at age 80. While most tributes are focused on the music, this episode looks at something else entirely: Dolly Parton the businesswoman and entertainer. She sang at the Grand Ole Opry at 13 and was still building her empire seven decades later, which is rare in an industry where most acts have a five-to-ten-year run. As we like to say around here, success leaves clues, and Dolly left a lot of them. Below are 12 lessons pulled from her career, each one translated into something a podcaster can actually use. Take Advantage of Opportunities When They Show UpIn the late 1960s, a teenage Dolly landed a spot on the syndicated Porter Wagoner Show, earning $60,000 a year — by her own account, more money than she'd ever seen. She could have stayed comfortable as Porter's sidekick. Instead, she used the platform to build her name, and when she'd gotten what she needed from it, she left in 1974 to build something that was actually hers. Wagoner threatened to have her dropped from her label and later sued her; she ended up paying roughly $1 million to settle it, and the relationship took years to repair before the two eventually reconciled (American Songwriter, Cheat Sheet). Why it matters for your podcast: your show builds relationships, those relationships create opportunities, and taking advantage of those opportunities (a guest slot, a speaking gig, a collaboration) is what grows your audience — which creates more relationships. It's a loop, and it only works if you actually act when the opportunity shows up. Build a Podcast Brand People Instantly RecognizeYou knew Dolly when you saw her. Her wig, the rhinestones, the exaggerated glamour, her boobs, wasn't an accident. She said she based it on the town's "tramp." Dolly's response: I wanted to look like her. I thought she was beautiful. Her best line, "It costs a lot of money to look this cheap" says it all. When Barbara Walters pushed her on it in a 1970s interview, essentially implying she looked like a hillbilly, Dolly shot back that she might "kick her in the shin" and laughed the whole way through it. Why it matters for your podcast: a distinctive brand gets you noticed once. Celebrity, a striking name, a bold visual that earns the first click. What earns the return listener is the talent and substance behind it. Dolly had both, and so should your show. Own Your Audience — Don't Rent It to a PlatformDolly wrote "I Will Always Love You" in 1973 as a farewell to Porter Wagoner. When Elvis wanted to record it in 1974, his manager Colonel Tom Parker demanded the publishing rights as a condition for Elvis to record it. This was a standard (crappy) practice for an Elvis cut at the time. Dolly said no, even though it was Elvis. Nearly two decades later, Whitney Houston's version spent 14 weeks at No. 1 and sold an estimated 20 million copies. Because Dolly still owned 100% of the publishing, that single song brought her roughly $10 million in royalties in the 1990s alone, and an estimated $20 million total from the Houston version according to Forbes (American Songwriter). Why it matters for your podcast: As fellow podcaster Steve Stewart puts it, "Don't sell your audience to your sponsor, sell your sponsor on the value of your audience." The same logic applies to platforms: own your website, your domain, and your email list so no single network or app can take your audience away from you. It happens — YouTube pulled a top parenting podcast off the platform entirely (before reinstating it after public pressure). Dolly held onto her publishing because she knew the long game mattered more than a quick win. Hold onto your feed the same way. This is why an RSS feed is important. You can't be cancelled, and you can easily move to a new host if needed. Don't Take Yourself Too SeriouslyLong before a critic could land a joke, Dolly had already made it herself. On plastic surgery: "If I see something sagging, bagging, or dragging, I'm going to have it nipped, tucked, or sucked." Even the announcement of her passing carried her sense of humor forward, joking that she was finally ready to trade the rhinestones for something more comfortable. Why it matters for your podcast: self-deprecating humor makes an audience like you more. If you can laugh at yourself — a mistake, dated gear, a rough first episode — listeners relax and warm up to you faster. Have fun with your show. Otherwise, you'll burn out on it. Be Consistent — It Builds TrustDolly reportedly slept in her makeup in case she had to get up in the middle of the night for an emergency, because she never wanted to be seen without it. More importantly, she was always, unmistakably Dolly be it on stage or off, in an interview or in a duet, across 70 years of performing. People who met her said what you saw on stage is exactly what you got in person. Why it matters for your podcast: consistency isn't just about your publishing schedule (though that matters too) — it's about your output staying recognizably you. A listener who hasn't tuned in for six months should know exactly what they're getting the moment they hit play. Know Your WhyDollywood already existed under a couple of generic names before Dolly bought into it in 1986. She didn't just license her name and collect a check — she built it to bring jobs to her hometown region in Tennessee, rooting the business in something true about her instead of something generic and scalable. Today it generates an estimated $180–580 million a year, with her stake alone valued around $165 million. Why it matters for your podcast: plenty of celebrities slap their name on a generic product — a tequila brand, a theme park, a template — and it doesn't work because the "why" isn't real. If you're just copying someone else's show format and putting your name on it, it's probably not going to land. Know why you're actually doing this. Secondly if you put your name behind it, it better be a positive reflection of you (think about this when it comes to sponsors). If you say a product is great, and your audience buys it and it's not, they won't buy anything else from you as your integrity is shot. Experiment With New Formats Without Losing Your IdentityDolly moved from country into pop in the '70s (9 to 5 and more), then made the bluegrass albums she couldn't make earlier in her career because they were "too niche" — as she put it, "I had to get rich so I could come back and sound poor" (BrainyQuote). She went into TV, movies, and near the end of her life a Broadway musical. It was based on her own story, for which she wrote much of the score (so you could say she liked to stay busy). She initially tried to withdraw her name from Rock and Roll Hall of Fame consideration, saying she hadn't "earned that right," then was inducted anyway and leaned all the way in, dueting with Judas Priest's Rob Halford at the ceremony (Rolling Stone, Fox News). She later recorded "Please Please Please" with Sabrina Carpenter — a genre-crossing pairing where each artist's fans discovered the other (Rolling Stone). Why it matters for your podcast: every new genre, format, or collaboration was still unmistakably Dolly. That's the model — try new things, but stay recognizably yourself. And notice the audience-sharing angle: pairing with an artist (or podcaster) who has an adjacent audience introduces you to people who'd never have found you otherwise. That's exactly what cross-promotion with a show in your niche can do for you. Outsource What You're Not Good AtWhen Dolly wrote and starred in the 1986 TV movie A Smoky Mountain Christmas, she knew the script and the performance were her strengths — but directing wasn't, so she brought in Henry Winkler (yes, the Fonz) to direct (Yahoo News). Why it matters for your podcast: do the parts of your show you're genuinely good at and enjoy, and hand off the rest — editing, show notes, technical setup — to someone who does it better than you. Give Back to Build LoyaltyDespite her wealth, Dolly gave away enormous sums, saying she prayed for "enough to share and enough to spare." In 1995 she launched the Imagination Library in...

    12 Business Lessons Podcasters Can Learn From Dolly Parton

  7. 24 Aug

    How Many Podcast Downloads Do You Actually Need to Keep Going?

    What is Your Rock Bottom Podcast Downloads Number?Everybody talks about growing their audience. Nobody talks about the number where they'd quietly give up. This month's Question of the Month flips the growth conversation on its head: what's the smallest number of downloads that would keep you making your show — and if you dropped below it, would you quit, or try to fix it? The answers from School of Podcasting listeners are surprisingly close... and my answer might not be a number at all. Also in this episode: a guest-pitch so bad it somehow involves a U-Haul dealership, and a heads-up on a booking-platform trick you'll want to know before you pitch yourself as a guest anywhere. In this episodeThis month's Question of the Month: what's your download floor?Steve Stewart says he'd think about quitting under 25 downloads an episode — but here's why he probably wouldn'tFrank Bravo is already running on "10s" of downloads, and explains why that number doesn't bother himRalph Estep Jr. went from 20 downloads to over 1,000 — but what actually keeps him going isn't the numberDave's answer: which of his 30+ podcasts he let die, which ones he kept, and why it's rarely about the download countThe 6-episode survey test — how to know if it's time to change your show or just accept where it's atScott Johnson (What Was That Like) shares the worst guest pitch he's ever receivedA warning about how some guests are gaming booking platforms like PodMatch — and how to vet who you let on your show Links mentionedSchool of Podcasting — use code LISTENER for a discount on monthly, quarterly, or yearly plansPodPage — this episode's sponsorSteve Stewart — Podcast Editor Academy / Podcast Editors MastermindFrank Bravo — Your Tech MakeoverRalph Estep Jr. — ralphestepjr.com / new show: Becoming Financially Confident (launching Aug 31)Scott Johnson — What Was That LikeYork - Welcome to Earth StoriesPodMatchPodcastGuest.comPitch a PodcastBuilding a Better DaveMarketing MusicianWeekly Web ToolsNew To Cooking This content may contain affiliate links, meaning I earn a small commission if you purchase through these links at no additional cost to you. I only recommend products or services I trust and believe will provide value to you. Thank you for your support! Mentioned in this episode: Live Appearances I loved connecting with my audience. Here are the next events I will be at: November 11: Podindy.com (use the coupon code SOP) February 23-26, 2027: National Religious Broadcasters nrb.org I'd love to speak at your event. Go to schoolofpodcasting.com/contact Where Will I Be? Question of the Month: Constructive and Deconstructive Feedback This month we are talking feefdback. What is the most constructive or deconstructive (or both) piece of feedback you've received. If you haven't asked for feedback, why not? I need your answer by September 25th (late entries won't be accepted) go to www.schoolofpodcasting.com/question and be sure to mention your show and your website address so I can link to it in the show notes. Question of the Month Podpage Email Alerts Podpage just launched a feature called Episode Alerts. It automatically emails your subscribers the moment a new episode goes live — no third-party email tool needed. When you publish, Podpage sends the email, links listeners straight to the episode, routes replies to your own inbox, and handles unsubscribes automatically. They also run every email address through validation and monitor bounces/spam complaints to protect your sender reputation. It's not meant to replace a full newsletter platform — no drip campaigns or segmentation — just a simple "hey, new episode's up" notification. It's available for Pro and Elite users, with monthly sending caps of 500 emails on Pro and 5,000 on Elite. For more information see https://www.podpage.com/updates/introducing-episode-alerts/ Podpage Join the #1 Podcast Education Site - The School of Podcasting Adam Curry is the co-founder of Podcasting (and the co-host of the No Agenda Show). When asked about learning how to podcast Adam said, "The place to go with the guy who has taught more people how to podcast than anybody I know - Dave Jackson, School of Podcasting.com" School of Podcasting

    How Many Podcast Downloads Do You Actually Need to Keep Going?

  8. 17 Aug

    YouTube Just Got Harder, Spotify Still Doesn't Care

    You Down With YPP?Episode Description: I break down YouTube’s latest changes to its Partner Program, including doubled watch-hour requirements and higher Shorts monetization thresholds ahead of the February 2027 deadline. I also bring in YouTube expert Adam Ivey’s take on why the real story isn’t necessarily the new criteria, and I share my own channel’s numbers so you can set realistic expectations for your own YouTube journey. Then the AI kids stop by for story time as I take a look at Spotify’s decade-long history of making big podcasting promises—and quietly failing to deliver on them. From a scrapped hosting partnership to a Creator Fund that never paid a cent, there’s plenty to unpack. Plus, Ray Ortega drops by with the shortest—and most accurate—definition of “podcast” you’ll ever hear. YouTube Partner Program (YPP) changes, effective February 1, 2027 Watch-hour requirement doubles: 4,000 to 8,000 hours in the past year (new creators only; existing YPP members are grandfathered in)Shorts monetization threshold doubles: 10 million to 20 million qualified views in 90 days to get in, then a rolling 10 million views every 90 days to maintain earningsFull monetization tier: 1,000 subscribers, $100 payment thresholdLower tier (500 subscribers): unlocks YouTube Shopping (affiliate) and channel memberships, requires 3,000 watch hours or 3 million Shorts views The real story behind the changes Adam Ivy's stat: 67% of YouTube creators make less than $10,000/yearYouTube's stated pivot: broadening revenue beyond ads, with bonuses for YouTube Shopping, brand-deal incentives, and trend-based earning boostsYouTube says it expects to pay creators more in 2027 than 2026: money is shifting, not shrinkingSteve Stewart (Podcast Editor Academy): "Don't just sell your audience to sponsors, sell sponsors on how great your audience is" Is YouTube worth it? The data Sounds Profitable's Podcast Atlas (slide 23): Clips lead viewers to watch a specific episode (30% often/always, 81% at least sometimes) and to become regular listeners (33% often/always, 84% at least sometimes)Dave's real channel numbers: 3,523 subscribers, ~$2.49 per 1,000 views, one video with 115 views earned 25 centsBottom line: YouTube ad revenue is icing, not cake. Don't budget groceries on it Spotify: a bedtime story for the AI kidsMay 2015: Spotify launches podcasts through a small group of hosting "partners" (Libsyn, Blubrry), framed as a growth opportunity, not monetizationSpotify initially insists on hosting the media files itself rather than letting partners host. Partners build custom engineering to comply, then Spotify reverses course2019: Spotify buys Anchor for $150 million, turning former hosting partners into competitors overnight, with free hostingSpotify quietly submits shows to Apple Podcasts under its own account, hiding stats from creators and sparking creator frustration (often aimed at consultants, not Spotify)2020: Megaphone acquired for $235 million. 2021: Whooshkaa acquired and folded into Megaphone, then shut down2021: Betty Labs acquired, becomes Greenroom (Spotify's Clubhouse competitor)2021: "New Era of Podcast Monetization": paid subscriptions, Open Access Platform, Spotify Audience Network announcedMid-2021: Greenroom launches with a Creator Fund promised for live audio creators. Payment mechanics never disclosed2021: Music + Talk announced ("play music in your podcast"), restricted to the Spotify app, paying subscribers only, after listening to the full episodeSeptember 2021: Q&A and Polls launch, pitched as "the future of podcasting is interactive"January 2022: In-house production studio "Studio Four" shut down with layoffsApril 2022: Greenroom rebrands to Spotify Live; Creator Fund confirmed to have never launched, quietly shelvedMarch 2023: Anchor rebranded to Spotify for PodcastersApril 2023: Spotify Live shut down entirely, two years after the original Greenroom launchFebruary 2024: Music + Talk and Anchor's recording tools killed; users redirected to RiversideJuly 2024: Q&A and Polls shut down, replaced with CommentsSpotify's "walled garden" habits: video and transcripts only available on Spotify, resistance to RSS since it sends listeners off-platform2026: Skip Ahead ad-skipping button testing begins, available only to Premium subscribers, while advertisers still pay for the adAudiobooks added, bundled with music, resulting in lower royalty payments to musicians What it actually takes to make money on Spotify 1,000 Spotify audience members (last 30 days)2,000 Spotify hours consumed (last 30 days)At least 3 published episodesFree alternatives exist too: Buzzsprout (90 days free), RSS.com, Red Circle Also in this episode: Ray Ortega's shortest definition of a podcast: "An RSS feed with audio or video content"Dave will be at the Empowered Podcasting Conference. Say hello if you see him Links: Podnews (the definitive investigative piece): https://podnews.net/update/greenroom-creator-fund-mirage Hollywood Reporter (original confirmation): https://www.hollywoodreporter.com/business/digital/spotify-greenroom-creator-fund-live-audio-1235132234/ TechCrunch (Spotify's official statement): https://techcrunch.com/?p=2302547 Tubefilter (stock price angle): https://www.tubefilter.com/2022/04/19/meta-live-audio-rooms-spotify-green-ro Spotify's own support doc: https://support.spotify.com/al/creators/article/understanding-skip-ahead-button/ Podnews (the deepest industry-side reporting): https://podnews.net/article/spotify-threat-ad-skipping Hollywood Reporter (advertiser reaction): https://www.hollywoodreporter.com/business/digital/spotify-new-ad-skipping-feature-1236670480/ Forbes (scale/downloads context): https://www.forbes.com/sites/gabrielalinzainescu/2026/08/10/spotify-tests-ad-skip-button-that-could-upend-podcast-advertising/ Variety (original 2024 reclassification): https://variety.com/2024/digital/news/spotify-music-audiobook-bundle-lower-royalty-for-songwriters-1235974942/ Music Tech (MLC lawsuit filed): https://musictech.com/news/industry/spotify-royalties-lawsuit-audiobook-bundling/ Music Business Worldwide ($3.1bn NMPA projection): https://www.musicbusinessworldwide.com/nmpa-says-spotify-bundling-move-could-cost-music-publishers-3-1bn-through-2032/ Music Business Worldwide (lawsuit dismissed): https://www.musicbusinessworldwide.com/spotify-wins-audiobook-bundling-lawsuit-as-court-dismisses-legal-action-brought-by-the-mlc/ Variety (ruling coverage w/ judge's quote): https://variety.com/2025/music/news/spotify-wins-lawsuit-bundling-royalties-1236289823/ Time (FTC complaint, $150M NMPA estimate): a href="https://time.com/6988114/spotify-songwriters-ftc-complaint-royalties-audiobooks-bundle/" rel="noopener noreferrer"...

    YouTube Just Got Harder, Spotify Still Doesn't Care
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You want to start a podcast, but you’re unsure where to start. You need advice on how to grow or monetize your show, and stop being so scared that it won’t work! I can help by showing you what mistakes NOT TO MAKE and much more. Subscribe to the show and soak in the 18+ years of podcasting experience from Podcaster Hall of Fame Inductee Dave Jackson.

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