R I T E S

Paris Hurley

A weekly podcast about creative practice and the illegible identities of artist and mother. parishurley.substack.com

Episodes

  1. Dancing On Your Own

    06/11/2024

    Dancing On Your Own

    Season 1 | Episode 6 In this episode, I share a guided improvisatory movement practice created for any body and any space. PLAYLIST: I. RITUAL II. SOVEREIGNTY III. POSTURING IV. SINNER (OBJECT AS SUBJECT) V. WEAPONRY (OBJECT AS SUBJECT) VI. OPOSSUM IN HEADLIGHTS VII. THIS VIII.KNIVES IX. POM POM MOVES (OBJECT AS SUBJECT) X. iii. (OBJECT AS SUBJECT) All music and lyrics written by Paris Hurley. All content — including music, concept, and text — copyright Paris Hurley + Paris Hurley Publishing. Featuring performances by: Paris Hurley: vocals / floor tom / violin / bass / guitar Jherek Bischoff: bass / upright bass / cello / guitar / guitarone Gina Young: bass / vocalsEmilia Richeson: floor tom / vocals Corey Fogel: drums Paul Kikuchi: drums / percussion Produced by Paris Hurley + Jherek Bischoff Artists / Spaces mentioned in the episode: Shannon Stewart Vanessa DeWolf Chantael Takeuchi Alice Gosti Studio Current R I T E S is a podcast from composer, musician, and writer, Paris Hurley. In these weekly episodes, she shares personal essays about creative practice, art-making, and motherhood. Paid subscribers also receive her sonic prayers—a new piece of music released monthly just to this community. For more of Paris' work, you can hear OBJECT AS SUBJECT wherever you listen to your music or sign up for her weekly newsletter, where she shares additional writing and updates on all of her projects. R I T E S was created, edited, and produced by Paris Hurley. All music, including the theme song, A Body Not Our Own is by OBJECT AS SUBJECT in collaboration with producer, Ben Kaplan of Lost Future Records.   This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit parishurley.substack.com/subscribe

    49 min

About

A weekly podcast about creative practice and the illegible identities of artist and mother. parishurley.substack.com