Eclectic Film Discussion and Babble
Eclectic Film Discussion and Babble
107 - THE MAD DOCTOR OF MARKET STREET (1942)
Troy and I discuss THE MAD DOCTOR OF MARKET STREET (1942) and ask the most obvious question first – Why does this movie mostly take place on a Pacific island? That title is an example of blatant false advertising!
106 - THE KID BROTHER (1927)
The film under discussion in this episode is a silent movie and a comedy meaning that it represents two cinema topics that this show rarely touches on. In fact, this is the very first time that we’ve ever covered either of those types of movies on The Bloody Pit so, it’s long overdue!
Usually when John Hudson guests on the show we discuss Antonio Margheriti films but after years of this we thought it would be a good idea to switch things up for a change of pace. Mr. Hudson suggested we look at one of his favorite funny movies THE KID BROTHER (1927) and since I knew nothing about it, I said yes. The film stars comedy genius Harold Lloyd who, by this time in his career, was one of the most popular filmmakers in the world and the highest paid film star of the 1920’s. He was in complete control of his movies usually generating the story ideas and co-directing them in a hands-on producer role. His films are always energetic affairs filled with amusing chase scenes and daredevil action sequences as his central character struggles to overcome adversity and win the affections of his female co-stars. You might think it pretty standard stuff until you actually watch one of his movies and get caught up laughing and gasping in surprise at the inventiveness on display. Lloyd was an amazing performer and this film is a perfect example of his abilities.
After Hudson and I catch up with each other’s recent viewing lists we dive into a discussion of THE KID BROTHER (1927) and do our best to find ways to remark on this crowd-pleasing tale when we can’t use sound clips to detail our points. John relates his history with Mr. Lloyd’s movies and his love of silent comedy in general. A good time is had by both of us and we hope that you enjoy listening to our discussion of this great film.
Any comments or questions can be sent to firstname.lastname@example.org or posted on the show’s FaceBook page. John and I will be returning to our usual subject matter the next time he visits but I suspect there will be more oddball choices for us down the road. Thanks for listening!
105 - Sam Irvin Visits!
Every now and then you meet a true raconteur. Someone who not only has the ability to tell tales in an amusing way but who has enough life experiences accumulated to have stories that seem to be inexhaustible. Sam Irvin is such a person!
Sam is a filmmaker who got his start in the industry working with Brian De Palma in the 1970’s on THE FURY (1978), HOME MOVIES (1979) and DRESSED TO KILL (1980) but his journey began as a movie obsessed young man in North Carolina. While just a grade school kid, he started his own movie fanzine in which he reviewed horror, science fiction and fantasy films as well as conducting interviews with his horror film idols. Over his high school years he interviewed Christopher Lee, Peter Cushing, Vincent Price, Freddie Francis, Terence Fisher and even managed to travel to England to speak with them in person. The story of his visit to the set of THE MAN WITH THE GOLDEN GUN (1974) is incredible! In the 1980’s he shifted to being a producer, directed a short film and worked as the Vice President of Marketing for several film distribution companies before finally getting to fulfill his dream of becoming a director. And then there’s the little story of making the amazing ELVIRA’S HAUNTED HILLS (2001) with the great Cassandra Peterson. But I should just let Sam tell you his story as he does a much better job than I ever could.
Among all his other projects Sam is also an author and our current pandemic Hell has fueled his creativity in an odd way. Along with artist Dan Gallagher he has produced the book Sam’s Toilet Paper Caper! Styled as a parody of the classic children’s series of Little Golden Books it relates the mostly true adventures of Sam as he attempts to replenish his supply of white gold – rolls of TP. It’s available in both ebook and print editions with links done below. All profits from the sales of this book go to the World Health Organization’s COVID-19 Solidarity Response Fund. To learn more and to donate, you can visit this website:
So, sit back and enjoy this couple of hours with Sam Irvin as he let us in on some of the more incredible parts of his wild life. If you have any questions or comments the email address is email@example.com or you can join us over on the show’s FaceBook page. Thanks for listening and we’ll be back soon.
104 - THE MUMMY'S SHROUD (1967)
Hammer Studios made four feature films in the ‘mummy’ subgenre and THE MUMMY’S SHROUD (1967) is usually listed as one of the least of them. I’ve never understood this general attitude and not just because I have a soft spot for tales of undead Egyptian monsters stalking grave desecrators. This movie has a lot to offer including a substantial role for the great character actor Michael Ripper. In his last Hammer film director John Gilling brings a number of fascinating ideas to bear and manages to find some new ways to present the usual story of cursed tombs and horrible retribution. In fact, the level of violence meted out by the silent killer in this tale brings to mind some of the darker aspects of the stalk and slash genre of later years. Could this bloody nastiness be one of the reasons the movie has been so derided by fans of the studio’s earlier output?
I’m joined by Mark Maddox to look at this film and dig into why we like it. We examine our discovery of the movie in years past and how it holds up now as it makes its way to Blu-Ray release. We talk about how it sticks to the tropes of the usual mummy story but finds ways to change things up enough to be more than a replay of past efforts. We discuss the cast beyond just the excellent turn by Ripper and the angular beauty of co-star Maggie Kimberly. I put forth the (fairly obvious) idea that the opening section of the film set in ancient Egypt seems to have been meant to be presented without the voice-over the film gives it. Of course, any time you get Mark talking there are going to be bizarre sideroads in the conversation and this episode is no exception. His ability to remember the details of what network showed which movie on what night back in the 1970’s stuns me!
If you have any comments or question firstname.lastname@example.org is the email address or I can be reached over on the FaceBook page. Thank you for listening to the show and stay safe out there. Cloth wrapped feet are not the only deadly thing lurking in the night!
#103 - MISSION STARDUST (1967)
MISSION STARDUST (1967) uses the first two Perry Rhodan novellas to bring a version of the character and his world to the movies. The basics of the printed tale set things in motion (minus the more interesting/expensive parts) and then the story is melded with a standard Euro-Spy plotline to give us one of the stranger variations on the genre that the 1960’s ever produced. On his Antonio Margheriti Blog, Adrian Smith pointed out that this film’s special effects were done by Margheriti and his team sometime after the completion of the Gamma One films.
#102 - X THE UNKNOWN (1956)
Mark Maddox joins me to discuss X THE UNKNOWN (1956) and relate a few personal stories about his history with it. Here’s a hint - always accept an invitation to have dinner with Frazier Hines!