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  • To Catch a Thief: North Korea On Our Payroll
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    To Catch a Thief: North Korea On Our Payroll

    Rubrik | Nicole Perlroth

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  • “I Trust Almost Anyone More Than Myself” | Better in Person

    3 days ago ·  Bonus

    “I Trust Almost Anyone More Than Myself” | Better in Person

    The Pulitzer Prize-winning novelist Jennifer Egan talks about confidence, luck, and why it takes 35 drafts to get to the finish line. If you'd like to see the video version of Better in Person, you can watch it on YouTube or Apple Podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  • How to Return Stolen Art (Update)

    1 day ago

    How to Return Stolen Art (Update)

    Museums are purging their collections of looted treasures. Can they also get something in return? And what does it mean to be a museum in the 21st century? (Part 3 of an updated series originally published in 2023.)   SOURCES: Patricia Allan, museum consultant, former curator of world cultures for the Glasgow Museums. Andrea Bayer, deputy director for collections and administration at the Metropolitan Museum of Art in New York. Lonnie G. Bunch III, Secretary of the Smithsonian Institution. Victor Ehikhamenor, Nigerian writer and artist. Patty Gerstenblith, professor emeritus of law at DePaul University College of Law. Tom Wilkening, professor of economics at the University of Melbourne.   RESOURCES: "After Seizures, the Met Sets a Plan to Scour Collections for Looted Art," by Robin Pogrebin and Graham Bowley (The New York Times, 2023). "Nigeria Benin Bronzes: Buhari Declaration 'Blindsides' Museum Officials," by Barnaby Phillips (B.B.C., 2023). "Shared Stewardship and Ethical Returns Policy," by the Smithsonian Ethical Returns Working Group (2022). "Protecting Antiquities: A Role for Long-Term Leases?" by Michael Kremer and Tom Wilkening (Working Paper, 2015).   EXTRAS: “Stealing Art Is Easy. Giving It Back Is Hard,” series by Freakonomics Radio (2023). Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  • Peanuts for the people

    3 days ago

    Peanuts for the people

    In the 30 years since its invention the ready-to-use therapeutic food Plumpy'nut has saved the lives of millions of children and protected countless others from the effects of malnutrition. Jewel Kiriungi explores its origins and ongoing legacy. The brainchild of two Frenchmen, Doctor Andre Briend and Michel Lescanne, a food processing engineer, they set out to put the power to feed children back into the hands of parents. With the help of organisations like Unicef they created a system of manufacture and distribution that would not only feed the hungry but benefit the economies of the countries where Plumpy'nut was needed.

  • The Vatican's AI battle

    21 Aug

    The Vatican's AI battle

    As Silicon Valley races to build machines that can think, create and perhaps surpass human intelligence, the Vatican has emerged as one of the most prominent global voices questioning the path the tech billionaires are setting for us. Pope Leo XIV, in his recent document on AI, warned of “the risk of dehumanisation.” Behind that warning lies a question that has occupied philosophers and theologians for centuries: what does it mean to be human? In Rome, Isobel Cockerell explores whether the answer to that age-old question survives contact with the era of artificial intelligence. She turns to Father Michael Baggot, a Catholic priest and professor who teaches courses on AI, ethics and transhumanism at Vatican universities. A regular at meetings between clergy and tech leaders, he sees Silicon Valley’s vision of AI as quasi-religious in its claims to end uncertainty, suffering, and even death. “I also belong to a religion that believes in eternal life,” he says. He’s conflicted about the ambitions of the tech elite. He hopes AI can lead to “human flourishing” but sees, in his pastoral life, how AI can devalue the very human acts of caring and sacrificing for the good of others. Isobel also speaks to tech entrepreneur Bryan Johnson, known for his radical efforts to defeat human ageing and live forever. He tells us that in building superintelligent AI, humanity may in fact be building God. He points to a future in which “this emergent structure of power is no longer human-centric.” This episode of Heart and Soul examines whether an institution built on ancient tradition can meaningfully shape the direction of the most disruptive technology of our time. And it invites believers and sceptics alike to consider what impact artificial intelligence might have on humanity.

  • Introducing... One-star review

    Season 1, Episode 7

    Introducing... One-star review

    The Slow Newscast can be listened to here. When Ali, a restaurateur, realised his mobile’s security had been breached and that random things were missing from his flat, he began to feel uneasy. Was he being targeted for his politics or his personal life? And more importantly, who could stop it? The Slow Newscast from The Observer takes the news slowly. Who are the people biohacking themselves in a quest for immortality? Or the man taking on an entire nation in the high seas to protect whales? And what happened when humanity's most distant messenger fell silent? From a newsroom with a different approach to journalism these are the stories we tell. Subscribe to The Observer and use the code AUDIO50 to get 50% off your annual subscription: Early access, bonus content and ad-free listening to our podcastsA daily edition, curated by our editors 7 days a weekPuzzles from the inventors of the cryptic crosswordRecipes for every occasionFree tickets to join Observer events in our newsroom or online Hosted on Acast. See acast.com/privacy for more information.

  • Ep. 1: Strange Things Are Happening

    9 Jun

    Ep. 1: Strange Things Are Happening

    A new breed of worker is quietly clocking in across the United States. They’re writing code. Managing your passwords. Training the next generation of AI models. They’re gaining trust. And access.  On paper, they’re the dream hire. Skilled. Low maintenance. Always remote and often affordable. And by most accounts, they’re doing the work. But strange things are happening. In a new season of To Catch a Thief, host and former lead cybersecurity and digital espionage reporter for The New York Times, Nicole Perlroth, investigates how North Korean agents are infiltrating the global workforce. How did a nuclear-armed regime worm its way onto the payroll of international companies – and why is it so difficult to get them off?  To Catch a Thief is co-produced by Nicole Perlroth and Rubrik in partnership with Pod People. To Catch a Thief was written and produced by Nicole Perlroth, along with Khrista Rypl, T. J. Raphael, Rebecca Chaisson and Sam Gebauer. Additional thanks to Allie Pinel, Fendall Fulton, Krissy Clark, Cai Lee, Eunice Park and Aimee Machado. Editing and Sound Design by Erica Huang. Art direction and design by Ben Long, Gareth Strange and Sarah Burley at the John & Jane Agency, and support from John Leestma.

  • 675. Has the New York Times Become a Games Company?

    15 May

    675. Has the New York Times Become a Games Company?

    Not exactly. But their runaway success with games like Wordle says something bigger about the way we live now. (Part one of a series, “We Are All Gamers Now.”)   SOURCES: Alex Hardiman, chief product officer at The New York Times. Jonathan Knight, S.V.P. and general manager for New York Times Games. Eric Zimmerman, game designer, professor of game design at the N.Y.U. Game Center.   RESOURCES: "Wordle Is a Love Story," by Daniel Victor (New York Times, 2022). The Rules We Break: Lessons in Play, Thinking, and Design, by Eric Zimmerman (2022). Thinking Inside the Box: Adventures with Crosswords and the Puzzling People Who Can't Live Without Them, by Adrienne Raphel (2020). The Grasshopper: Games, Life and Utopia, by Bernard Suits (2005). Rules of Play: Game Design Fundamentals, by Katie Salen Tekinbas and Eric Zimmerman (2003). Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  • 对话徐沪生:“一条”创始人30年内容心法,教你做又美又爆的IP号!

    2 days ago

    对话徐沪生:“一条”创始人30年内容心法,教你做又美又爆的IP号!

    出来混,最重要的是出来。当你迈出做个人IP号的第一步后,又被拍什么、怎么拍、怎么提升数据等一系列问题困扰,今天用一期播客帮你疏通起号阶段的常见卡点! 本期邀请到“一条”创始人徐沪生老师,分享他30年内容的心法。见证了传统纸媒由盛转衰,他在44岁时辞职创业,打造生活美学内容品牌“一条”,以电影感短视频出圈,15天涨粉100万,成为微信公众时代现象级账号,12年来持续推出又美又爆的内容,积累了全网数千万粉丝。2025年,他从幕后走向台前,开始运营个人IP,也快速在全网积累了200万关注。 他坦言,创始人和主理人天然适合做IP,但需要从产品思维转向内容思维。从报纸到杂志再到短视频,变化的是媒介形式,不变的是爆款的底层逻辑:精准的定位+新颖的选题+精美的画面。想要打造属于自己的“一条”,到底有哪些必修课?赶紧收听起来! �时长有限,更多干货欢迎大家在他的新书《做号》里解锁: 【本期财富密码】 03:22 这个时代,做网红难,做IP容易! 07:04 创始人天然适合做IP,因为背后有产品和商业模式 15:37 做IP号一定要有清晰的定位 19:18 好看和流量并不冲突,可以又美又爆! 23:26 短视频的写稿与拍摄tips 29:51 想提升视频数据,封面比引流话术重要! 31:46 想提升视频互动率?多出来露脸! 36:04 爆款选题符合五个字:应知而未知 37:47 卖货内容在中间,结尾要留金句、造意境 40:22 创业做一条时,我下载了8000条视频来研究 47:38 不好意思露脸?数据很差丢人?深度I人徐老师教你打破心魔 49:48 拆解徐老师个人号的第一条爆款 51:52 口播容易有单条爆款,但账号很难持续爆 56:32 不会做优质内容,就先做优质内容的搬运工 58:12 画面和账号定位要一致,不盲目追求形式和露脸 60:41 全中国每天上传的视频有1.3亿条 62:44 视频好看就自然数据好,在能力范围内应美尽美 66:28 如何讲好一个故事?要有“白痴用户”思维 71:18 反常识:学李子柒的成功概率要比学口播大很多 73:10 优质的内容,小额投流 74:37 想做高客单,一定要做视频号! 79:12 这两个tips听话照做:1)周更,2)稿子分行写 【本期嘉宾】 徐沪生:“一条”创始人&CEO、30年资深媒体人,曾创办《上海壹周》、担任《外滩画报》总编辑。 【主播介绍】 就是小辉:《搞钱女孩》播客创始人&主播,不断认识和活出自己的ISFP。四川大学哲学系毕业,混过公益、咨询、互联网、疗愈行业,34岁才找到本命赛道的创业练习生。 【本期制作】 shownotes图文:小辉 剪辑:小龙 BGM:Heavens-Blood Groove&Kikis 欢迎加入我们的听友群,成为“搞蜜”!可以关注公众号【搞钱女孩播客】,扫描自动回复的图片上的二维码,就可以加到小助手,邀请你入群。每天加的人太多了,如显示添加频繁,请耐心等待。

  • Is a Museum Just a Trophy Case? (Update)

    21 Aug

    Is a Museum Just a Trophy Case? (Update)

    The world’s great museums are full of art and artifacts that were plundered during an era when plunder was the norm. Now there’s a push to return these works to their rightful owners. Sounds simple, right? It's not. (Part 2 of an updated series originally published in 2023.)   SOURCES: Matthew Bogdanos, assistant district attorney in the Manhattan District Attorney’s Office and chief of the Antiquities Trafficking Unit. Nicholas Cullinan, director of the British Museum. Victor Ehikhamenor, Nigerian writer and artist. David Frum, staff writer at The Atlantic. Dan Hicks, professor of contemporary archaeology at the University of Oxford and curator of world archaeology at the Pitt Rivers Museum. Bénédicte Savoy, professor of art history at the Technical University in Berlin.   RESOURCES: "These Looted Treasures Are Home. What Now?," by Alex Marshall (New York Times, 2025). "France's Long-Awaited Restitution Policy Is Finally Here," by Vincent Noce (The Art Newspaper, 2023). Africa’s Struggle for Its Art: History of a Postcolonial Defeat, by Bénédicte Savoy (2022). "Who Benefits When Western Museums Return Looted Art?" by David Frum (The Atlantic, 2022). "Museums in England and Wales to Gain Powers to Dispose of Objects on Moral Grounds," by Dalya Alberge (The Guardian, 2022). The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution, by Dan Hicks (2020). "The Restitution of African Cultural Heritage. Toward a New Relational Ethics," by Bénédicte Savoy and Felwine Sarr (2018).   EXTRAS: "Can a Museum Be the Conscience of a Nation?," by Freakonomics Radio (2025). "The Hidden Side of the Art Market," by Freakonomics Radio (2021). Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  • China: The rise of a science superpower

    6 days ago

    China: The rise of a science superpower

    Roland Pease explores how decades of strategic investment and diligent educational reform have brought China to the brink of global scientific dominance. As the world’s other scientific superpowers seemingly retreat from their historical high ground, how has China achieved such remarkable progress, both in applied and fundamental sciences? And what might that mean for the rest of us? Image: A humanoid robot competes in the 1500m final at the inaugural World Humanoid Robot Games, at the National Speed Skating Oval in Beijing, China on 15 August 2025 (Credit: Tingshu Wan/Reuters)

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