FORA Dialogues

Fora Gallery

Hosted by FORA Gallery, this podcast brings together artists, curators, and cultural practitioners shaping contemporary discourse across the Caucasus and Central Asia. The series examines how artistic practices from the region address historical legacies, the concept of shifting identities, migration, and transnational conditions.

Episodes

  1. 9 May

    Farah Piriye Coene on Curating, Borders and ‘AS ABOVE, SO BELOW’ at La Biennale di Venezia 2026

    In this episode of FORA Dialogues, we are joined by Farah Piriye Coene, London-based independent curator, art consultant, cultural producer, and co-founder of Zeitgeist19, in a conversation on curating, borders, ecology, and the role of art in shaping new forms of collective awareness. Our starting point is ‘AS ABOVE, SO BELOW’, the collateral event of the 61st International Art Exhibition at the Venice Biennale, opening on the island of Giudecca. Developed in collaboration with One Ocean Foundation, the exhibition unfolds through sound, installation, moving image, and speculative technologies to explore the ocean not only as an environmental subject, but as a site of memory, intelligence, and interconnectedness. Farah reflects on her early curatorial experiences, including co-curating an exhibition of Tahir Salahov at Sotheby’s London, as well as on perestroika, shifting borders, alphabet changes, identity, belonging, and transformation. The conversation traces the underrepresented histories of Azerbaijani nonconformist artists, the dynamic cultural landscape of the Caucasus and Central Asia, and curating as a practice of building bridges across fragmented worlds. Further discussed is the interdisciplinary vision behind Zeitgeist19, founded together with Elizabeth Zhivkova as a platform bringing together art, science, technology, and environmental thought. Through projects such as ‘Fragile Frontiers’ and ‘AS ABOVE, SO BELOW’, Farah speaks about translating complex realities into emotional and collective experience, and considers listening as a curatorial method. The episode also moves through the participating artists and installations of the Venetian project, from Almagul Menlibayeva's cybertextile, and Suad Gara’s meditation on the disappearing Caspian Sea to bioacoustic works by Elnara Nasirli and Antoine Bertin, alongside reflections on sound, fungal networks, marine intelligence, and ecological memory. We are happy to introduce this new format in our program through a series of conversations, bringing together artists, curators, and cultural practitioners from the Caucasus and Central Asia. Given the cultural diversity and historical complexity of the region we work with, some of our conversations will take place in languages that are most natural to our speakers. At the same time, to ensure accessibility for our audience, each episode will be accompanied by subtitled video formats available on our YouTube channel. Read more on this conversation at fora-gallery.com Check available works by the artist on artsy.net

    31 min
  2. 8 Apr

    Almagul Menlibayeva on Art and Freedom

    In our second episode, we’re joined by Berlin-based, Almaty-born multidisciplinary artist Almagul Menlibayeva in a conversation on art and freedom, from the legacies of Kazakh craft to a nuanced perspective on the region. Our starting point is Menlibayeva’s comprehensive retrospective 'I Understand Everything' at Almaty Museum of Arts, an inaugural exhibition for the museum, widely marked as Central Asia’s first private institution dedicated to modern and contemporary art on this scale. The artist reflects on what it means for a new institution to grow “from within”: through long-term relationships between a collector, local business, and the cultural field, and how this pinpoints the visibility of contemporary Kazakh art.  Menlibayeva revisits her late-Soviet underground experience with the 'Green Triangle', developing a central idea: if the past is constructed by others, society loses the power to shape its future. The episode traces how this awareness informs her practice as a method of re-seeing.  The artist highlights textile as a cultural code. Felt, ornament, and embroidery as material languages have long existed outside market and institutional frameworks, often carried through women’s knowledge. This traces into the artist's 'Cyber Textile' series and the questions of authorship raised from her work with AI. Further discussed is the women’s images across 'My Silk Road to You', and 'Red Butterfly' in relation to the “people’s” narratives that survive beyond official storylines. For the artist, the concept of Silk Road emerges not as a single route but as a multiplicity of trajectories, expanding into the twentieth century through industrialization, forced displacement, and the Soviet regime's Gulag systems.  Her retrospective lens brings us to the region’s traumatic sites of memory, and the history of Asharshylyk, addressed through Menlibayeva’s academic researches and personal narratives.  We are happy to introduce this new format in our program through a series of conversations, bringing together artists, curators, and cultural practitioners from the Caucasus and Central Asia. Given the cultural diversity and historical complexity of the region we work with, some of our conversations will take place in languages that are most natural to our speakers. At the same time, to ensure accessibility for our audience, each episode will be accompanied by subtitled video formats available on our YouTube channel. Read more on this conversation at fora-gallery.com Check available works by the artist on artsy.net

    23 min

About

Hosted by FORA Gallery, this podcast brings together artists, curators, and cultural practitioners shaping contemporary discourse across the Caucasus and Central Asia. The series examines how artistic practices from the region address historical legacies, the concept of shifting identities, migration, and transnational conditions.