Anthony Phillips, founding Genesis guitarist, joins Jason Barnard to talk about the formation of Genesis, his departure, and his latest album, Gemini – Pieces For Piano. He traces the Genesis story back to Charterhouse and the summer of 1967, when he first heard a 12-string guitar. Peter Gabriel’s theatrical stage persona came about through necessity, filling dead time while Phillips and Mike Rutherford fought with temperamental instruments. The jump from From Genesis To Revelation to Trespass has always looked abrupt; Phillips explains it simply: he and Rutherford spent the eight months between recording and release writing constantly, with ‘Dusk,’ ‘White Mountain’ and ‘Stagnation’ sketched out before the debut had even flopped. Then there’s the stage fright. Not ordinary nerves but sudden mid-performance blanks that came on after glandular fever. He was eighteen and never told anyone. There’s also a brief exchange with Nick Drake, playing the same indifferent university crowds. When Drake learned Phillips had written ‘Let Us Now Make Love,’ he said one word back: “Dangerous.” The conversation also covers his classical studies, the troubled release of The Geese and the Ghost, and writing the title track of Gemini. Further information Anthony Phillips website, Gemini – Pieces For Piano Podcasts also available: Anthony Phillips (2019), Tony Banks (2024), Tony Banks (2019), Steve Hackett (2022), Steve Hackett (2020), Bill Bruford, Chester Thompson This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms If you like what I do please support me on Ko-fi The post Anthony Phillips, Genesis, A Life In Music appeared first on The Strange Brew .
