HORROR 101 with Dr. AC

Aaron Christensen

HORROR 101 with Dr. AC is a horror movie podcast that revisits classic horror films on milestone anniversaries (20, 30, 40, 50 years, and more). Each episode features a lively rotating panel of horror fans discussing the film's legacy, personal memories, cultural impact, and what makes it a lasting favorite. If you love deep dives into horror movies like The Exorcist, A Nightmare on Elm Street, or Frankenstein, this podcast is for you. Come celebrate horror history—one anniversary at a time.

  1. 1 DAY AGO

    Ep 135 - DRACULA (1931) Turns 95: A Fang-tastic Tribute to Bela Lugosi's Horror Classic - Ep 154

    DRACULA (1931) d. Tod Browning (USA) DRACULA (Spanish version) (1931) d. George Melford (USA) DRACULA'S DAUGHTER (1936) d. Lambert Hillyer (USA) SON OF DRACULA (1943) d. Robert Siodmak (USA) Released on Feb 14, 1931, Dracula from Universal Studios stands as perhaps the most influential horror film ever made. Directed by Tod Browning with cinematography by Karl Freund, the film was adapted from the wildly successful Broadway stage version of Bram Stoker's 1897 novel. At the center is Bela Lugosi, whose performance as Count Dracula became definitive almost overnight. Lugosi's thick Hungarian accent, hypnotic stare, and aristocratic poise transformed the vampire from a folkloric monster into a seductive, charismatic figure. His portrayal established many of the traits now inseparable from the character: formal dress, slow, deliberate speech, and an uncanny mix of menace and allure. Though Lugosi would struggle, unsuccessfully, to escape the shadow of the role, his Dracula remains one of cinema's most iconic performances. The supporting cast includes Helen Chandler as Mina, David Manners as Jonathan Harker, Dwight Frye as the insect-gobbling Renfield, and Edward Van Sloan as Professor Van Helsing, whose calm rationality helped define the "monster hunter" archetype that would become a staple of horror storytelling. Dracula's massive commercial success—especially during the depths of the Great Depression--played a pivotal role in launching Universal Pictures' legendary Monsters series, proving horror could be both profitable and prestigious. The studio followed with Frankenstein later the same year, then The Mummy (1932), The Invisible Man (1933), and many others, indelibly shaping popular culture for generations to come. Dracula didn't just introduce an immortal character—it helped give birth to American horror cinema as we know it. Join AC and his bloodthirsty panel of guests (Jessica Dwyer, Kate Hansen, Tom Mula, Michael Weber, Bobby Zier) as we celebrate 95 years of DRACULA!! --------------------------------------------------- JESSICA DWYER was raised on a diet of Dark Shadows, Doctor Who, and a lot of things she saw way too young.  She's been writing for nearly a quarter of a century about the world of entertainment and her own fiction (and that sound you heard was her bones turning to dust.) She works for the JoBlo Network, HorrorHound Magazine, and is a producer on a number of projects. KATE HANSEN is a music teacher with a penchant for horror. She has been published in magazines like Ultra Violent and Horrorhound. She likes dogs, enjoys the smell of campfires, collects VHS, is afraid of heights, and has only ever received two speeding tickets.  TOM MULA is a Chicago actor, director, and playwright, and author of the bestselling book and play, "Jacob Marley's Christmas Carol." MICHAEL WEBER is an actor, director, and currently the Artistic Director of Porchlight Music Theatre. A Chicago native, his fascination with classic horror began with WGN's legendary Creature Features and The Son of Svengoolie. He is an avid fan of the Golden Age of Radio and the author of the play, WAR of the WELLeS (about Orson Welles' infamous radio broadcast.)  BOBBY ZIER has a passion for Dracula and runs a TikTok, Instagram, and YouTube channel called Lugosi Theatre.  He recently received his second "Monster Kid of the Year" Rondo Award for his efforts in keeping classic horror alive and well. ---------------------------------------- Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

    1h 29m
  2. 6 FEB

    Ep 134 - LITTLE SHOP OF HORRORS (1960 vs 1986) - Cult Cheapo Classic vs Monster Movie Musical

    THE LITTLE SHOP OF HORRORS (1960) d. Roger Corman (USA) LITTLE SHOP OF HORRORS (1986) d. Frank Oz (USA) Tonight we're talking about Little Shop of Horrors—a title that refers to two very different movies yet equally beloved cult classics that share a carnivorous plant, a down-on-his-luck florist, and a surprisingly dark sense of humor. Producer/director Roger Corman's The Little Shop of Horrors is an infamously low-budget black comedy shot in just a couple of days on leftover sets. Seymour (Jonathan Haze) is a put-upon loser with a hypochondriac mother and an overbearing boss, living in a community surrounded by wacky characters ranging from the sadistic to snooty. His chatty botanical creation—Audrey Junior—is born with a taste for blood, a thirst that grows as rapidly as it does. While the film barely made a ripple on its release in 1960, over time it gained a cult status through late-night TV and repertory screenings, helped along by its oddball tone and an early cameo from future superstar and Corman regular Jack Nicholson. Said scrappy little no-budget movie eventually caught the attention of composer Alan Menken and lyricist Howard Ashman, and their eventual off-Broadway musical in 1982 fused doo-wop, Motown, and musical theater with horror comedy and social satire. Reframed as a Faustian bargain with memorable tunes and cartoonish characters, the show was a surprise hit, and producer David Geffen immediately began conceiving of a way to offer filmgoers something even grander via Hollywood's ever-evolving technology. The final product, released in 1986 and directed by Muppet Master Frank Oz, delivered a glossy, effects-heavy, star-studded crowd-pleasing spectacle that managed to honor its humble origins even as it created an entirely new generation of fans. Join AC and his incredible band of botanical buddies (Dave M Gray, Jay Kay, Anna Maurya, Mary Manchester) as we celebrate both versions of Little Shop, the theadbare no-budget joke and the blockbuster musical hit. From the tiniest seeds of inspiration, mighty and monstrous things are growing down at Mushnik's! ------------------------------------------------------------- DAVE "M" GRAY is currently a test subject in a subterranean mad science lab and allowed to send proofs of life to Raiders of the Podcast (raidersofthepodcast.blogspot.com or anywhere you podcast) and Twitch (twitch.tv/sh4ggyr4nd) weekly. JAY KAY is the creator of the 7-time Rondo-nominated horror podcast, Horror Happens, where he has conducted hundreds upon hundreds of interviews with genre celebrities. He is also a staff writer with HorrorHound Magazine. He is also a budding filmmaker, with numerous credits to his name, including No Good Deed, Within the Frame, and Swing 46: The Last Swinging Supper Club. https://astrangemaninflpro.wixsite.com/jkolucki  MARY MANCHESTER lives and works in Oshkosh, Wisconsin. Lover of dogs, raised by nerds, fan of horror, drag, photography, Oxford commas, and '80s music.  ANNA MAURYA is a film fan stuck in Ohio. They have been a guest on Raiders of the Podcast, a contributor to Hidden Horror, and they generally dislike writing about themselves in the third person. -------------------------------------------------------- Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

    1h 15m
  3. 30 JAN

    Ep 133 - 45 Years of THE EVIL DEAD: How Sam Raimi and Bruce Campbell Redefined Independent Horror

    THE EVIL DEAD (1981) d. Sam Raimi (USA) EVIL DEAD II (1987). d. Sam Raimi (USA) ARMY OF DARKNESS (1992) d. Sam Raimi (USA) EVIL DEAD (2013) d. Fede Alvarez (USA) EVIL DEAD RISE (2023) d. Lee Cronin (USA) Sam Raimi's Evil Dead franchise is a cornerstone of independent horror cinema, redefining what low-budget filmmaking could achieve. Beginning with The Evil Dead (1981), Raimi combined raw ingenuity, kinetic camerawork, and extreme gore to create a relentlessly inventive horror film that left a lasting impact on the genre. Shot on a shoestring budget with collaborators including star Bruce Campbell, the film's manic energy and iconic "unseen force" camera movements distinguished it from the slower horror of the late 1970s. The franchise's legacy is equally shaped by its bold tonal evolution. While the original film plays as a brutal, nightmarish experience, Evil Dead II (1987) and Army of Darkness (1992) fused splatter horror with slapstick comedy, transforming Ash Williams into a chainsaw-wielding, wisecracking antihero and helping define the modern horror-comedy. From comics and video games to the Ash vs. Evil Dead TV series to reboots like Evil Dead (2013) and Evil Dead Rise (2023), the series continues to evolve. Join AC and his awesome panel of horror enthusiasts (Krisy Jett, Anna Maurya, Daniel Millhouse, Ryan Olson, Jennifer Olson, Joseph Wycoff) as we celebrate 45 years of THE EVIL DEAD!!  ---------------------------------------------------------------- KRISTY JETT, faithful horror nerd of 40+ years, resides in Buffalo, NY and is the mother of nine cats. She remains now and forever the world's biggest fan of the film Popcorn (1991).  ANNA MAURYA is a film fan stuck in Ohio. They have been a guest on Raiders of the Podcast, a contributor to Hidden Horror, and they generally dislike writing about themselves in the third person. DANIEL MILLHOUSE joyfully returns to review films with Dr. AC and friends! As an Assistant Professor at the College of DuPage, he cherishes his Theatre, TV/Film, and Motion Capture acting experiences. He is one mischievous, charming, goofball. JENNIFER OLSON is a lifelong horror fan and mother of three monster kids. She is a former member of The Flint Horror Con, and currently part of the Synapse Films street team! RYAN OLSON (aka S. Ravenlord of The Cold Beyond music group) is the owner of Deadspeak Design and Night World Records, as well as a member of the Synapse Films street team and a regular on the Synapse Films podcast. His work has been featured in Liquid Cheese, Horrorhound, & Evilspeak Magazines. JOSEPH WYCOFF is a veteran Chicago actor now based in New Zealand, with onscreen credits ranging from "Ash vs Evil Dead" to the Power Rangers to Josh Ruben's Heart Eyes (2025). -------------------------------------------------- Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

    1h 48m
  4. 22 JAN

    Ep 132 - THE THING (1951) vs. THE THING (1982) - Cold War Classic to Cosmic Horror Masterpiece

    THE THING FROM ANOTHER WORLD (1951) d. Christian Nyby (USA) THE THING (1982) d. John Carpenter (USA) THE THING (2011) d. Matthijs van Heijningen (USA) Tonight we're discussing Howard Hawks' The Thing from Another World (1951) and John Carpenter's The Thing (1982), two science-fiction horror films that, despite sharing a source in John W. Campbell Jr.'s novella Who Goes There?, reflect very different eras in filmmaking and cultural anxiety and both represent landmark moments in genre cinema. The 1951 The Thing from Another World, directed by Christian Nyby with producer Howard Hawks leaning heavily over his shoulder, is emblematic of Cold War science fiction. Its screenplay by Charles Lederer and an uncredited Ben Hecht, significantly adapts Campbell's story, transforming it into a brisk, dialogue-driven ensemble piece. The alien is a humanoid, plant-based creature (played by future Gunsmoke star James Arness) that represents the fear of external invasion and ideological contamination prevalent in early-1950s America. John Carpenter's The Thing (1982), by contrast, reflects a far bleaker worldview. Screenwriter Bill Lancaster returns more faithfully to Campbell's original concept of a shape-shifting alien menace, emphasizing uncertainty and mistrust. Carpenter's film centers on paranoia rather than invasion, with the alien's ability to perfectly imitate its victims turning the threat inward, eroding trust among the characters. The groundbreaking practical effects by Rob Bottin redefined onscreen monster movies, pushing the boundaries of what mainstream audiences could imagine or endure. Unlike its predecessor, which was immediately hailed as an artistic and commercial success, The Thing was initially reviled by critics and commercially unsuccessful. Thankfully, it has since been reappraised as a masterpiece in the 40+ years since its release. Join AC and his incredible panel of guests (Fraser Coffeen, Chris Hainsworth, Katie McClean Hainsworth, Kevin Matthews, Ryan Olson) as we explore the genre's evolution from externalized fears to psychological and existential dread and everything in between!  ---------------------------------------------------------------- FRASER COFFEEN is the co-host of Creepy History, a podcast dedicated to all the creepy stuff you wish they taught you in High School. He's been published in Horror Homeroom magazine and How to Analyze and Review Comics CHRIS HAINSWORTH (he/him/his) is an actor/writer/director represented by Big Mouth Talent Chicago. He is a DeathScribe winner 2009 for the audio drama "Remembrance" and author of The Fourth Wall, part of Motel 666 (2015). KATIE MCLEAN HAINSWORTH is a Chicago-based performer/writer, whom you can regularly find on both the DARK NEXUS and FAWX & STALLION podcasts. She's happily guested on HORROR 101 a few times as well as on Roll For Impact's THE STRANGER. KEVIN MATTHEWS posts a movie review daily on the For It Is Man's Number blog, and is one quarter of the Raiders of the Podcast team who have been putting out weekly episodes for over six years. https://linktr.ee/raidersofthepodcast RYAN OLSON (aka S. Ravenlord of The Cold Beyond music group) is the owner of Deadspeak Design and Night World Records, as well as a member of the Synapse Films street team and a regular on the Synapse Films podcast. His work has been featured in Liquid Cheese, Horrorhound, & Evilspeak Magazines. --------------------------------------------------------- Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

    1h 50m
  5. 16 JAN

    Ep 131 - THE HOUSE WITH LAUGHING WINDOWS– 50 Years of Pupi Avati's Italian Horror Masterpiece

    THE HOUSE WITH LAUGHING WINDOWS (1976) d. Pupi Avati (Italy) On tonight's episode, we're talking about Pupi Avati's The House with Laughing Windows (1976), one of the most quietly unsettling films in the history of Italian horror, a slow-burn nightmare that lingers long after its final moments. Set in the foggy, insular villages of rural Emilia-Romagna, the film follows Stefano, a young restorer hired to repair a disturbing fresco depicting the martyrdom of Saint Sebastian. As Stefano settles into the community, he begins to sense that the artwork—and the people surrounding it—are tied to something deeply wrong. Rather than relying on gore or shocks, Avati builds dread through atmosphere, implication, and an almost suffocating sense of isolation. Sunlit landscapes feel hostile, friendly neighbors seem slightly off, and every unanswered question pulls Stefano further into danger. The film's sound design, muted performances, and methodical pacing create a creeping unease that feels both grounded and nightmarish. Often compared to the work of Dario Argento yet strikingly different in tone, The House with Laughing Windows stands apart for its realism and restraint. It's a film about curiosity, artistic obsession, and the terror of uncovering truths that were meant to stay buried. Widely regarded as Avati's masterpiece, it remains a haunting example of how subtle horror can be far more devastating than spectacle. Join AC and his incredible panel of giallo-loving folk (Steve Archacki, Jorge Didaco, Bryan Martinez, Lin Morris, Nathaniel Thompson) as we celebrate 50 years of THE HOUSE WITH LAUGHING WINDOWS! ---------------------------------------------------- STEVE ARCHACKI is a connoisseur and collector of all things EuroTrash (especially Italian/Spanish gothic and giallo films and anything Hammer Horror). He also identifies as an avid vinyl soundtrack collector, lapsing metalhead, direct mail marketing guru, and to this day, still harbors perpetual crushes on Rosalba Neri and Dagmar Lassander. JORGE DIDACO is a Brazil-based teacher on theatre, performance, and film. He contributed the essays for The Innocents for Horror 101: The A-List of Horror Films and Monster Movies and In a Glass Cage for Hidden Horror. BRYAN MARTINEZ is the creator of The Giallo Room and is also the writer and director of the short films Gelato Giallo and My Friend Lisa (check em out on YouTube). He has had a passionate love affair with Giallo since he first watched a Spanish dubbed version of All the Colors of the Dark at the tender age of 8. LIN MORRIS is a writer who makes his living doing something else entirely. His novels Spot the Not and The Marriage Wars are both available on Amazon. The first movie he recalls seeing is Two on a Guillotine at the Super 99 Drive-In at much too young an age, and he's been a horror fan ever since. Despite the strenuous efforts of his parents, he remains stubbornly left handed. NATHANIEL THOMPSON has recorded 300 audio commentaries and written five books, most recently The FrightFest Guide to Vampire Movies. You can see him in shows like Eli Roth's History of Horror and Horror's Greatest, and read him yammering about all kinds of movies at mondo-digital.com. ----------------------------------------------------------- Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

    1h 10m
  6. 14 JAN

    Ep 130 - THE BEST HORROR MOVIES OF 2025!! (and the ones we're still fighting about)

    We're breaking down the best horror movies of 2025, from mainstream hits to indie standouts—and arguing about which ones actually deserve the title. AC joins his Streaming and Screaming co-hosts Chad the Bird ‪‪@ChadTheBird‬  and Lucy Ba'al ‪‪@lucybaal2299‬ as they count down their favorite fright flicks of 2025! Movies mentioned in this episode: 00:00 Episode Intro 03:40 Final Destinations: Bloodlines 07:55 The Ugly Stepsister 10:26 The Monkey 14:19 28 Years Later 23:38 El Conde 24:34 Bring Her Back 27:54 The Long Walk 33:22 Weapons 37:28 Good Boy 38:49 Sinners 44:57 The Rule of Jenny Pen 47:14 V/H/S/Halloween (part 1) 48:50 Clown in a Cornfield 50:11 V/H/S/Halloween (part 2) 54:06 Companion 54:21 Heart Eyes 55:02 Chad's Honorable Mentions 56:10 Together  57:30 AC's Honorable Mentions 1:00:16 Lucy's Honorable Mentions 1:03:20 Toxic Avenger remake 1:05:09 Deathstalker 1:05:35 Hell of a Summer 1:07:12 Frankenstein (GdT) 1:08:12 Jurassic World: Rebirth 1:08:59 Creep 2 / Creep Tapes / Ash vs. Evil Dead 1:10:05 The Mortuary Collection 1:10:42 That Came Out This Year? 1:14:58 AC's Netflix Catch-up 1:17:11 Final Thoughts Join ussssssss!!! Let us know YOUR favorite picks from 2025! Looking forward to another year of Sharing the Scare!  -------------------------------------- All things Chad the Bird @ChadTheBird https://linktr.ee/ChadtheBird  All things Lucy Ba'al @lucybaal2299 https://linktr.ee/lucy_baal  ----------------------------------- Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

    1h 18m
  7. 9 JAN

    Ep 129 - EYES WITHOUT A FACE (1960) – The French Horror Classic Turns 65!!

    EYES WITHOUT A FACE (1960) d. Georges Franju (France) In this episode, we're talking about a yet another haunting horror landmark from 1960, Georges Franju's Eyes Without a Face (Les Yeux sans visage). Adapted from the 1959 novel by Jean Redon, Franju and his vaunted team of collaborators transform the pulp thriller material into something strangely lyrical and tragic, resulting in a bona-fide art-horror classic. Pierre Brasseur stars as Dr. Génessier, a respected surgeon whose obsession with repairing his daughter's disfigurement leads him beyond ethical boundaries. Edith Scob delivers an unforgettable performance as Christiane, her features obscured by a blank mask throughout most of the picture, while Alida Valli (who Euro-horror fans will recognize from Suspiria) shines as Louise, the doctor's devoted and complicit assistant. Franju, a cofounder of the Cinémathèque Française, avoids a sensationalistic approach, favoring instead calm, clinical imagery that heightens the unsettling subject matter. The ingenious screenplay proved to be a successfully collective affair, with Redon, Claude Sautet, Pierre Gascar, and Vertigo screenwriters Pierre Boileau and Thomas Narcejac offering psychological anguish and moral ambiguity over conventional shocks. The film's visual elegance owes much to legendary cinematographer Eugen Schüfftan, while Maurice Jarre's score, alternately eerie and ironic, adds to disquieting tone. Join AC and friends (Christianne Benedict, Lin Morris, Elena Romea, Chris Wylie) as we celebrate 65 years of scalpels, scars, and scares, EYES WITHOUT A FACE! --------------------------------------------------- CHRISTIANNE BENEDICT is a cartoonist, film writer, malcontent, and Bloginatrix at https://krelllabs.blogspot.com LIN MORRIS is a writer who makes his living doing something else entirely. His novels Spot the Not and The Marriage Wars are both available on Amazon. The first movie he recalls seeing is Two on a Guillotine at the Super 99 Drive-In at much too young an age, and he's been a horror fan ever since. Despite the strenuous efforts of his parents, he remains stubbornly left handed. ELENA ROMEA is the creator behind SpanishFear.com and Horror Rises from Spain. A researcher in literature and cinema, she holds a Ph.D. in Spanish Studies with a dissertation about the filmmaker José Val del Omar. Her work explores themes of estrangement, horror, myth, and cultural conflict. CHRIS WYLIE is the co-host of Deep Cuts Horror Trivia in Chicago, and an avid lover of psychological and trash horror. He believes we need to stop shaming people for not having seen certain movies, and has had his ass kicked by Batgirl on film ------------------------------------------- Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

    59 min
  8. 2 JAN

    Ep 128 - MAD LOVE (1935) at 90 | Peter Lorre, Colin Clive, Frances Drake | (Film Discussion)

    MAD LOVE (1935) d. Karl Freund (USA) Based on Maurice Renard's 1920 French serialized novel The Hands of Orlac, in which the hands of a murderer are transplanted onto an injured concert pianist, Mad Love is remembered above all for Peter Lorre's stunning performance as Dr. Gogol, a brilliant surgeon driven mad by obsessive love. Lorre, fresh from his success in Fritz Lang's M (1931), delivers one of the genre's's most unsettling portrayals of pathological fixation. He is incredibly well-supported by Frances Drake as Yvonne Orlac, star of the Grand Guignol, and Dr. Frankenstein himself Colin Clive, as her tormented husband Stephen Orlac. The film was directed by Karl Freund (The Mummy, 1932, a central figure in the development of horror cinema. Having begun his career as a renowned cinematographer, Freund brought with him the visual sensibility of German Expressionism, shaped by his earlier work on films such as Metropolis, Der Golem, and The Last Laugh. Aiding Freund in the visual look of Mad Love was none other than Gregg Toland, whose highly controlled and deeply shadowed lighting and camera compositions anticipate the technical mastery he would display in Citizen Kane. Further heightening the film's atmosphere is the eerie, restrained score by Dmitri Tiomkin, another legend in the making with credits for everyone from Capra to Hitchcock to Hawks, and everything from sci-fi, westerns, war films, and comedies to his Oscar-winning name. Join AC and his awesome panel of guests (Nile Arena, Gavin Schmitt, Michael Weber, Bobby Zier) as we celebrate 90 years of Mad Love, an enduring horror classic and an early example of what would eventually come to be known as body horror! ------------------------------------------------------ NILE ARENA has created cinema collectives, worked the film festival circuit, and lent his voice to podcasts dedicated to the silver screen. His literary/weird fiction journal, Success Stories, is available now at some of the places books are sold. GAVIN SCHMITT is Wisconsin's criminal historian and the author of several books. He's also a degenerate cinephile and has written on film topics, particularly cinematographer Karl Freund. He's been half naked with Norman Reedus, shared breakfast with Tiffany Shepis, and helped David Arquette find cocaine in Chicago.  MICHAEL WEBER is an actor, director, and currently the Artistic Director of Porchlight Music Theatre. A Chicago native, his fascination with classic horror began with WGN's legendary Creature Features and The Son of Svengoolie. He is an avid fan of the Golden Age of Radio and the author of the play, WAR of the WELLeS (about Orson Welles' infamous radio broadcast.)  BOBBY ZIER has a passion for Dracula and runs a TikTok, Instagram, and YouTube channel called Lugosi Theatre. He recently received the "Monster Kid of the Year" Rondo Award for his efforts in keeping classic horror alive and well. ------------------------------------------------------------- Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

    1h 9m

About

HORROR 101 with Dr. AC is a horror movie podcast that revisits classic horror films on milestone anniversaries (20, 30, 40, 50 years, and more). Each episode features a lively rotating panel of horror fans discussing the film's legacy, personal memories, cultural impact, and what makes it a lasting favorite. If you love deep dives into horror movies like The Exorcist, A Nightmare on Elm Street, or Frankenstein, this podcast is for you. Come celebrate horror history—one anniversary at a time.