Journalism 2050

The Tow Center
  • 0.0 (0)
  • TECH NEWS

Emily Bell and Heather Chaplin talk with the smartest minds in media to discuss the roots of today's crisis in journalism, from democracy's decline to the rise of AI, and to explore the uncertain future of journalism in the digital age. This series is brought to you by the Tow Center for Digital Journalism and Columbia Journalism Review, with help from the New School's Journalism + Design Lab. Journalism 2050 is supported by the Patrick J. McGovern Foundation.

Episodes

  1. 5 DAYS AGO

    Jay Rosen: Where the Digital Revolution Went Wrong—and How Journalists Can Fight Back

    In 2006, Jay Rosen, the media scholar, published his influential article “The People Formerly Known as the Audience.” His medium was as important as his message. Although the essay would later appear in media-studies textbooks, it was first published on his blog, a form invented in the late 1990s that seemed, in Rosen’s words, to give everyone their own printing press. Armed with such technologies, he said, the public would no longer simply consume journalism as passive spectators. They now owned the means of media production. A beautiful democracy and a newly accountable press were sure to flourish.  As Rosen knows as well as anyone, the world did not quite pan out that way. What was initially understood to be a technology of liberation became, increasingly, a mechanism of control: a means of surveilling the public, selling ads, and generating enormous profits for a small number of companies. Journalism and democracy both entered periods of sustained crisis from which they have yet to recover. The internet has even begun to abandon participation as part of its core ethos. As a recent analysis by the Financial Times shows, “social media has become less social”: partly because of these platforms’ algorithms, people are interacting with one another less and returning to the passive media consumption that the internet was supposed to disrupt. In this context, it seems that the people formerly known as the audience are… once again the audience. In this episode of Journalism 2050, Rosen joins Emily Bell and Heather Chaplin to discuss where it all went wrong and what journalists can do to fight back. Were the assumptions that the internet would help democracy and journalism simply naive? What did commentators fail to see at the time? What should we make of the return to blogging culture via platforms like Substack and Medium?  Further Reading: “The People Formerly Known as the Audience,” Jay Rosen, Press Think, June 2006 “Have we passed peak social media?” John Burn-Murdoch, Financial Times, October 2025 “Winter is coming: prospects for the American press under Trump,” Jay Rosen, Press Think, December 2016 Hosts: Emily Bell and Heather Chaplin Producer: Amanda Darrach Editor: Emily Russell Production Coordinator: Hana Joy Research: Samuel Earle Art Director: Katie Kosma Illustrator: Aaron Fernandez Music: Henry Crooks

    42 min

  2. 23/12/2025

    Ben Smith: A look into a career that’s been a reliable indicator of the state of journalism.

    It has been called “the last good day on the internet”: on February 26, 2015, Americans flocked online to watch fugitive llamas in Arizona evade their captors on a live broadcast, shortly before an ambiguously colored dress—blue and black to some, white and gold to others—was uploaded online. At BuzzFeed, which sent the dress to unprecedented levels of global virality, Ben Smith watched it all unfold. He realized in that moment just how popular divisive content could be. In hindsight, it was a grim foreshadowing: social media created the perfect conditions for an exceedingly polarizing presidential candidate to thrive. In this episode of Journalism 2050, Smith, the cofounder and editor in chief of Semafor, joins Emily Bell and Heather Chaplin to reflect on the thrill of being a journalist in the early years of social media, the internet’s evolution since then, and how AI has become the latest vehicle for techno-evangelism. Even as politics and the tech industry tack right, he insists upon his “core conviction” that good journalism will always find a way to survive. Should we mourn journalism’s past? How worrying is the future of the news? If Ben Smith was starting out now, would he even be a journalist? Over twenty-five years, as a blogger, editor, and founder—from Politico and BuzzFeed News to the New York Times and, now, Semafor—Smith’s career has always been a revealing indicator of the state of the journalism industry, and where it’s going next. Further Reading: “What Colors Are This Dress?” BuzzFeed, February 26, 2015“The Internet of the 2010s Ended Today,” by Charlie Warzel, April 2023, on how BuzzFeed News “defined an era.”“The New York Times’ success lays bare the media's disastrous state,” Emily Bell, The Guardian, February 2020“Why the Success of the New York Times May Be Bad News for Journalism,” Ben Smith, New York Times, March 2020

    37 min

  3. 17/12/2025

    The Big Tech Heel Turn

    When Natalia Antelava co-founded Coda Story in early 2016 to cover democratic backsliding around the globe, she wasn’t expecting the tech industry to be such a big part of the story. It wasn’t only that autocratic regimes were benefiting from compliant Silicon Valley companies. By launching a new media organization, Antelava also discovered how entangled journalism itself had become with some of the same companies, which proclaimed their commitment to a free press while quietly cozying up to their enemies. In this episode of Journalism 2050, Antelava joins Emily Bell and Heather Chaplin to discuss the naivety with which news organizations treated the likes of Google and Facebook in the early years of the internet, and some of the bizarre conferences, collaborations and initiatives that resulted from it. To secure journalism’s future, Antelava warns, there must never be such innocence again. “We got into bed with the wrong guys, and we got ourselves in big trouble,” she says.  How responsible are journalists for the perilous state of their industry? Who are their “natural allies”? And as the authoritarian tendencies of the internet’s gatekeepers become clearer and clearer, what compromises might journalists make, and what red lines must they draw? Further Reading: Coda Story: An interview with Richard Gingras The Guardian: Apple and Google Accused of Political Censorship Over Alexei Navalny App Freedom House: The Uncertain Future of the Global Internet Hosts: Emily Bell and Heather Chaplin Producer: Amanda Darrach Production Coordinator: Hana Joy Research: Samuel Earle Art Director: Katie Kosma Illustrator: Aaron Fernandez Music: Henry Crooks

    59 min

  4. 11/12/2025

    The Future of Journalism After Gaza

    Examining an ongoing crisis for press freedom—and how to manage security risks going forward. For Journalism 2050’s inaugural live event, Emily Bell and Heather Chaplin are joined by Azmat Khan, the director of Columbia’s Simon and June Li Center for Global Journalism, and Anya Schiffrin, a professor at the Columbia School of International and Public Affairs, to discuss the consequences of the war on Gaza on journalism and what history can teach us about the role of the press in times of crisis. According to the Committee to Protect Journalists, it took only ten weeks at the end of 2022 for Israel to kill more journalists in Gaza than had previously been killed in any one country over an entire year. The attacks have not relented in the three years since: while barring international journalists from entry, the Israeli military has treated journalists inside Gaza as acceptable collateral damage and even, at times, explicit targets. In September, Irene Khan, the UN special rapporteur, described it as “the deadliest conflict ever for journalists.”  These attacks on journalism, and the limp response from the US and other powerful countries, set a dangerous precedent for the future. How might journalists and media organizations take the defense of their principles and values into their own hands? What lessons can we learn from the past? What tools do journalists need to navigate this new world?  Further reading:  Urgent Ideas for Defending Press Freedom in Gaza, Columbia Journalism Review, by Azmat Khan, Meghnad Bose, and Lauren WatsonGlobal Muckraking: 100 Years of Investigative Journalism from Around the World, edited by Anya Schiffrin Producer: Amanda Darrach Production Coordinator: Hana Joy Research: Samuel Earle Art Director: Katie Kosma Illustrator: Aaron Fernandez Music: Henry Crooks

    53 min

  5. SEASON 1 TRAILER

    Journalism 2050 Trailer

    Emily Bell and Heather Chaplin speak with the smartest minds in media to discuss the roots of today's crisis in journalism, from democracy's decline to the rise of AI, and to explore the uncertain future of journalism in the digital age. This series is brought to you by the Tow Center for Digital Journalism and Columbia Journalism Review, with help from the New School's Journalism + Design Lab.  Journalism 2050 is supported by the Patrick J. McGovern Foundation and available wherever you get your podcasts

    1 min

  6. 03/12/2025

    Douglas Rushkoff on Being the Intellectual Dominatrix of Billionaire Tech Bros

    In 1992, a writer named Douglas Rushkoff signed a contract for Cyberia, his book about the internet subcultures of the West Coast. The next year, his publisher canceled it, according to Rushkoff’s recollection, on the grounds that “by the time the book came out the Internet was going to be over.” (He later found a different publisher, and the book came out in 1994.) Since then, Rushkoff has been one of the most entertaining and pointed futurists (though he prefers “presentist” these days) chronicling Silicon Valley’s effects on culture and communications. His books include Present Shock, Throwing Rocks at the Google Bus, and Survival of the Richest: Escape Fantasies of Tech Billionaires. His Team Human podcast is required listening for skeptics of artificial intelligence. Emily Bell, the founding director of the Tow Center for Digital Journalism at Columbia Journalism School, and Heather Chaplin, the director of the New School’s Journalism + Design Lab, ask Rushkoff about what lessons we can draw from the anarchic free spirited origins of web publishing that can be applied to our present moment of techno authoritarianism and the dominance of Silicon Valley.  As for what Rushkoff's outlook is for 2050, “the worst case is we will have ceased to be”—a bleak scenario. But the more optimistic case is that we will see a stratified media ecosystem emerge, with a number of large global players collaborating on complex stories, and a rich vibrant network of smaller local and niche players.  Further Reading and Listening: “We Will Coup whoever We Want: the unbearable hubris of Musk and the billionaire tech bros” Team Human podcast John Perry Barlow : A Declaration of the Independence of Cyberspace Producer: Amanda Darrach Production Coordinator: Hana Joy Research: Samuel Earle Art Director: Katie Kosma Illustrator: Aaron Fernandez Music: Henry Crooks

    1h 5m

Trailer

About

Emily Bell and Heather Chaplin talk with the smartest minds in media to discuss the roots of today's crisis in journalism, from democracy's decline to the rise of AI, and to explore the uncertain future of journalism in the digital age. This series is brought to you by the Tow Center for Digital Journalism and Columbia Journalism Review, with help from the New School's Journalism + Design Lab. Journalism 2050 is supported by the Patrick J. McGovern Foundation.

Information

  • Creator
    The Tow Center
  • Years Active
    2K
  • Episodes
    6
  • Rating
    Explicit
  • Copyright
    © 2025 Journalism 2050
  • Show Website
    Journalism 2050
  • Provider