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Two-time Juno Award winning pianist and composer Andy Milne reflects on his route into the jazz world, his approach to scoring for Star Trek and more recently, Fellow Travellers, the real events that inspired his brand new album, Time Will Tell, and the secret software weapon that he’s been using in his home studio since the ‘90s.

Venezuelan-born, Miami-based tech-house DJ, producer and singer Amal Nemer, who is currently making big waves in the Miami dance music scene and beyond, discusses how her latest release Leyenda has been received and her goals for 2024.

Jorge Gregorio García Moncada, an electroacoustic composer and full time faculty member of the Music Department at the Universidad de Los Andes Colombia, explains why the university runs the only undergraduate university program offering Electroacoustic music as a major in composition, why he founded BLAST – a multichannel immersive audio sound system for electroacoustic and mixed media work – and why Genelec monitors were the only option for BLAST.

Musician and songwriter Robert Grace – one of the most watched Irish artists on TikTok – reveals how his recent singles Euphoria and Reasons came together from a creative perspective, his relationship with social media, and teases his upcoming debut album, Happy Sad Songs.

Toronto-based composer Mark Korven, best known for his work on The Witch, The Lighthouse and The Black Phone, talks about crafting the score for his most recent horror project, The First Omen – a prequel to the 1976 film, The Omen. He explains how he created an original score while paying homage to Ave Satani from the ‘76 film, and how he used a unique instrument of his own design named The Apprehension Engine.

In a world exclusive, L-Acoustics co-CEOs Laurent Vaissié and Hervé Guillaume reflect on the company’s 40th anniversary, the art of leading the business as a duo, and the trends shaping the future of pro audio.