Classical Breakdown WETA Classical

We've come to know the concerto as a work showcasing a single soloist with (or sometimes against) an orchestra, but what if a work has not 1... but 4 soloists at the same time? And what if it is also bringing in ideas from the symphony? John Banther and Evan Keely take a look at one of the defining works in the genre, show you what to listen for, and discuss why Haydn might have written it in the first place
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It's one of the most common musical instruments, but where did it come from and how did we get here? John Banther and Linda Carducci go on a journey through time to trace the evolution of the piano and its various forms. Plus, why is it so fun to see pianos fall from high places??
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There aren't that many examples of a "concerto" for orchestra, and in Joan Tower's, it's an electrifying world of rhythm, motion, and even deception! John Banther and Evan Keely explore this concerto by one of the most successful and recorded American composers. 
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Have you ever wondered how to record an orchestra but were too afraid to ask? Critically acclaimed recording engineer Charles Lawson spends his days recording the National Symphony Orchestra at the John F. Kennedy Center for the Performing Arts. He tells us how it all comes together, philosophy, and near disasters!
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We'll enjoy his Symphony No. 9 "From the New World" at the end, but first we look at his influential and controversial time in the United States, itself a journey that began decades prior. Join us to learn how he was discovered, his musical styles, and some pretty funny stories!
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We celebrate the music of living Black composers with 6 recommended works spanning violin and piano to the full orchestra! Go to the show notes page at classicalbreakdown.org for more information on these composers, links to recordings, and links to resources.
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