The Experiment

The Atlantic and WNYC Studios
The Experiment

Each week, we tell the story of what happens when individual people confront deeply held American ideals in their own lives. We're interested in the cultural and political contradictions that reveal who we are.

  1. 19/05/2022

    Fighting to Remember Mississippi Burning

    In June 1964, at the height of the civil-rights movement, the Ku Klux Klan burned a Black Methodist church to the ground in the town of Philadelphia, Mississippi, and murdered three civil-rights workers in cold blood. This crime became one of the most notorious of its era, shocking the nation on the eve of the passage of the Civil Rights Act and later inspiring a Hollywood blockbuster: Mississippi Burning. But when the reporter Ko Bragg started questioning how this history is being preserved in Philadelphia, she was confronted with a town that would much rather forget its violent past. Bragg finds a few Black residents taking it upon themselves to keep the story of this crime alive, and she asks where the burden of safeguarding history should lie.  A transcript of this episode is available. Further reading: “Who Will Remember the Mississippi Murders?”  Be part of The Experiment. Use the hashtag #TheExperimentPodcast, or write to us at theexperiment@theatlantic.com. This episode of The Experiment was produced by Gabrielle Berbey, with help from Salman Ahad Khan. Editing by Michael May and Julia Longoria. Reporting by Ko Bragg. Fact-check by Naomi Sharp. Sound design by Hannis Brown with additional engineering by Jennifer Munson. Transcription by Caleb Codding. Music by Naran Ratan (“East of Somewhere Else”) provided by Tasty Morsels. Additional music by Hannis Brown. Additional audio from Iowa PBS, HelmerReenberg, AP Archive, MGM, CBS Evening News, NBC News, C-SPAN.

    31min
  2. 12/05/2022

    Teenage Life After Genocide

    At 19 years old, Aséna Tahir Izgil feels wise beyond her years. She is Uyghur, an ethnic minority persecuted in China, and few of her people have escaped to bear witness. After narrowly securing refuge in the United States, Aséna’s now tasked with adjusting to life in a new country and fitting in with her teenage peers.  This week on The Experiment, Aséna shares her family’s story of fleeing to the U.S., navigating newfound freedom, and raising her baby brother away from the shadows of a genocide.  This episode’s guests include Aséna Tahir Izgil and her father, Tahir Hamut Izgil, a Uyghur poet and author. This episode of The Experiment originally ran on August 19, 2021. A transcript of this episode is available. Further reading: “One by One, My Friends Were Sent to the Camps,” “Saving Uighur Culture From Genocide,” “‘I Never Thought China Could Ever Be This Dark,’” “China’s Xinjiang Policy: Less About Births, More About Control” Be part of The Experiment. Use the hashtag #TheExperimentPodcast, or write to us at theexperiment@theatlantic.com. This episode was produced by Julia Longoria, with help from Gabrielle Berbey and editing by Katherine Wells and Emily Botein. Fact-check by Yvonne Rolzhausen. Sound design by David Herman, with additional engineering by Joe Plourde. Translations by Joshua L. Freeman. Music by Keyboard (“Over the Moon,” “Mu,” “Water Decanter,” and “World View”), Laundry (“Lawn Feeling”), Water Feature (“Richard III (Duke of Gloucester)” and “Ancient Morsel”), Parish Council (“New Apt.”), and H Hunt (“C U Soon), provided by Tasty Morsels. A translation of Tahir Hamut Izgil’s poem “Aséna” is presented below.  Aséna By Tahir Hamut Izgil Translation by Joshua L. Freeman   A piece of my flesh torn away. A piece of my bone broken off. A piece of my soul remade. A piece of my thought set free.   In her thin hands the lines of time grow long. In her black eyes float the truths of stone tablets. Round her slender neck a dusky hair lies knotted. On her dark skin the map of fruit is drawn.   She is a raindrop on my cheek, translucent as the future I can’t see.   She is a knot that need not to be untied like the formula my blood traced from the sky, an omen trickling from history.   She kisses the stone on my grave that holds down my corpse and entrusts me to it.   She is a luckless spell who made me a creator and carried on my creation.   She is my daughter.

    48min
  3. 05/05/2022

    Judge Judy’s Law

    Almost 30 years ago, a fed-up Manhattan-family-court judge named Judith Sheindlin was sitting in her chambers when she got a call from a couple of television producers. They pitched her the idea for a TV show with Judy at its center.  The result was Judge Judy, one of the most popular and influential television series ever made. Over its decades-long run, it beat out The Oprah Winfrey Show in ratings, led to the explosion of court TV, and influenced how large swaths of Americans think about crime and justice.  The Experiment’s Peter Bresnan has been watching Judge Judy with his mom ever since he was a kid. But recently, he began to wonder how the show managed to become such a force in American culture, and what impact it’s had on the thousands of litigants who stood before Judy’s TV bench. What he found was a strange story about what happens when the line between law and entertainment starts to blur.  A transcript of this episode is available. Be part of The Experiment. Use the hashtag #TheExperimentPodcast, or write to us at theexperiment@theatlantic.com. This episode of The Experiment was produced by Peter Bresnan with help from Salman Ahad Khan. Editing by Jenny Lawton, Julia Longoria, Emily Botein, and Michael May. Fact-check by Will Gordon. Sound design by Joe Plourde with additional engineering by Jen Munson. Transcription by Caleb Codding. Music by Naran Ratan (“East of Somewhere Else”), Ob (“Wold”), R McCarthy (“Big Game” and “Contemplation at Lon Lon”), Parish Council (“P Lachaise,” “Walled Garden 1,” and “New Apt.”), and Column (“A Year in Your Garden” and “Sensuela”) provided by Tasty Morsels. Additional music by Alex Overington. Additional audio from Judge Judy, CBS News, The People's Court, NBC4 News, ABC News, AP Archive, and The Roseanne Show.

    47min

Sobre

Each week, we tell the story of what happens when individual people confront deeply held American ideals in their own lives. We're interested in the cultural and political contradictions that reveal who we are.

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