Ballet Help Desk Jenny Huang and Brett Gardner

Tune in to our latest episode featuring Phil Chan, co-founder of Final Bow for Yellowface, as we discuss the issue of Orientalism in ballet. Phil talks us through how his organization is actively combating stereotypes and Orientalist tropes within the art form. We also hear how major ballet companies are joining the movement, signing the Final Bow For Yellowface pledge to promote diversity and inclusion on stage.
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In this episode, we sit down with Tim O'Keefe, Artistic Director of Texas Ballet Theater, for an insightful discussion on the company's repertoire and his approach to artistic direction. We also explore the Texas Ballet Theater Studio Training Company, which offers aspiring dancers a platform to hone their skills. Join us for a candid conversation on the artistry and dedication shaping the Texas Ballet Theater's next generation of dancers.
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Mavis Staines has been described as a visionary dance educator who has revolutionized the way dance is taught, performed, witnessed and shared across Canada and around the world. Over her 30-year tenure as Artistic Director of Canada’s National Ballet School, she has cemented the School’s reputation as the leading champion of programming excellence, access, and inclusion in dance.
Join us as we chat with her along with NBS faculty member, Keith Morino, about the school's post-graduate training known as the Company Life Program. This wide ranging conversation covered everything from what they've seen change post-Covid to how dancers enter the program, what a typical day looks like and how dancers work with individual mentors to help launch students into careers.
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Christopher Hird, Director of Education for Sarasota Ballet joins us to discuss post-graduate training programs. Hird brings a wealth of experience and insight to the conversation, having dedicated his career to shaping the next generation of ballet artists. From fostering technical proficiency to encouraging artistic expression, Hird shares the secrets behind cultivating well-rounded dancers who can comfortably move from the studio to the stage.
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Ballet Help Desk sat down with Christopher Ruud, Second Company Manager and Rehearsal Director at Kansas City Ballet. This wide-ranging conversation covered everything from how the post-graduate levels are structured to performance opportunities to how students typically move through the ranks of the school. Chris also touched on the channels through when they recruit students as well as how they help students make that jump to the professional stage. 
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We sat down with Sarah Wroth, Chair of the Department of Ballet at Indiana University's Jacobs School of Music, to hear all about IU's ballet program. University ballet programs are becoming an ever more viable means to a professional ballet career and IU is a leader is turning out well-trained and mature, employable dancers. Tune in to hear about the myriad opportunities that exist for IU ballet students including a huge performance schedule, the chance to choreograph on other students and the ability to add a second emphasis of academic study.
Be sure to also check out IU's collaboration with Phil Chan, co-founder of Final Bow For Yellowface as the school stages a completely reimagined version of Petitpa's classic yet problematic, La Bayadère. This newly staged version, renamed, Star on the Rise: La Bayadère ... Reimagined, is sure to get people talking! Performances take place March 29 and 30 are available to watch online for free.
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Star on the Rise Live Stream IU Jacobs School of Music  Ballet Help Desk Submit Year-Round Reviews Support Ballet Help Desk Instagram: @BalletHelpDesk