Dispersion

Zoryan Institute

Dispersion is a podcast by the Zoryan Institute that analyzes and celebrates both the diverse and common experiences of diasporas living away from, and returning to, their homeland. Having published its academic journal in the field of diaspora studies for 30 years, the Zoryan Institute is excited to bring the conversation of diaspora to a new platform.  Introducing important theories, topics, and experiences related to diaspora and transnational studies through casual conversations with people currently or previously living in Canada. Through conversations with diverse communities in Canada, Dispersion will challenge stereotypes, discrimination, and aim to bring people together through conversations that navigate identity, home, and belonging.  The Zoryan Institute is a non-profit organization that serves the cause of scholarship and public awareness relating to issues of universal human rights, genocide, and diaspora-homeland relations. For more from the Institute follow us on Instagram and Twitter @ZoryanInstitute, on Facebook @ Zoryan Canada, on Youtube @ZI e-Chronicles and at www.zoryaninstitute.org.  Hosted on Acast. See acast.com/privacy for more information.

  1. Echoes in Eight Counts

    2d ago

    Echoes in Eight Counts

    Guests: Preservationist and former curator of the Smithsonian Museum, Carolyn Rapkievian, and artistic director and choreographer of Sassoun Dance Ensemble, Sevag Avakian. In this episode, our guests reflect on their personal journeys and the evolution of Armenian dance across the diaspora. They explore efforts to preserve traditional forms alongside the emergence of new, diaspora-born dances, and how performance and teaching actively reshape Armenian historical memory. The conversation highlights dance as both a practice of preservation and celebration, one that carries history forward in exciting ways.  Biographies: Carolyn Okoomian Rapkievian has been researching, teaching, and performing dance in a professional capacity for more than 30 years.  She grew up dancing at Armenian family and social functions. Her directing highlights include the Washington D.C. Arev Armenian Dance Ensemble and the Arax Armenian Dance Ensemble.  Her performance experience includes AGBU’s Antranig Dance Ensemble in New York, and Dancefolk and the Palamakia (Greek) Dancers in Nashville.   She has studied Russian, Polish, and Hungarian dancing and continues to study ballet.  In addition to Armenian dance, she has taught character ballet and ballroom dancing for dance companies, universities, and public folk festivals.  She teaches Armenian dancing and international folk dancing with the Kotwica Band at monthly dances and at festivals in Maine. Carolyn has held leadership positions in museums for over 50 years including 26 years at the Smithsonian’s National Museum of the American Indian.  She has lectured internationally about genocides, understanding history, and the politics of cultural acknowledgement in museums. In 2018 she curated the Armenian Dance Showcase at the Smithsonian Folklife Festival. She currently works to document and preserve historic Western Armenian village dances in collaboration with the Houshamadyan project: https://www.houshamadyan.org/themes/dance.html Sevag Avakian developed a passion for Armenian dance at a young age, growing up in a family deeply rooted in dance and cultural tradition. Beginning his training at the age of six, he was immersed in music and movement early on, a constant influence throughout his life. As he matured, his natural curiosity and dedication led him to independently study traditional Armenian folkloric dances, exploring their techniques and cultural and historical significance. He is now the Artistic Director and Choreographer of the Sassoun Dance Ensemble, established in 2004 under the auspices Toronto’s Holy Trinity Armenian Church by Reverend Archpriest Father Zareh Zargarian and now operating under the Canadian Armenian Community Services Centre (Barev Centre). Over the past 22 years, the group has welcomed hundreds of members and presented annual performances featuring traditional and contemporary Armenian dances. The ensemble has performed at multicultural festivals, theatrical productions, and music videos, represented Armenian heritage at an NBA game, and appeared on major local stages including Dundas Square, the Canadian National Exhibition, and David Pecaut Square. Find Dispersion on all your favourite social media platforms: Instagram: https://www.instagram.com/dispersionpodcast/?hl=en Spotify: https://open.spotify.com/show/3YnJI7YEgyyxVXn4qJWeIf Apple Podcasts: https://podcasts.apple.com/ca/podcast/dispersion/id1604466506 Acast: https://shows.acast.com/dispersion Amazon Music: https://music.amazon.ca/podcasts/be249e46-4f77-41f9-8c41-9c62cfc1ecd6/dispersion Hosted on Acast. See acast.com/privacy for more information.

    56 min
  2. Painting an Unfinished Portrait

    May 20

    Painting an Unfinished Portrait

    Guests: Chicago-based painter and visual artist Jackie Kazarian, and Armenian-Dutch biodesigner and artist Shushanik Droshakiryan. In this episode, our guests explore how their art emerges from personal curiosities and lived experiences engaging with Armenian narratives, rather than representing a singular collective view. They reflect on how Armenian identity is a continuously reconstructed phenomenon that is shaped through their evolving relationships between art, homeland, and themselves across time and different mediums. Biographies: Jackie Kazarian is a Chicago-based visual artist working primarily in painting, installation and video.  She received a BS in Zoology from Duke University and a MFA in Painting and Drawing from the School of the Art Institute of Chicago. She has held numerous solo exhibitions, including New York, Chicago, Miami, Spain, Syria and Kuwait. Her work is in many private and public collections, including Illinois State Museum, Rockford Art Museum, Metropolitan Pier and Exposition Authority, Chicago Public Library, and the United States Embassy, Armenia. In 2019, Jackie received the Lifetime Achievement Award from the Armenian Behavioral Science Association. She is a 2008 fellow of the Ellen Stone Belic Institute for the Study of Women & Gender in the Arts & Media at Columbia College Chicago and has served two tours as an art envoy for the U.S. State Department, presenting workshops, lectures and exhibitions in Kuwait and Syria. In 2015, Kazarian created a monumental painting to commemorate the 100-year anniversary of the Armenian genocide.   Shushanik Droshakiryan is an Armenian-Dutch biodesigner and artist based in Amsterdam. Her creative journey began with traditional Armenian carpet weaving at the National Centre for Aesthetics in Yerevan, where the material and ornamental logic of Armenian carpets formed her artistic thinking. Today, that foundation drives her biodesign practice in which Armenian cultural heritage is not preserved but activated as regenerative design intelligence. Her biomaterial systems do not merely reference Armenian identity — they are rooted in it, drawing from the logic of Armenian landscape, material memory, and cultural form. She is the founder of Venus in Fury, an Amsterdam-based biodesign lab, working at the intersection of material science, craft, and next-generation biomaterial systems. Her signature materials, SUF, a translucent seaweed-based bio-garment inspired by G.I. Gurdjieff, and ARTSAKH, a carbon-based bio-leather registered under EU trademark droshakiryan ®, each draw their identity from the Armenian land, memory, and heritage. Find us on all your favourite social media platforms: Instagram: https://www.instagram.com/dispersionpodcast/?hl=en Spotify: https://open.spotify.com/show/3YnJI7YEgyyxVXn4qJWeIf Apple Podcasts: https://podcasts.apple.com/ca/podcast/dispersion/id1604466506 Acast: https://shows.acast.com/dispersion Amazon Music: https://music.amazon.ca/podcasts/be249e46-4f77-41f9-8c41-9c62cfc1ecd6/dispersion Hosted on Acast. See acast.com/privacy for more information.

    51 min
  3. Speaking with Accents on Centre Stage

    May 13

    Speaking with Accents on Centre Stage

    Guests: Award-winning international film and stage actress, Arsinee Khanjian and esteemed playwright, director, and stage actor, Hrant Alianak. In this episode, our guests share their journeys as diasporan Armenians from Lebanon and Sudan, respectively, to reflect on how their distinct upbringings shape their Armenian storytelling. They discuss how diaspora challenges traditional notions of Armenianness, the role of accents as markers of otherness, and their shared history navigating Canada’s film and theatre scenes as young performance artists from the 1970s onward. Biographies: Hrant Alianak (Writer/Director/Actor/Producer) made his debut as a writer in 1972 at Theatre Passe Muraille in Toronto with his play TANTRUMS. He is best known for his plays LUCKY STRIKE, THE BLUES and THE WALLS OF AFRICA which was nominated for 8 Dora Awards and received 3, including Best Production. Alianak started producing in 1992 and formed his company ALIANAK THEATRE PRODUCTIONS. Amongst the plays he has produced and directed, were several Armenian themed plays including A CROOKED MAN and BEAST ON THE MOON, starring Arsinee Khanjian. He has also completed two feature films, A TRIP TO THE ISLAND and BURNING, BURNING, both of which he wrote, directed and co-produced. Arsinee Khanjian was born in Lebanon to Armenian parents in Beirut, and has lived in Canada since 1975. Khanjian grew up speaking Armenian at home, Arabic and French in school. Her family moved to Montreal when she was seventeen, where she studied theatre at the Conservatoire Lasalle, earned her B.A. in Spanish and French from Concordia University, then subsequently graduated with a Masters in Political Science from University of Toronto. She has starred in numerous Canadian and European films (including The Lark Farm by the Taviani brothers and Ararat by Atom Egoyan), performed on stage and has directed her own work in Berlin. In 2006 she was awarded the »Genie Award« for best actress Ararat and the Gemini Award previously for her role in the CBC production of More Tears in 1999. Find us on all your favourite social media platforms: Instagram: https://www.instagram.com/dispersionpodcast/?hl=en Spotify: https://open.spotify.com/show/3YnJI7YEgyyxVXn4qJWeIf Apple Podcasts: https://podcasts.apple.com/ca/podcast/dispersion/id1604466506 Acast: https://shows.acast.com/dispersion Amazon Music: https://music.amazon.ca/podcasts/be249e46-4f77-41f9-8c41-9c62cfc1ecd6/dispersion Hosted on Acast. See acast.com/privacy for more information.

    1h 25m

About

Dispersion is a podcast by the Zoryan Institute that analyzes and celebrates both the diverse and common experiences of diasporas living away from, and returning to, their homeland. Having published its academic journal in the field of diaspora studies for 30 years, the Zoryan Institute is excited to bring the conversation of diaspora to a new platform.  Introducing important theories, topics, and experiences related to diaspora and transnational studies through casual conversations with people currently or previously living in Canada. Through conversations with diverse communities in Canada, Dispersion will challenge stereotypes, discrimination, and aim to bring people together through conversations that navigate identity, home, and belonging.  The Zoryan Institute is a non-profit organization that serves the cause of scholarship and public awareness relating to issues of universal human rights, genocide, and diaspora-homeland relations. For more from the Institute follow us on Instagram and Twitter @ZoryanInstitute, on Facebook @ Zoryan Canada, on Youtube @ZI e-Chronicles and at www.zoryaninstitute.org.  Hosted on Acast. See acast.com/privacy for more information.