FilmWeek

LAist

FilmWeek on AirTalk, hosted by Larry Mantle, is a one-hour weekly segment devoted to films. It offers reviews of the week's new movies, interviews with filmmakers, and discussions on various aspects of the industry.

  1. 3d ago

    FilmWeek: ‘Motor City,’ ‘Avatar Aang: The Last Airbender,’ ‘Her Private Hell,’ and more!

    The topic:  Julia Paskin and the LAist film critics review this weekend’s latest movie releases in theaters and on streaming platforms. The films:  Motor City, In Select Theaters Avatar Aang: The Last Airbender, Streaming on Paramount+ Her Private Hell, Wide Release Hadestown: The Musical, In Select Theaters Sheep in the Box, AMC Century City|Expands to more theaters July 31 Nothing to See Here: Watts, Laemmle Monica Film Center [Santa Monica] American Pachuco: The Legend of Luis Valdez, In Select Theaters Cruel Hands, Laemmle Glendale & Available on VOD The Kidnapping of Arabella, Laemmle Monica Film Center [Santa Monica] & Laemmle NoHo The D**k, Streaming on Apple TV+ Lars Shrike Walks the Night, Streaming on Digital Correction: In the original broadcast for the review for American Pachuco: The Legend of Luis Valdez, Lou Diamond Phillips was incorrectly credited for the role of 'El Pachuco' in the 1978 Mark Taper production of 'Zoot Suit'. The character 'El Pachuco' was played by Edward James Olmos. The critics: Peter Rainer, film critic for LAist and the Christian Science Monitor Tim Cogshell, film critic for LAist, Alt-Film Guide and CineGods.com Charles Solomon, film critic for LAist, Animation Scoop and Animation Magazine Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency

    FilmWeek: ‘Motor City,’ ‘Avatar Aang: The Last Airbender,’ ‘Her Private Hell,’ and more!
  2. Jul 17

    The Odyssey: Christopher Nolan talked to us about making a 2,800-year-old story feel new

    The topic: Christopher Nolan’s The Odyssey is turning out to be the event of the summer, with screenings selling out at theaters a year in advance. Nolan shares how he adapted the Greek epic for a modern audience. On what makes a successful adaptation: “If somebody watching the film who read the poem in high school or something, who doesn’t know it that well but knows it pretty well — if that person feels that my additions or my allusions actually were from the poem, then I think I've succeeded.” The dialogue: “I’m not having the actors speak with mid-Atlantic or some British accents the way Hollywood in the 50s or 60s often did… We want it to be more accessible than that.” The sound and score: “[Ludwig Göransson] is trying to create a soundscape that is as much a part of the sense of place as the sound effects. So in a way we’re trying to blur the boundaries completely between music and sound effects.” New technology: “This blimping system, it’s essentially a high-tech box you put the [70MM IMAX] camera in and it silences it. And so for the first time ever, we could do the entire film that way.” Does the format matter? “They’re all drawn from this massive negative, so they can be as sharp and clear as possible. We’re able to fill the screen with the brightest and clearest image no matter what format you see it in. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency.

    The Odyssey: Christopher Nolan talked to us about making a 2,800-year-old story feel new

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FilmWeek on AirTalk, hosted by Larry Mantle, is a one-hour weekly segment devoted to films. It offers reviews of the week's new movies, interviews with filmmakers, and discussions on various aspects of the industry.

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