HORROR 101 with Dr. AC

Aaron Christensen

HORROR 101 with Dr. AC is a horror movie podcast that revisits classic horror films on milestone anniversaries (20, 30, 40, 50 years, and more). Each episode features a lively rotating panel of horror fans discussing the film's legacy, personal memories, cultural impact, and what makes it a lasting favorite. If you love deep dives into horror movies like The Exorcist, A Nightmare on Elm Street, or Frankenstein, this podcast is for you. Come celebrate horror history—one anniversary at a time.

  1. 1d ago

    Ep 159 - GRIZZLY, SQUIRM, & FOOD OF THE GODS / 1976 Eco-Horror Triple Feature!

    GRIZZLY (1976) d. William Girdler (USA) SQUIRM (1976) d. Jeff Lieberman (USA) THE FOOD OF THE GODS (1976) d. Bert I. Gordon (USA) In the wake of Steven Spielberg's Jaws from 1975, drive-ins and hardtop theaters alike were suddenly overrun by creatures with a taste for human flesh. Intrepid and imaginative independent filmmakers proved that almost any member of the animal kingdom could be transformed into a successful box-office menace. Three standout entries from 1976—Grizzly, Squirm, and The Food of the Gods—perfectly capture the exuberant creativity and unapologetic pulp appeal of the Nature Strikes Back Eco-horror boom. William Girdler's Grizzly distilled the Jaws formula into a lean, backwoods thriller, replacing the great white with an enormous, man-eating bear stalking campers in a national park. Made on a modest budget but packed with confidence, suspense, and fantastic production value, Girdler demonstrated that resourcefulness and sharp pacing could outweigh huge Hollywood razzle dazzle, and his able cast of Christopher George, Andrew Prine, and Richard Jaeckel helped cement Grizzly as one of the most successful independent horror films of the decade and a benchmark for the animals-attack cycle. If Grizzly was all Ursa Major muscle, Jeff Lieberman's Squirm was all wriggling annelid Ick Factor. After a freak storm sends electrically charged earthworms to the surface, an ordinary Georgia town finds itself under siege by thousands of ravenous invertebrates. Lieberman and his players approach the outrageous premise with a straight face and an inventive visual style, creating a film that is simultaneously unsettling, funny, and delightfully bizarre. Mr. BIG himself, Bert I. Gordon was already celebrated as the master of gigantism when he returned to familiar territory with The Food of the Gods, very loosely adapting H. G. Wells into a gleefully chaotic tale of mysterious goop bubbling up from the earth, creating giant rats, wasps, chickens, and other oversized terrors. Tom Burman's ambitious creature effects combined with cringe-worthy footage of real-life animals in jeopardy embody the anything-goes energy that made '70s genre cinema so fascinating. Join AC and his beastly panel of guests (Joyce Boss, Damien Glonek, Tracy Mercer, Vanessa Morgan, Steven Peros) as we celebrate the 50th anniversary of the YEAR OF THE ANIMALS! ----------------------------------------------------------- JOYCE MIHARA BOSS teaches world literature and cinema, myth, and Japanese popular culture at Wartburg College. Her academic publications and presentations have focused on various topics related to Godzilla, yōkai, global fandom, and Japanese religion and folklore. DAMIEN GLONEK is best known as the co-creator of Living Dead Dolls, which holds the record for the longest continuously running horror themed dolls. He is also co-host of the horror podcast, Discover the Horror. In Damien's spare time, he collects horror movie posters, watches horror movies, reads about watching horror movies and talks about reading and watching horror movies to anyone that will listen. TRACY MERCER is an Emmy-nominated TV/Film executive-turned-producer who worked on Ang Lee's Hulk, Aeon Flux, Punisher, and Invictus, before transitioning to producing CBS' hit series Madam Secretary, Five Flights Up, Worldbreaker, and the upcoming horror film, The Autopsy of Albert Kemper. Mercer was a contributor to #1 Amazon best-sellers, Giant Beast Cinema and Cinema Bizarro, and co-hosted the long running comedy podcast, My Favorite Shtty Movie. VANESSA MORGAN is the author of several movie reference guides (When Animals Attack, Strange blood, Evil Seeds & Meow!), all available from Amazon https://amzn.to/3Hzm0wN. She's also the creator of the websites https://cat-movies.com and https://traveling-cats.com. STEVEN PEROS is the editor and contributor to Giant Beast Cinema and Cinema Bizarro (both reaching #1 on Amazon). Steven is best known for writing Peter Bogdanovich's The Cat's Meow, starring Kirsten Dunst. He is VP of Creative Affairs for Cineverse, home of the Terrifier series. ---------------------------------------------------------- Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

  2. Jul 24

    Ep 158 - FROM DUSK TILL DAWN (1996) at 30: The Vampire Cult Classic Still Has Teeth

    FROM DUSK TILL DAWN (1996) d. Robert Rodriguez (USA) FROM DUSK TILL DAWN 2: TEXAS BLOOD MONEY (1999) d. Scott Spiegel (USA) FROM DUSK TILL DAWN 3: THE HANGMAN'S DAUGHTER (2000) d. P.J. Pesce (USA) FROM DUSK TILL DAWN: THE SERIES (2014-2016) d. Robert Rodriguez (USA) Thirty years ago, From Dusk Till Dawn (1996) kicked open the saloon doors, ordered a round of tequila, and then revealed that everyone in the bar was about to be eaten by vampires. Of course, From Dusk Till Dawn is much more than its famous twist. It's a perfect snapshot of '90s independent filmmaking, bringing together Rodriguez's kinetic, resourceful direction, Tarantino's Fonzie cool dialogue, KNB's outrageous practical effects, and an ensemble cast led by George Clooney, Harvey Keitel, Juliette Lewis, Salma Hayek, and cameos from Michael Parks, John Hawkes, Tom Savini, Cheech Marin, Danny Trejo, and the Hammer himself, Fred Williamson. Add in one of cinema's most iconic nightclub sequences, gallons of gore, and tons of morphing monster mayhem, it's no wonder the film has become a perennial cult favorite. Three decades later, From Dusk Till Dawn still feels a bit like an adolescent filmmaker's wild dare. Messy, excessive, funny, shocking, and endlessly quotable, it reminds us that horror can be scary, hilarious, and completely unpredictable. Join AC and his incredible panel of guests (Eric Anderson, Carol Esteban, Eric Fritzius, Anish Jethmalani, Larry Sternshein) as we celebrate 30 years of one of horror's boldest, bloodiest, and most delightfully batshit cult classics! ------------------------------------------------------------------------------- ERIC ANDERSON was not allowed to watch horror movies as a kid and he is now making up for lost time with a vengeance. He works in a large urban public library and spends as much time outdoors as possible. ERIC FRITZIUS writes things, acts in others and records mouth noises sold in the form of audiobooks. You can find his stuff at MisterHerman.com CAROL ESTEBAN is far too busy golfing, watching movies, and being awesome to be bothered with mini-bios. ANISH JETHMALANI is Chicago Actor who has been on stages and screens for 30 years. You may recognize him from the horror flick Girl on the Third Floor with CM Punk. He is passionate Cinephile who contributed an essay on The Omen for the original HORROR 101: The A-List of Horror Films and Monster Movies. You can find him on letterboxed at https://letterboxd.com/ajet/ LARRY STERNSHEIN is a lifelong movie fan in Colorado and host of the movie memories podcast "Reel Early." Not only does he love talking about horror and action cinema, but is also a big pro wrestling fan. ------------------------------------------------------------------------- Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

  3. Jul 17

    Ep 157 - THE BEST (AND WORST) SLASHERS OF 1981!! (Part 2 of 2)

    BLOODY BIRTHDAY (1981) d. Ed Hunt (USA) BLOODY MOON (1981) d. Jess Franco (Spain/Germany) DEADLY BLESSING (1981) d. Wes Craven (USA) DON'T GO IN THE WOODS (1981) d. James Bryan (USA) EYES OF A STRANGER (1981) d. Ken Wiederhorn (USA) FINAL EXAM (1981) d. Jimmy Huston (USA) GRADUATION DAY (1981) d. Herb Freed (USA) NIGHT SCHOOL (1981) d. Ken Hughes (USA) STRANGE BEHAVIOR (1981) d. Michael Laughlin (New Zealand) STUDENT BODIES (1981) d. Mickey Rose (USA) A few months back, we took a deep dive into the slashers of 1981, and now we're back to finish the job! If our first installment focused on future classics and franchise cornerstones, this week's episode explores the stranger, sleazier, and more offbeat corners of the slasher boom. Some films stick close to the formula. Final Exam delivers stripped-down campus suspense, Graduation Day pairs revenge with an unmistakably early-'80s soundtrack, Night School mixes police procedural thrills with a memorable killer, and Eyes of a Stranger blends voyeurism and vigilante justice while featuring an impressive early performance from Jennifer Jason Leigh. Others push the boundaries. Wes Craven's Deadly Blessing fuses religious paranoia and psychological horror, while Strange Behavior combines mad science, teenage romance, and small-town conspiracy into a cult favorite. Then there are the true oddballs: Bloody Birthday, Bloody Moon, Don't Go in the Woods, and the gleefully self-aware Student Bodies, each embracing excess, exploitation, or outright parody in wildly different ways. Join AC and his blood-loving panel of guests (Fraser Coffeen, Lauren Cupp, Art Ettinger, Kolleen Carney Hoepfner, Freddie Young) as we celebrate—and occasionally eviscerate—ten more slices of 1981 horror, spotlighting the overlooked gems, cult favorites, ambitious experiments, and gloriously excessive carnage that made this such a banner year for slasher fans!   ----------------------------------------- FRASER COFFEEN is the co-host of Creepy History, a podcast dedicated to all the creepy stuff you wish they taught you in High School. He's been published in Horror Homeroom magazine and How to Analyze and Review Comics. LAUREN CUPP is a performer and personality in the Southern California horror community. Having recently performed in (and survived) the LA run of Saw the Musical, she can now be found performing comedy at Pop Culture Hell, cosplaying at horror conventions, or catching a film at her local AMC. ART ETTINGER is the editor of Ultra Violent Magazine, a public defender, and a Razorcake record reviewer. He lives in Pittsburgh, Pennsylvania where his lifelong obsessions with punk rock and horror/exploitation cinema continue to consume him. KOLLEEN CARNEY HOEPFNER is a freelance writer, copyeditor, and Southern California convention booth gal for venues such as Fangoria. She is the host of For Unlawful Cinematic Knowledge, a film podcast celebrating the underloved and overlooked.  FREDDIE YOUNG is a NYC horror reviewer and frequent podcaster. He has been running the website Full Moon Reviews (www.fullmoonreviews.net) since 2006, telling it like it is and enjoys spreading the word on good and bad films, mainly in the horror genre. He's planning on a full-time return to podcasting soon, hoping to put some attention on some "misunderstood films." --------------------------------------------- Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

  4. Jul 9

    Ep 156 - MARIO BAVA DOUBLE FEATURE: Kill Baby Kill (1966) & A Bay of Blood

    KILL, BABY... KILL! (1966) d. Mario Bava (Italy) A BAY OF BLOOD (1971) d. Mario Bava (Italy) Equal parts conjurer of Gothic nightmares, pioneer of modern cinematic violence, and astonishing visual stylist, Italian filmmaker and horror legend Mario Bava'has delivered so many genre high water marks that it's difficult to keep track. From the black-and-white splendor of Black Sunday to the hypnotic colored gels of Black Sabbath to establishing the hallmarks of the giallo, Bava was constantly innovating and imagining new ways to dazzle and disturb audiences. Kill, Baby... Kill! represents perhaps the pinnacle of Bava's Gothic imagination. Set in a cursed village haunted by the ghost of a young girl, the film transforms familiar supernatural motifs into a hypnotic fever dream through its masterful use of color, lighting, and camera movement. Rather than relying on overt shocks, Bava creates an atmosphere of mounting dread, where mirrors, staircases, and abandoned rooms become spaces of uncanny terror. If Kill, Baby... Kill! perfected Bava's supernatural Gothic style, A Bay of Blood brought to fruition the contemporary, murder-centred approach he had already explored in The Girl Who Knew Too Much and Blood and Black Lace. Dispensing with mystery in favor of an escalating cycle of betrayal and carnage, the film follows a web of greed-driven killers competing for ownership of a secluded bay. Its graphic violence, cynical worldview, and inventive murder set-pieces anticipated the American slasher boom by more than a decade, with several set-pieces famously echoed in Friday the 13th Part 2 (1981). Join AC and his incredible panel of guests (Troy Howarth, Katie of the Night, Jon Kitley, Nicola McCafferty) as we celebrate this dazzling double feature of Mario Bava, The Maestro of the Macabre! ------------------------------------- TROY HOWARTH is a Rondo Award-nominated writer who specializes in European Cult cinema. His books include The Haunted World of Mario Bava, Splintered Visions: Lucio Fulci and His Films, So Deadly, So Perverse: 50 Years of Italian Giallo Films, among others. He has also contributed audio commentaries, audio essays, and liner notes to over one hundred DVD and Blu-ray releases from the U.S., the U.K., and Germany. He resides in Pennsylvania. KATIE OF THE NIGHT is six years into film exploration. Leaning into the sentiment of the occasional 'this girl doesn't know shit' comment, she makes YouTube videos of her thoughts on the various vintage Euro horror films she watches. JON KITLEY has been running his website, Kitley's Krypt for 25 years. He's a columnist for HorrorHound magazine, a co-host on the Discover the Horror podcast, and attends multiple conventions and all-night horror movie marathons at the drive-in theaters! https://kitleyskrypt.com/  NICOLA MCCAFFERTY is the Director of Programming at the soon-to-be reopened 400 theater in Rogers Park and the After Dark Programmer for the Chicago International Film Festival. She holds a PhD in Screen Cultures from Northwestern University, and her research looks at screen representations of nonhuman women (think: mannequins, dolls, robots, and aliens) in order to deconstruct the overlapping categories of whiteness, humanity, and femininity. Her article "I'm (Not) Your Doll: Hybridity, Femininity, and the Nonhuman in FKA twigs's M3LL155X," is forthcoming in Screen in Winter 2026, and she has also written about Frankenstein movies for Dread Central. You can find enamel pins, stickers, patches, and prints designed by Nicola and inspired by horror and cult films at vvitchroom.etsy.com.  -------------------------------------------------- Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

  5. Jul 3

    Ep 155 - HAMMER HORROR 1961: (CURSE OF WEREWOLF, SCREAM OF FEAR, TERROR OF TONGS, SHADOW OF CAT)

    THE CURSE OF THE WEREWOLF (1961) d. Terence Fisher (UK) SCREAM OF FEAR (aka Taste of Fear) (1961) d. Seth Holt (UK) THE TERROR OF THE TONGS (1961) d. Anthony Bushell (UK) THE SHADOW OF THE CAT (1961) d. John Gilling (UK) While Hammer Films is most often remembered for its Gothic reimaginings of Dracula, Frankenstein, and other classic monsters, the year 1961 showcased an adventurousness and willingness to experiment with different styles of horror and suspense. Our four films up for discussion demonstrate Hammer's evolving state in the early 1960s to impressive effect. The Curse of the Werewolf proved to be the studio's only lycanthropic effort. With Hammer all-star Terence Fisher in the director's chair, and starring a young Oliver Reed in his first leading role, producer Anthony Hinds' screenplay (his first using his pseudonym of John Elder) follows a young man cursed by the circumstances of his birth, who transforms into a murderous man-beast. Scream of Fear is a stylish psychological thriller about a wheelchair-bound woman (played by Susan Strasberg) who returns to her family estate and repeatedly encounters what appears to be her father's corpse. Directed by Seth Holt with a sharp script by Jimmy Sangster, the film's success helped launch a cycle of black and white psychological thrillers that included Maniac, Paranoiac, and Nightmare. The Terror of the Tongs sees Hammer blending exploitation and horror elements into a pulpy screen adventure set in 1910 Hong Kong. Anthony Bushell directs another Sangster screenplay that follows a British sea captain seeking revenge against a secret society responsible for the murder of his daughter.  The Shadow of the Cat, directed by John Gilling and written by George Baxt, offers one of Hammer's most unusual premises: After witnessing its owner's murder, a cat appears to haunt and terrorize the guilty family members responsible. While Hammer's Gothic classics remain iconic, these four features highlight a company exploring psychological suspense, tragic monster tales, historical adventure, and even feline revenge during its creative peak. If you're willing to look beyond Dracula's cape and Frankenstein's laboratory, join hands with AC and our fabulous panel of guests (David del Valle, Max Deering, Troy Howarth, Lin Morris, Nathaniel Thompson) as we step back 65 years into the deep, dark, daring, and delightful world of Hammer!  ---------------------------------------------------- DAVID DEL VALLE is a renowned film historian, journalist, and commentator specializing in horror, science fiction, and cult cinema. He has contributed to publications like Fangoria and Cinefantastique, and produced Vincent Price's only interview focused on his horror career. Del Valle's books include Lost Horizons Beneath the Hollywood Sign and Six Reels Under. MAX DEERING is a student of genre cinema that wears many hats. From a Producer and Editor of several podcasts including Action For Everyone and The Box Office Podcast, to being a freelance writer for Fangoria, Neon Splatter, and more. You can find his work via Muckrack (https://muckrack.com/maxwell-deering). TROY HOWARTH is a Rondo Award-nominated writer who specializes in European Cult cinema. His books include The Haunted World of Mario Bava, Splintered Visions: Lucio Fulci and His Films, So Deadly, So Perverse: 50 Years of Italian Giallo Films, among others. He has also contributed audio commentaries, audio essays, and liner notes to over one hundred DVD and Blu-ray releases from the U.S., the U.K., and Germany. He resides in Pennsylvania. LIN MORRIS is a writer who makes his living doing something else entirely. His novels Spot the Not and The Marriage Wars are both available on Amazon. The first movie he recalls seeing is Two on a Guillotine at the Super 99 Drive-In at much too young an age, and he's been a horror fan ever since. Despite the strenuous efforts of his parents, he remains stubbornly left handed. NATHANIEL THOMPSON has recorded 300 audio commentaries and written five books, most recently The FrightFest Guide to Vampire Movies. You can see him in shows like Eli Roth's History of Horror and Horror's Greatest, and read him yammering about all kinds of movies at mondo-digital.com. --------------------------------------- Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

  6. Jun 26

    Ep 154 - FRAILTY (2001) at 25: The Family That Slays Together Stays Together

    FRAILTY (2001) d. Bill Paxton (USA) For those who only know beloved actor Bill Paxton from his outrageous comic supporting turns or solid leading man roles, watching him bring Brent Hanley's high concept story to exquisitely shaded light is a bit of a revelation. A mysterious young man, Fenton Meiks (played by Matthew McConaughey) walks into a Texas FBI building and reveals to Agent Doyle (played by Powers Boothe) that he knows the identity of a local serial killer known as "God's Hand." Fenton tells of his father (played by Paxton himself), a loving man of deep faith who awakens his sons one night with the news that he has had a vision: God has called on them to serve as slayers of demons. Of course, upon hearing that these demons are "disguised" as human beings, Fenton understandably begins to question his father's sanity. Hanley's powerful screenplay was inspired by both Catholic school teachings and a love of Stephen King. A modern take on the Old Testament stories of fealty and faith, Paxton and his creative team endow such banal objects as a pair of gloves, a lead pipe, and an axe named "Otis" with mythical status, as well as an abiding uncertainty and mistrust of what we see around us and/or how events are interpreted. Is this a tale of religious enlightenment or mental psychosis? You'll have to ride along with Fenton and Agent Doyle to find the answers… which only end up leading to more questions. In the quarter-century since its release, Frailty has lost none of its power, delivering psychological tension and shocks without gratuitous splatter and gore, anchored by incredible performances, Bill Butler's gorgeous cinematography, and Arnold Glassman's sharp editing. Paxton's feature debut is subtle and ambiguous, giving its audience the freedom to arrive at their own terrifying conclusions. Join AC and his fanatical, er, fantastic panel of guests (Cati Glidewell, Jay Kay, Gert Verbeeck, Freddie Young) as we celebrate 25 years of FRAILTY!! ------------------------------------------- CATI GLIDEWELL (aka The Blonde in Front) is a Chicago-based film critic, lifelong cinephile, film festival jury member, and a member of Chicago Indie Critics since 2020. You can find her on all social media platforms, as well as Post Mortem radio and Radio of Horror on YouTube. JAY KAY is the creator of the 7-time Rondo-nominated horror podcast, Horror Happens, where he has conducted hundreds upon hundreds of interviews with genre celebrities. A staff writer with HorrorHound Magazine, he is also a budding filmmaker, with numerous credits to his name, including No Good Deed, Within the Frame, and Swing 46: The Last Swinging Supper Club. https://astrangemaninflpro.wixsite.com/jkolucki GERT VERBEECK is a filmmaker, writer and musician from Brussels, Belgium. His independent production floor Amoeba Pictures offers non-exclusive creative contributions to local projects and international co-productions. He likes his literature, motion pictures and musical experiences diverse, nuanced, and intense. FREDDIE YOUNG is a NYC horror reviewer and frequent podcaster. He has been running the website Full Moon Reviews (www.fullmoonreviews.net) since 2006, telling it like it is and enjoys spreading the word on good and bad films, mainly in the horror genre. He's planning on a full-time return to podcasting soon, hoping to put some attention on some "misunderstood films." ------------------------------------------- Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

  7. Jun 18

    Ep 153 - TEXAS CHAINSAW MASSACRE Sequels, Prequels, Remakes, and Reboots!

    THE TEXAS CHAINSAW MASSACRE 2 (1986) d. Tobe Hooper (USA) LEATHERFACE: TEXAS CHAINSAW MASSACRE III (1990) d. Jeff Burr (USA) TEXAS CHAINSAW MASSACRE: THE NEXT GENERATION (1995) d. Kim Henkel (USA) THE TEXAS CHAINSAW MASSACRE (2003) d. Marcus Nispel (USA) THE TEXAS CHAINSAW MASSACRE: THE BEGINNING (2006) d. Jonathan Liebesman (USA) TEXAS CHAINSAW 3D (2013) d. John Lussenhop (USA) LEATHERFACE (2017) d. Alexandre Bustillo/Julien Maury (USA) TEXAS CHAINSAW MASSACRE (2022) d. David Blue Garcia (USA) Tonight, we're firing up our collective McCullochs and taking a trip through one of the most bizarre and tangled family trees in horror history: The Texas Chain Saw Massacre franchise. As fans know, Tobe Hooper's classic 1974 film eventually yielded an entire franchise—one filled with sequels, prequels, remakes, reboots, retcons, and enough continuity headaches to make both the Sawyer AND the Hewitt families scramble for their handy almanacs. Over the next 20 years, The Texas Chainsaw Massacre 2 (1986), Leatherface: The Texas Chainsaw Massacre III (1990), and Texas Chainsaw Massacre: The Next Generation (1995) each took the series in wildly different directions. Then came the Platinum Dunes era with The Texas Chainsaw Massacre (2003) and its prequel The Texas Chainsaw Massacre: The Beginning (2006), introducing the franchise to a new generation, and kicking off the remake spree of the early 2000s. As if things weren't complicated enough, the timeline was rebooted again in 2013 with Texas Chainsaw 3D, which ignored the other films and positioned itself as a direct follow-up to the 1974 original. That was followed by Leatherface (2017), an origin story exploring the character's early years, and finally Texas Chainsaw Massacre (2022), another legacy sequel that revisited the events (and characters) of the original movie while carving out its own slice of history and social commentary. Now, let's be honest—not every TCM entry is a masterpiece. Some are beloved, some are controversial, and some have inspired horror fans to endlessly argue over where they fit into the timeline. But that's part of the fun. Every film, regardless of its reputation, is an attempt to expand the mythology of one of cinema's most iconic creations. So fill your BBQ plate and join AC and his buzz-worthy panel of guests (Dan Caffrey, Chelsea David, Jonathon Lucas, Ryan Olson, Tim Palace) as we explore the sequels, prequels, remakes, and reboots that transformed a single low-budget masterpiece into the genre's most enduring, frustrating, and fascinating franchises! --------------------------------------------------- DAN CAFFREY is a Brooklyn-based playwright, screenwriter, podcaster, and lifelong horror fan Caffrey currently co-hosts The Losers' Club: A Stephen King Podcast and Halloweenies: A Horror Franchise Podcast, both on Bloody Disgusting's podcast network, Bloody FM. He received his MFA In Playwriting from UT Austin and has also written as a cultural critic for The A.V. Club, Consequence, Pitchfork, Vox, and elsewhere. His favorite horror movie is Halloween. His favorite movie-movie is also Halloween. (https://www.dancaffreywrites.com/) CHELSEA DAVID is an actor, budding mental health professional, and spicy food eater, deeply obsessed with all things horror. A Louisiana native and former Chicagoan of a decade, she can be found bouncing around the country at any given moment. You'll hear her laugh before you see her.  JONATHON LUCAS is a horror fiend from Australia whose love for the genre predates his brain's ability to form memories. He contributed the essay for At Midnight I'll Take Your Soul for Hidden Horror. RYAN OLSON (aka S. Ravenlord of The Cold Beyond music group) is the owner of Deadspeak Design and Night World Records, as well as a member of the Synapse Films street team and a regular on the Synapse Films podcast. His work has been featured in Liquid Cheese, Horrorhound, & Evilspeak Magazines. TIM PALACE is a lifelong Chicago-based genre fan with a particular devotion to the horrific. A committed collector of physical media, Tim has amassed close to 13,000 titles he's excited to share with his new terror tyke Oliver. --------------------------------------------------------- Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

  8. Jun 11

    Ep 152 - THE CRAFT (1996): 30 YEARS OF "Light as a Feather, Stiff as a Board!"

    THE CRAFT (1996) d. Andrew Fleming (USA) THE CRAFT: LEGACY (2020) d. Zoe Lister-Jones (USA) Directed by Andrew Fleming and written by Peter Filardi, The Craft follows four teenage girls, Sarah (Robin Tunney), Rochelle (Rachel True), Bonnie (Neve Campbell), and Nancy (Fairuza Balk) who form a coven and discover that their growing magical abilities come with consequences. While the film delivers memorable scares and thrills, its enduring appeal comes from its exploration of friendship, alienation, power, and the desire to belong. Long before social media popularized modern witch aesthetics, The Craft introduced many young viewers to imagery and themes associated with contemporary paganism and occult traditions. Its fashion—dark clothing, chokers, platform shoes, and gothic-inspired looks—helped define a generation of alternative style and continues to influence fashion trends today. At a time when many horror movies focused on female characters primarily as victims, The Craft gave its protagonists agency, ambition, and complexity. The story's examination of how power can corrupt remains one of its most compelling elements, adding depth beyond the typical teen horror formula. While also a commercial success at the time of its release, The Craft has gone on to achieve true cult-classic status, celebrated for its memorable performances, quotable dialogue, and distinctive atmosphere. Its influence is strongly felt in popular culture with books, TV shows, and movies about witches, female friendships, and supernatural empowerment thriving today, ensuring that its legacy remains as powerful as ever. Join AC and his all-powerful panel of guests (Dino Clark, Anna Maurya, Jennifer Olson, Jordy Sirken) as we celebrate 30 years of THE CRAFT!! ------------------------------------------ DINO CLARK has been a horror fan since he was a wee lad, after his parents bought their first VCR in the mid-80s. Born and raised in Chicago, he loves attending horror cons & chatting about his fave horror films with fellow fans! He has been in Human Resources for most of his career, which can be a mini-horror movie at times. ANNA MAURYA is a film fan stuck in Ohio. They have been a guest on Raiders of the Podcast, a contributor to Hidden Horror, and they generally dislike writing about themselves in the third person. JENNIFER OLSON is a lifelong horror fan and mother of three monster kids. She is a former member of The Flint Horror Con, and currently part of the Synapse Films street team! JORDY SIRKEN is the horror-obsessed critic behind Jordy Reviews It (jordyreviewsit.com). Slashers, creature features, paranormal haunts, and everything in between, she's an avid fan of the macabre, and a HUGE enthusiast of practical effects. Since 2015, she's been reviewing genre films and is a Rotten Tomatoes-approved critic. You can follow her on Instagram and TikTok at @jordyreviewsit -------------------------------------------- Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!

About

HORROR 101 with Dr. AC is a horror movie podcast that revisits classic horror films on milestone anniversaries (20, 30, 40, 50 years, and more). Each episode features a lively rotating panel of horror fans discussing the film's legacy, personal memories, cultural impact, and what makes it a lasting favorite. If you love deep dives into horror movies like The Exorcist, A Nightmare on Elm Street, or Frankenstein, this podcast is for you. Come celebrate horror history—one anniversary at a time.

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