Gerhard Wiesler is a bowyer living on a 200-year-old farm near Weiz, Austria, where he has nut orchards of walnuts, chestnuts, and pecans. He is a prolific teacher, guiding hundreds of students yearly in the building of selfbows. Please enjoy this episode of Project Quiver on Salish Wolf with Gerhard Wiesler. Episode Links: https://www.meinbogen.at/ https://www.facebook.com/BogenbauGerhardWiesler Project Quiver at Anchor Point Expeditions Summary: Gerhard Wiesler shares his journey into traditional bow making, the art of crafting self bows, and the cultural significance of archery and martial arts. Discover insights into the craftsmanship, experimentation, and traditions behind this timeless craft. Gerhard and Todd discuss the art of bow making, focusing on different woods, workshop processes, and the impact of forest management on bow making materials. Show Notes: Gerhard Wiesler's background and journey into bow making The process of crafting self bows from a single piece of wood Experimentation with different bow designs and woods The tradition and cultural significance of archery in Japan and Europe The role of workshops and teaching in Gerhard's craft Challenges of selling handmade bows within European consumer rights The influence of martial arts on archery practice and philosophy Innovative techniques like bamboo wedges and fire arrows U wood differences between Europe and Pacific Northwest Impact of forest management on bow wood quality Workshop process for building bows from selection to finishing Design considerations including bow length, draw weight, and aesthetics Material choices for handles, arrow shelves, and strings Chapters:03:06 - The spontaneous round-the-world trip that changed everything08:01 - Why the family chose to keep homeschooling during travel11:19 - Mika Wolf and the Austrian bowmaking scene13:47 - What counts as a professional bowyer16:10 - Japanese dojo culture and slow apprenticeship19:17 - Martial arts, archery, and embodied practice21:04 - Rambo 2 and Gerhard’s explosive start in archery22:28 - Making flaming arrows and archery fireworks24:14 - From compound bows to self bows25:13 - A failed first bow and the start of serious bowmaking27:00 - Burning finished bows as a ritual29:30 - Why Gerhard only builds self bows31:45 - Consumer warranty issues for handcrafted bows in Europe33:39 - Why workshops are better than custom commissions35:26 - Experimenting with different bow woods and designs36:22 - Performance, comfort, and the Yumi bow41:19 - Bamboo backing and the Japanese rope-and-wedge method42:20 - One-day and two-day workshop formats45:08 - First bows made from Pacific yew46:50 - Humidity problems in Costa Rica and switching materials48:14 - Success with knotty yew staves49:00 - European yew versus Pacific yew52:22 - Yew as a demanding wood and workshop success rates53:42 - Shipping staves and sourcing osage from the US55:23 - Ash, black locust, and hickory for workshops57:37 - Stave logistics and why he buys dried bow wood61:13 - The Redwoods and the feeling of standing among giants62:24 - How many workshops Gerhard teaches each year63:08 - Where his students come from66:47 - Walking through a full workshop from start to finish68:02 - Manau as the wood used for horse bows69:22 - Choosing bow wood by type and personality70:58 - Horse bow dimensions and strong draw weights74:27 - Choosing draw weight for beginners77:19 - Women, men, and learning style differences in archery79:52 - Bow length, performance, and tradeoffs80:22 - Rough shaping with hand tools84:31 - Handle shaping, 50 test shots, and checking limb balance85:57 - Finish options: sanding, oiling, painting, and wraps86:45 - Shelves, horse bows, and tradition88:42 - Arrow passes and decorative inlays89:30 - Strings, arrows, and cedar shaft preferences91:45 - Gerhard’s informal success guarantee and free repeat workshops