Song Exploder Radiotopia

Madison McFerrin is a singer, songwriter, and producer from New York. She’s sung with legends like Aretha Franklin, George Clinton, and De La Soul & The Roots. Madison’s first EP came out in 2016, and last week, she released her debut album, I Hope You Can Forgive Me. In the years between the EP and the album, Madison started producing her own music. It wasn’t really her plan, but something that developed over the course of the pandemic. For this episode, I talked to Madison about a song from her album called “Run." It was inspired by the discovery that she’s the descendant of a woman who escaped slavery, and features guest vocals from Madison’s father, Grammy-winner Bobby McFerrin.

For more, visit songexploder.net/madison-mcferrin.

In May 1980, the band Joy Division was devastated by the death of lead singer Ian Curtis. The three remaining band members, Bernard Sumner, Peter Hook, and Stephen Morris, decided they would keep making music together, and a few months later, Gillian Gilbert joined them. They called the band New Order.

New Order is one of the most influential bands of the last four decades. Their song “Blue Monday" came out in 1983, and it holds the record for being the best-selling 12-inch single of all time. Rolling Stone put “Blue Monday” on its list of the 500 Greatest Songs of All Time, and Pitchfork included it in its top 5 best songs of the 1980s.

To celebrate the 40th anniversary of the release of “Blue Monday,” in this episode, New Order discusses how they created the song. This episode was produced in collaboration with Transmissions, the official New Order and Joy Division podcast produced by Cup and Nuzzle. We’ve put together this story out of the hours and hours of interviews they’ve recorded, along with a new interview I did with Peter Hook. As you’ll hear the four of them explain, nothing about Blue Monday’s success, or really, even its existence, was something that they planned for.

For more, visit songexploder.net/new-order.

It’s usually hard to pin down when a genre of music starts. But people point to this one party in August 1973 in the Bronx as the moment where hip-hop was born. That makes this year the 50th anniversary of hip-hop. In honor of that, I wanted to revisit an episode looking back at one of hip-hop’s classic tracks: Shook Ones, Part II, by Mobb Deep. Here’s the episode, originally recorded in June, 2020, when I spoke to Havoc from Mobb Deep:

The rappers Prodigy and Havoc met when they were still in high school in New York. Havoc grew up in Queensbridge, the biggest public housing projects in the country, and as a teenager, Prodigy lived there for a while, too. The two of them formed Mobb Deep in 1991.

In 1995, they put out their second album, The Infamous. It was a success when it came out, but in the 25 years since then, the influence of the album has only grown. Complex named it one of the 10 best rap albums of the 90s, and Pitchfork gave the album a rare perfect score, 10 out of 10. The Washington Post called it a “masterpiece” of hardcore rap, and in Slate, it was called one of the best albums of the ‘90s, and one of the best hip-hop albums ever made.

Their biggest song from the album was “Shook Ones, Pt. II.” Havoc made the now-legendary beat that he and Prodigy rap over. To celebrate the 25th anniversary, Havoc told me the story of how the whole song came together. Prodigy passed away in 2017, from complications due to sickle-cell anemia, a debilitating disease he’d battled his entire life. But the legacy of Mobb Deep lives on.

For more, visit songexploder.net/mobb-deep.

Yaeji is a singer, songwriter, and producer from New York. During her childhood she moved between Queens, Atlanta, and Seoul. While she was at college in the States, she started DJing and releasing her own music. That led to two EPs in 2017, and since then, she’s also done remixes for Dua Lipa, Charli XCX, and Robyn. Yaeji won the International Breakthrough Award at the AIM Awards in 2020. This week she’s releasing her debut album, With A Hammer.

For this episode, I talked to Yaeji about her song “Passed Me By.” She sings the song in Korean and English, and she told me how using both languages gives her a broader palette to express her ideas.

For more, visit songexploder.net/yaeji.

Seal is a multi-Grammy-winning singer and songwriter from England. His song “Kiss from a Rose” was first released in 1994, on his second album. It was a huge hit, thanks in part to being featured in the movie Batman Forever. It landed on the top ten charts in multiple countries, and eventually went quadruple platinum in the US. At the 1996 Grammys, it won Song of the Year, Record of the Year, and Best Male Pop Vocal Performance. But "Kiss from a Rose" becoming a hit was not a foregone conclusion. Seal almost didn’t record it. And when it was first released, it didn’t make much of a splash. But for this episode, the 250th episode of Song Exploder, Seal and his longtime collaborator, producer Trevor Horn, told me the story of what it took to bring "Kiss from a Rose" to life.

For more, visit songexploder.net/seal.

Kenny Beats is a hip-hop producer who’s been making beats and producing songs for other artists since 2010. He’s got a long list of collaborations, with rappers like Vince Staples, Freddie Gibbs, and Denzel Curry. In 2022, he did something he wasn’t really ever expecting to do, which was to release an album of his own. The album is called Louie, and it’s a tribute to Kenny’s father.

I talked to Kenny about the song “Still,” the first song he made specifically for this project. It features guest vocals from JPEGMafia and Omar Apollo, and a sample from gospel singer Linda Kemp. Louie includes a lot of tracks where you can hear Kenny’s dad’s voice, and even though "Still" isn’t one of them, as Kenny explains, his relationship with his dad is embedded in the song’s DNA.

For more, visit songexploder.net/kenny-beats.