The '00s Zone Mark Palermo, Loretta Yu

How does the end of the world as portrayed in the Will Smith I AM LEGEND and cult hit DONNIE DARKO stack up to our end times. Twitter, Tik Tok and all around comedic internet presence Zach Heltzel joins Mark, Loretta, and Riley for this animated look back on two aughties classics. It's also our Season 2 premiere! We made it. Things are said!

Reality Movies! This one's an epic, and is the most thorough discussion you'll find on 2003's THE REAL CANCUN and 2002's JACKASS: THE MOVIE anywhere. Reality TV fan/Master chef Olivia Bolaño and screenwriter Ryan Jackson join us to look at this moment early in the millennium where television and movies collided in a way that struck some critics as threatening. We also touch on the state of gender relations, the ugliness of BUMFIGHTS, normie aughties culture, and movies as a "Too Much for...

Happy New Year, everyone! As we're all reflecting on the year 2021, Loretta and Mark decided to look back at their favourite movies of 2001. It was a time when movies were a major cultural force. But were popular films bolder back then, and what's driving the new creative fears?

Unlicensed film critic, novelist and action movie scholar Vern (@outlawvern) joins Mark, Loretta, and '00s ZONE veteran Sarah Riley to take a fresh look at the Wachowskis' 2003 double-hitter THE MATRIX RELOADED and THE MATRIX REVOLUTIONS. We dispute the merits of the first sequel's infamous "rave scene," question whether we live in the Matrix already, and ponder the future of humanity, including what we want from the upcoming THE MATRIX RESURRECTIONS.

On this lively episode, we look back at the 2005 HOUSE OF WAX featuring Paris Hilton, with returning guests (and champions) Serena Whitney and Lauren Messervey. Plus: the slasher and torture porn eras of the aughties vs. the state of horror movies today, influencer culture, the drug of nostalgia, and digressions on MEGAN IS MISSING and REPO! THE GENETIC OPERA.

Film critic and programmer Justine Smith joins Mark and Loretta to look back at some of DUNE filmmaker Denis Villeneuve's early Canadian movies. MAELSTRÖM, POLYTECHNIQUE, and INCENDIES each won the Genie for best film, and the latter was even nominated for an Oscar. But in becoming the current most celebrated director in Hollywood, has the Quebecois filmmaker maintained his voice?