In this episode, the Gallery’s curator Justin Ramsey is in conversation with artists Dana Claxton and Skeena Reece about Interior Infinite, with a performance by poet Nadia Chaney. Interior Infinite is on now until September 5. Find out more about this episode here: https://bit.ly/3jPapO7 Dana Claxton is a critically acclaimed international exhibiting artist. She works in flm, video, photography, single- and multi-channel video installation, and performance art, investigating Indigenous beauty, the body, the socio-political and the spiritual. Her work has been shown globally in exhibitions and flm festivals, and she has received numerous awards including the Governor General’s Award in Visual and Media Arts (2020), the Scotiabank Photography Award (2020), the VIVA Award, the Eiteljorg Fellowship, the Hnatyshyn Award, and the YWCA Women of Distinction Award. In 2018, she had a solo survey exhibition at the Vancouver Art Gallery. Her new body of work premiered at the inaugural edition of the Toronto Biennial of Art, Toronto ON. Claxton is Head and a Professor in the Department of Art History, Visual Art and Theory with the University of British Columbia. She is a member of Wood Mountain Lakota First Nations located in SW Saskatchewan and she resides in Vancouver, Canada. Skeena Reece is a Tsimshian/ Gitksan and Cree artist based on the West Coast of British Columbia. She has garnered national and international attention most notably for Raven: On the Colonial Fleet (2010), her bold installation and performance work presented as part of the celebrated group exhibition Beat Nation. Her multidisciplinary practice includes performance art, spoken word, humor, “sacred clowning,” writing, singing, songwriting, video, and visual art. She studied media arts at Emily Carr Institute of Art and Design, and was the recipient of the British Columbia award for Excellence in the Arts (2012) and the Viva Award (2014). For her work on Savage (2010) by Lisa Jackson, Reece won a Leo Award for Best Actress. Reece participated in the 17th Sydney Biennale, Australia, and recent exhibitions include Comox Valley Art Gallery (2018) and Oboro Gallery, Montréal (2017). Nadia Chaney is a spoken word poet and community arts facilitator who has appeared on hundreds of stages. Her essays and poetry have recently appeared or will appear with Terrain.org, Locked Horn Press, Flycatcher Journal and the Chicago Quarterly Review. She is one of the first commissioned writers for House House Press. In 2018 she directed an interdisciplinary project (dance, music poetry, animation) based on a series of 300 automatic drawings. She is a first generation Indian-Canadian born in Saskatoon, grown up in Ottawa, matured in Vancouver currently in Montreal all of which she recognizes as the traditional territories of Indigenous peoples who are its rightful stewards.
