Osiris Media

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Chaîne • 34 émissions

Histoire de la musique

Histoire de la musique

Chaque semaine
Musique : analyses

Musique : analyses

Chaque semaine
Histoire de la musique

Histoire de la musique

Chaque semaine
Musique

Musique

Chaque semaine
Livres

Livres

Tous les mois
Histoire de la musique

Histoire de la musique

Toutes les 2 semaines
Musique : les interviews

Musique : les interviews

Chaque semaine

07/04/2025

The Safekeep

Thanks for joining us as we talk about The Safekeep, a debut novel by Yael van der Wouden. This one is full of layers, and was a lot of fun to talk about. Share the podcast if you enjoy, leave us reviews, and let us know what you think by connecting with us on social. Library Card is hosted and produced by Megan Glionna, Brian Brinkman, and RJ Bee. Music by Amar Sastry. Presented by Osiris Media.

07/04/2025

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1 h 13 min
25/03/2021

Frank Sinatra - Trilogy (w/ Gregg Turkington)

The Late Era crew is joined by the hilarious and insightful Gregg Turkington (Neil Hamburger, On Cinema) to discuss a late-career landmark by Frank Sinatra. Best known for featuring Ol’ Blue Eyes’ immortal rendition of “Theme From New York, New York,” 1980’s Trilogy: Past, Present, Future is a surreal, self-referential, and strangely moving triple album organized through the lens of Sinatra’s own experience in show business. This means we get a selection of standards, some fresh takes on radio hits by Billy Joel and the Beatles, and… an operatic suite about interplanetary space travel and the crushing inevitability of death? We discuss all of this, plus a shocking tale of kidnapping conspiracy, a savvy bit of financial advice, and an expert round of celebrity impressions. Start spreading the news: It’s a Late Era classic. Please consider reviewing this podcast on Apple Podcasts, or wherever you get your podcasts. We invite you to join us for Season 2 Episode 3, coming April 8! Late Era is a production of Osiris Media. It is edited and produced and mastered by Winston Cook-Wilson. Logo design by Liz Bee Art & Design. The executive producers of Late Era are RJ Bee & Brian Brinkman. Hosted on Acast. See acast.com/privacy for more information.

25/03/2021

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1 h 30 min
18/12/2024

The Bee Sting

Join us as we talk about one of our favorite books of the year, collectively. This was a lot of fun and we hope you enjoy. Share the podcast if you enjoy, leave us reviews, and let us know what you think by connecting with us on social. Library Card is hosted and produced by Megan Glionna, Brian Brinkman, and RJ Bee. Presented by Osiris Media.

18/12/2024

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1 h 29 min
14/01/2021

Episode 1: Dr. John Part 1

Osiris Media proudly presents Trick Bag, the place to be for classics and rare gems from the early days of rock ‘n’ roll. Trick Bag is hosted by disc jockey and R&B aficionado Neil Pellegrin and is inspired by his weekly radio show on WWOZ in New Orleans, where he spins vintage tracks (and the occasional hit) from the mid-20th century and celebrates some of the most electrifying and soulful sounds ever recorded. This first episode comes in two parts and spans the early years of the legendary Mac Rebennack, better known by his stage name Dr. John. Before reinventing himself as Dr. John in the late ‘60s, Mac combined R&B, rock and other ingredients from his native New Orleans into a musical gumbo that excited music fans in and around the city and laid the foundation for his future as a major force in the music world. In this episode, we’ll hear Mac’s prolific early work as a frontman, session player, songwriter, and producer, and see the breadth of his impact on the music of New Orleans in the late ‘50s and early ‘60s. Tracks Featured in this Episode: Johnny Adams, “Come On” Sugarboy Crawford, “Have A Little Mercy”Chuck Carbo, “Out On A Limb”Ronnie (Barron) & the Delinquents, “Bad Neighborhood”Roland Stone, “Something Special”T.B. Fisher, “Don’t Change Your Mind”Frankie Ford, “Watch Dog”Johnny Adams, “The Bells Are Ringing”Lee Dorsey, “Ay-La-Ay”Mac Rebennack, “Foolish Little Girl”Art Neville, “What’s Going On”Bat Carroll, “Aw Who”Leonard James, “Lampoon”Joe Barry, “Loneliest Boy In Town”Big Boy Myles, “Who Can I Turn To”Jerry Byrne, “Lights Out”Roland Stone, “Desert Winds”Barbara Lynn, “You Can’t Be Satisfied”Mac Rebennack, “Storm Warning”Johnny Adams, “Operator”Jimmy Clanton, “Ship on a Stormy Sea”Ronnie Barron, “The Grass Looks Greener Yonder”Chuck Carbo, “Picture of You”Jerry McGee, “Twilight Zone” Hosted on Acast. See acast.com/privacy for more information.

14/01/2021

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1 h 5 min
06/11/2025

Cyril Neville

Cyril Neville shares how New Orleans rhythms shaped his sound, New Orleans Social Club and Mardi Gras Indian culture, playing with the Grateful Dead, defining funk as a spiritual force and praising Mean Willie Green as the rhythmic anchor of The Neville Brothers.

06/11/2025

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1 h 11 min
11/03/2025

EPISODE 3: The Sound and the Song

How revolutions in recording technology remade the sound of the popular song. Studio technology has evolved from Edison's massive and unwieldy acoustic horn to an infinite array of possibilities that fit on the smartphone in your hand. In Episode 3 of Rearranged, we explore the revolutions in the sound of the popular song that accompanied revolutions in how we record sound. Guests: Brandon Shaw McKnight (Charles P. Harris) is a Baltimore-based actor, singer, and director. https://bshawmcknight.art/ Charles Cronin is a lawyer, musician, and historical musicologist in Los Angeles. He has taught at Claremont Graduate University and George Washington University, and he helped build GWU's extremely handy Music Copyright Infringement Resource. https://blogs.law.gwu.edu/mcir/authors-and-contributors/ Susan Schmidt Horning is an associate professor of history at St. John's College in Queens, New York. https://www.stjohns.edu/academics/faculty/susan-schmidt-horning John Morrison is a writer, producer, and DJ in Philadelphia. https://www.johnmorrison215.com/ Thanks to: Brandon Shaw McKnight Charles Cronin Susan Schmidt Horning John Morrison The theme music and other scoring music for Rearranged was written and recorded by Lawrence Lanahan. Music discussed: “After the Ball,” Charles P. Harris, 1892. King Oliver and his Creole Jazz Band, Classics Records, 1992. https://www.discogs.com/release/11895715-King-Oliver-And-His-Creole-Jazz-Band-1923 Bessie Smith: Downhearted Blues, Original 1923-1924 recordings, Naxos, 2003. https://www.naxos.com/CatalogueDetail/?id=8.120660 “Every Breath I Take,” Gene Pitney, Musicor, 1962. https://www.discogs.com/release/6077743-Gene-Pitney-Every-Breath-I-Take- It Takes a Nation of Millions to Hold Us Back, Public Enemy, Def Jam, 1988. https://defjamshop.com/products/public-enemy-it-takes-a-nation-of-millions-to-hold-us-back-lp SWP: Southwest Psychedelphia, John Morrison, 2020. https://johnmorrison215.bandcamp.com/album/swp-southwest-psychedelphia

11/03/2025

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42 min
18/03/2025

EPISODE 4: “Mere Mechanics”

Don’t mess with my melody! What happens when arrangers end up in court. Copyright law is supposed to incentivize creative expression, but court rulings on arrangements have had the opposite effect. In Episode 4, we learn why the courts have called arrangers "mere mechanics," stifling creativity from the 19th century right up through songwriter Ed Sheeran's recent trial. Guests: Kembrew McLeod is a professor of communication studies at University of Iowa. McLeod co-produced the documentary Copyright Criminals, and with Peter DiCola, he wrote Creative License: The Law and Culture of Digital Sampling, Duke University Press, 2011. https://communicationstudies.uiowa.edu/people/kembrew-mcleod, https://www.dukeupress.edu/creative-license Charles Cronin is a lawyer, musician, and historical musicologist in Los Angeles. He has taught at Claremont Graduate University and George Washington University, and he helped build GWU's extremely handy Music Copyright Infringement Resource. https://blogs.law.gwu.edu/mcir/authors-and-contributors/ Salvatore Pappalardo is a professor of English in the English Department of Towson University in Maryland. https://www.towson.edu/cla/departments/english/facultystaff/spappalardo.html Thanks to: Kembrew McLeod Charles Cronin Salvatore Pappalardo Please check out Joanna Demers's book Steal This Music: How Intellectual Property Law Affects Musical Creativity, University of Georgia Press, 2006. https://ugapress.org/book/9780820327778/steal-this-music/ The theme music and other scoring music for Rearranged was written and recorded by Lawrence Lanahan. Music discussed: “Satin Doll,” Duke Ellington “I Got Rhythm,” George Gershwin “Rhythm-A-Ning,” Thelonious Monk “Ornithology,” Charlie Parker “Donna Lee,” Miles Davis Go!, Dexter Gordon, Blue Note, 1962 “Choir,” James Newton “Pass the Mic,” Beastie Boys “D.O.G. in Me,” Public Announcement “Atomic Dog,” George Clinton “Love Break,” Salsoul Orchestra “Vogue,” Madonna “Blurred Lines,” Robin Thicke “Fish Market,” Steely and Clevie “Dem Bow,” Shabba Ranks “Despacito,” Daddy Yankee/Luis Fonsa “Happy Together,” The Turtles “Thinking Out Loud,” Ed Sheeran “Let’s Get it On,” Marvin Gaye

18/03/2025

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48 min
21 avr.

Season 2, Episode 1: Sean O'Hagan

How the High Llamas founder and in-demand arranger gets his sound. Rearranged host Lawrence Lanahan inteviews O'Hagan about the evolution of the High Llamas' sound, arranging for other artists, and learning from the younger version of himself while arranging old tunes with Cathal Coughlan for a Microdisney reunion. SHOW NOTES Thanks to Talia Augustidis [link: https://allhear.substack.com/] for recording O'Hagan's end of the conversation in South London. Discover the High Llamas' music at Bandcamp [link: https://thehighllamas.bandcamp.com/] or Drag City [link: https://www.dragcity.com/artists/the-high-llamas?srsltid=AfmBOorK3qmVVM2ZO4naSom_XEMigUubzy5BdToEVb9Pq1kqSFE7aJLF] Listen to "Berry Adams," [link: https://thehighllamas.bandcamp.com/track/berry-adams] the song O'Hagan discussed at the beginning of the interview.

21 avr.

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46 min
25/02/2025

EPISODE 1: "Listen to What's There"

In this pilot episode of Rearranged, Lawrence Lanahan explores the life and music of someone who helped Miles Davis create some of his most unforgettable music: arranger Gil Evans. Lanahan uses "Moon Dreams," the Johnny Mercer tune that Evans rearranged into a work of art on Davis's "Birth of the Cool" album, to consider the underappreciated art of arranging…and to investigate the deepest meanings of the human song. Guest: Larry Hickok is the author of Castles Made of Sound: The Story of Gil Evans, DaCapo Press, 2002. Thanks to: Glenn Askew, author of Johnny Mercer: Southern Songwriter for the World, Professor of History at Georgia State University, and director of the GSU World Heritage Initiative Kevin S. Fleming, Popular Music and Culture Archivist, Special Collections and Archives, Georgia State University Library Andrea Appleton Bruce Wallace The theme music and other scoring music for Rearranged was written and recorded by Lawrence Lanahan. Music discussed: Bonnie “Prince” Billy, Master and Everyone, Drag City, 2003, Miles Davis, Birth of the Cool, Capitol/Blue Note, 1957 Martha Tilton, The Capitol Recordings, Capitol, 2000, Glenn Miller, Army Air Force Band, Capt. Johnny Desmond and the Crew Chiefs, “Moon Dreams,” V-Disc Miles Davis, Sketches of Spain, Columbia, 1960 Claude Thornhill and His Orchestra 1947, Hindsight, 1978 Research notes: Much of this episode is drawn from Hickok, Castles Made of Sound. “Mercer…once said, ‘I fool around on the piano…’”: Gene Lees, Portrait of Johnny: The Life of John Herndon Mercer, Pantheon, 2004: 156. “Recorded at the very first Capitol Records session”: Robert Kimball, Barry Day, Miles Krueger, and Eric Davis, The Complete Lyrics of Johnny Mercer, Knopf, 2009: 128. “This one was likely arranged by Weston”: Glenn Askew, personal communication, “That would be my hunch” Paul Weston and mood music: https://www.spaceagepop.com/weston.htm Weston as “almost avant-garde”: Lees, 160-161. “higher standards…Whiting,” Askew, 195-196. “Pete Rugolo,” Askew, 218. “Moon Dreams” from Gil Evans memorial service in 1988: https://www.youtube.com/watch?app=desktop&v=rt3pK9SXjI8 “Boplicity” from Gil Evans memorial service in 1988: https://www.youtube.com/watch?v=zenzUq6tn20

25/02/2025

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39 min
25/03/2025

EPISODE 5: Listen to What's Not There

The music arranger’s power to put a listener inside a song. Songwriters write the songs—duh—but arrangers determine how we hear them. To arrange a song is to make a series of musical decisions. What do those decisions add up to? Sometimes it’s really just a sound, and we like that sound or we don’t. But musical decisions can also determine or even change the meaning of a song. Today, we’ll discover the power of musical decisions not just to add sounds to a song, but to take sounds away, creating space for the listener to dwell within the song. Thanks to: RJ Bee Osiris Media The theme music and other scoring music for Rearranged was written and recorded by Lawrence Lanahan.

25/03/2025

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45 min

An oral history of Trey Anastasio’s career outside of Phish, from the formation of the Trey Anastasio Band in 1999 to the Beacon Jams of 2020. This series is based on extensive interviews with Trey, his bandmates and his collaborators. Hosted on Acast. See acast.com/privacy for more information.

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Histoire de la musique
Grammy Award-winning guitarist Eric Krasno invites you to be a fly on the wall for conversations with the friends he's met in his 20 plus years as a touring musician. Krasno’s engaged approach creates interviews that feel like a backstage peek at conversations between friends. Join us for Eric Krasno Plus One. Brought to you by Osiris Media. Hosted on Acast. See acast.com/privacy for more information.

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Musique : les interviews
The definitive overview of the Dead's celebrated live show releases. Hosted by music journalist and podcaster Steven Hyden and fellow music journalist Rob Mitchum, this series will chronicle each live release, breaking down the historical context of the show while discussing musical, political, and sports-related trends of the time. Brought to you by Osiris Media.

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Musique
The Helping Friendly Podcast (HFPod) explores the music and fan experience of Phish, through interviews and deep dives on shows and tours. Since 2013, we’ve aimed to bring the fan voice into discussions about Phish, and with the help of our guests, we’re still discovering new angles of appreciation for the band. And when the band is on tour, we provide a review of every show the following day with a fan who was there. As one of our listeners said, “this show has impeccable analysis, stats, commentary and music.” Join us!

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Histoire de la musique
Under the Scales is a podcast by Tom Marshall, longtime songwriter for the band Phish. The podcast captures and brings to light the rich and complex culture surrounding Phish and its diverse, devoted fanbase. Phish’s quirky sense of humor pervades and steers the podcast. Tom will interview the band, fans, insiders, outsiders…and dare to go UNDER THE SCALES to uncover the beating heart of Phish! Presented by Osiris Media.

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Histoire de la musique
Talking Circles brings you inside the songwriting and collaborative process of Umphrey’s McGee’s 14th studio album, “Asking For A Friend.” Through comprehensive interviews with members of the band, we explore the inspirations behind theses songs - many of which were written during lockdown - the manner in which the band developed them & their transition to the live stage. Produced by Osiris Media Hosted on Acast. See acast.com/privacy for more information.

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Musique