Composer Chats

Jason K. Nitsch
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Composer Chat is a podcast where we talk a little bit about music, a little bit about life, and a whole lot about whatever we feel like at the moment! Each episode I am joined by a special guest composer and we will chat about their pathway towards success in their musical career!

  1. VOR 6 TAGEN

    3.5 - Katherine Saxon

    Katherine Saxon (b. 1981) was born in Santa Monica, California. She graduated magna cum laude from Williams College in Massachusetts where she studied vocal performance with Brad Wells and composition with Ileana Perez Velazquez. She obtained a Masters of Music at the University of Oregon studying with composers Robert Kyr and David Crumb and received her Ph.D. in Music from the University of California, Santa Barbara where she studied with Joel Feigin and Clarence Barlow. Her music reflects humanity’s relationship with the natural world, both as part of it and in conflict with it. She has been praised for the sophistication and intricacy of her work, as well as her ability to write gracefully and melodically, especially for the human voice. Dr. Saxon lives in Santa Barbara with her husband, two daughters, and cat. In between writing music and parenting, she teaches piano lessons on her back porch, conducts the Santa Barbara Treble Clef Chorus, and directs the Santa Barbara Community Early Music Ensemble. Her hobbies include; defending her garden from rabbits, quilting, playing the lute badly, and endless crafting with her children. https://www.katherinesaxon.com

    1 Std. 9 Min.

  2. 24. FEB.

    3.4 - Amy Beth Kirsten

    Amy Beth Kirsten is celebrated for her theatrical and conceptual approach to composition. Her music fuses voice, instrument, language, and movement into works that blur boundaries between concert, theatre, and ritual. The 2025–26 concert season includes the completion of Eating the Underworld, a pop-song cycle for Bergamot Quartet and the composer as vocalist; the release of Misfit Toys, a grade 5 work for concert band; and her participation in the 2025 Midwest Clinic in Chicago. Kirsten’s previous season featured the premiere of Infernal Angel, an opera created with the Curtis Opera Theatre and baritone Ty Boque, inspired by the life of Gilles de Rais and his relationship with Joan of Arc. Earlier evening-length works include Savior (2018), a mystical re-telling of the story of Joan of Arc commissioned for the 20th anniversary of Chicago Symphony’s MusicNOW and named to the Chicago Tribune’s “10 Best Classical Concerts of 2018”; QUIXOTE (2017), a 90-minute theatrical piece created during a residency at Montclair State University; and Colombine’s Paradise Theatre (2014), commissioned and produced by the multi-Grammy-winning eighth blackbird, praised by The Washington Post as a “tour de force” and by The New York Times as “dark, wild, and engrossing.” She made her Carnegie Hall debut in 2014 with strange pilgrims, a multimedia work for chorus, orchestra, and film. In addition to her musical work, Kirsten is also a writer whose poetry has appeared in several journals. Writing as Aster Isler, she recently completed her full manuscript, Giving Up—the beginning of a parallel literary journey that threads through her compositional voice. Her poetry can be found in Oberon (2024), Sol Magazine (2010), Avatar Review (2009), and Red Wheelbarrow (2008). Kirsten is also dedicated to mentoring the next generation of performing and creative artists. At The Juilliard School, she mentors composers and interdisciplinary creators through her composition studio and teaches two courses — Theatre Études and OperaCOMP. At The Curtis Institute of Music, she teaches individual composition lessons. Previous faculty posts include Oberlin College and Conservatory, the Peabody Institute, and Longy School of Music. She lives in New Haven, Connecticut, with her beloved doodle-hound, Roux-ga-Roux and her slow-wandering orange cat, Higgs-B. https://www.amybethkirsten.com

    1 Std. 5 Min.

  3. 17. FEB.

    3.3 - Laura Nevitt

    Laura Nevitt is a conductor, composer, and educator based in Boston. She earned degrees in Composition and Music Education from the University of South Carolina, and a M.M. in Choral Conducting at Boston Conservatory, studying with George Case. As a fierce advocate for new music, they love working with composers, and have conducted over 30 premieres of new works. She is especially passionate about giving voice and space to gender marginalized musicians and poets through choral and vocal music. Laura is the Founder & Artistic Director of Lilith Vocal Ensemble, Children’s Chorus and Chamber Choir Director at New England Conservatory Prep, a Teaching Artist with Boston Lyric Opera and Handel & Haydn Society, and Music Director at First Parish UU in Needham, MA, where she is also Artistic Director of the newly formed “To The Fore” Concert Series, focused on bringing historically marginalized voices to the forefront. She is a Founding Member and Former Co-Artistic Director of Nightingale Vocal Ensemble, and former Associate Conductor at Voices Boston Children’s Choir. Their compositions are frequently performed by musicians across the country, some highlights being the Handel & Haydn Society Youth Choruses, Choral Arts Initiative, the Evelyn Duo, Voices Boston Children’s Choir, Boston Conservatory Choir, Nightingale Vocal Ensemble, Lilith Vocal Ensemble, BRACE New Music Choir, the UofSC Concert Choir, sparks & wiry cries’ songSLAM, Source Song Festival, Quorum, Opera on Tap Boston, Una Voce (Community Music Center of Boston), the East Central College Choir in Missouri, First Parish UU in Needham, and the Choir of Saint Peter’s Episcopal Church in Cambridge, First Presbyterian Church (Columbia, SC) Children’s Choirs, Greater Columbia Children’s Choir, and the First Presbyterian Church Chamber Choir during the Piccolo Spoleto Festival in Charleston, SC. ​ At First Presbyterian Church in Columbia, SC, she directed the Primary and Junior Choirs, supervised the Children’s Music Program, and was a section leader in their Chancel and Chamber Choir. In Columbia, she kept a private studio of guitar and voice students, and was the chorus teacher at CrossRoads Intermediate School in Irmo, SC. During her time as a choral director in South Carolina, Nevitt’s ensembles consistently earned superior ratings at the Carowinds Festival of Music in Charlotte, North Carolina, and the Music USA Festival in Orlando, Florida. As a soprano, she has performed Reich’s Drumming with New York based ensemble So Percussion. https://www.lauranevitt.com

    52 Min.

  4. 10. FEB.

    3.2 - Dale Trumbore

    Dale Trumbore (b. 1987) is a Los Angeles-based composer and writer whose music has been called "devastatingly beautiful" (The Washington Post) and praised for its "soaring melodies and beguiling harmonies deployed with finesse" (The New York Times). Her compositions have been performed widely in the U.S. and internationally by Atlanta Master Chorale, Central West Ballet, the Choral Scholars of University College Dublin, Conspirare and the Miró Quartet, Los Angeles Children's Chorus, Los Angeles Master Chorale, Modesto Symphony, National Youth Choir of Scotland, Pasadena Symphony, and Seraphic Fire. ​ A recipient of prizes and grants from American Choral Directors Association (ACDA), ASCAP, the Barlow Endowment, and Chamber Music America, Trumbore has also been awarded artist residencies at Copland House, the Helene Wurlitzer Foundation, Tusen Takk, and Ucross. Her music is available through Boosey & Hawkes, G. Schirmer,Murphy Music Press, and Graphite Marketplace. ​ Trumbore's first book, Staying Composed: Overcoming Anxiety and Self-Doubt Within a Creative Life, was hailed as a "treasure trove of practical strategies for moving your artistic career forward" (Angela Myles Beeching, author of Beyond Talent). Her second book, Composing a Living: a Music Creator's Guide to Money, Relationships and Business, is newly available from Oxford University Press and was co-written with Dr. Brandon Elliott. Trumbore has also written extensively about working through creative blocks and establishing a career in music in essays for Cantate Magazine, the Center for New Music, and NewMusicBox. Her poetry and short fiction have been featured in Southern Indiana Review, PRISM International, New Delta Review, and Pacifica Literary Review. Trumbore holds degrees in Music Composition and English Language and Literature from the University of Maryland, as well as a Master of Music degree in Music Composition from the University of Southern California. Originally from New Jersey, Trumbore currently lives in Southern California with her spouse and cats. https://www.daletrumbore.com

    1 Std. 20 Min.

  5. 3. FEB.

    3.1 - Jordan Jinosko

    Multi-award-winning composer Jordan Jinosko is celebrated across concert, media and film music industries, gaining international acclaim for the “subtle and powerful” and “cinematic scope” (Wisconsin Public Radio) of her work. Drawing inspiration from mythology, nature, her lived experiences as a trans woman of color, and her social & environmental activism, Jordan’s compositions have been commissioned and performed by leading and Grammy Award-winning organizations and performers worldwide. Her music has been performed in renowned concert halls including Carnegie Hall, the Kennedy Center, and the Kimmel Center, and has been featured on radio stations nationwide and at major events such as the Midwest Clinic, ASTA National Orchestra Festival, and Interlochen Arts Festival. Jinosko’s music has also been highlighted and praised in various newspapers and magazines across the nation. Jinosko’s Three Sketches of Unblemished Earth, as recorded on the album Advent of the Symphonina (featuring the London Philharmonic, Royal Philharmonic, and Budapest Scoring Orchestra), topped Billboard’s chart of Best-selling Classical Albums in August 2024. Her orchestral piece Tales from the Aviary is scheduled for a European tour in summer 2026 under the Conductor Yun Song Tay. Jinosko’s music has also been performed by the Rochester Philharmonic Orchestra (Grammy-winning), conductors Péter Illényi (“Squid Game,” “M3GAN”), Ronnie Sanders, Ward Stare, Jonathan Glawe, double bassist Jory Herman (LA Phil), concertmaster David Halen (Saint Louis Symphony), violinist Yibin Li (The Juilliard School), and many other distinguished musicians. Jinosko scored Trajectories (2022), a film by Japanese filmmaker Shun Shigeta, which won the Grand Prix of SONY’s Xperia U25 Film Competition. She also composed the score for UNFOUND (2023), a film directed by Australian filmmaker Poom Ariyakusonsuthi, which was nominated for Best International Thriller at Toronto’s Alternative Film Festival. Jinosko’s haunting score for UNFOUND also won the Afterlife Best Film Score Award in 2023. Jordan Jinosko’s work has garnered other accolades. Besides topping Billboard’s Best-selling Classical Album, Best Symphonina of the Year (2025), Golden State Emerging Composers’ Competition, QUO Vanguard Composer Competition, New Conductors Orchestra Composer Competition, Green Dot Composers Competition, Brazosport Symphony Orchestra Composition Competition, and the Arts Midwest GIG Fund Grant. Additionally, Her music has also been honored by The American Prize, Global Music Awards, Music International Grand Prix, and Howard Hanson Young Composers Competition. During her time at Eastman Community Music School, she received the Molly Mulligan Award and John A. Wollaver Award. She has been commissioned by organizations including Strathmore in D.C. and County Hall Arts in London. Jinosko studied music composition and music theory at the University of Michigan and the Eastman School of Music’s pre-collegiate division (ECMS). Her composition mentors have included Michael Daugherty (Grammy winner), Bright Sheng (MacArthur Genius), Evan Chambers, Kristen Kuster, Margaret Henry, and others. She took lessons in NYC with Juilliard professor, Samuel Adler. She has attended masterclasses with Grammy-winning composers (Gabrielle Lena Frank, William Bolcom, Christopher Rouse), Pulitzer Prize-winning composers (John Luther Adams and Shulamit Ran) and renowned film composers Paul Chihara (“The Karate Kid 2,” “The Green Berets,” “The Killing Fields”) and Conrad Pope (“Star Wars,” “Harry Potter,” “Jurassic Park,” “Pirates of the Caribbean”). Jinosko also has participated in symposia led by faculty at Juilliard, Yale, Princeton, and Eastman. Jinosko’s music draws inspiration from her experiences around gender. Her piece, Regeneration, chronicles the struggle of her own transition, ultimately presenting a triumphant celebration of queer identity. During the summer of 2025 and with the generous support of the Arts Midwest GIG Fund Grant, Jinosko completed an artist residency in Indianapolis, providing free music lessons to LGBTQ+ young adults at Trinity Haven, a 501(c)(3) LGBTQ non-profit organization. A member of her local chapter of Citizens Climate Lobby, Jordan volunteers her time to fight climate change and, through works like Three Sketches of Unblemished Earth and Tales from the Aviary, highlights the importance of preserving the natural world for future generations. Jinosko studied music composition and music theory at the University of Michigan and the Eastman School of Music’s pre-collegiate division (ECMS). Her composition mentors have included Michael Daugherty (Grammy winner), Bright Sheng (MacArthur Genius), Evan Chambers, Kristen Kuster, Margaret Henry, and others. She took lessons in NYC with Juilliard professor, Samuel Adler. She has attended masterclasses with Grammy-winning composers (Gabrielle Lena Frank, William Bolcom, Christopher Rouse), Pulitzer Prize-winning composers (John Luther Adams and Shulamit Ran) and renowned film composers Paul Chihara (“The Karate Kid 2,” “The Green Berets,” “The Killing Fields”) and Conrad Pope (“Star Wars,” “Harry Potter,” “Jurassic Park,” “Pirates of the Caribbean”). Jinosko also has participated in symposia led by faculty at Juilliard, Yale, Princeton, and Eastman. https://www.jordanjinosko.com

    1 Std. 2 Min.

  6. 21.10.2025

    2.39 - Noah Hudson-Camack

    Noah Hudson-Camack (b. 2001) is a composer and arranger native to Cary, North Carolina. Believing firmly in diversity as strength within art, he seeks to blend elements from disparate eras of Western art music, jazz, and popular music in his work. The sewing together of different genre aesthetics is as much an objective in his music as developing strong motivic content, rich harmony, and complex rhythm. He explores these connections in his solo, chamber, jazz, and wind symphony works.  Noah premiered Fanfare and Flight at the 2023 College Band Directors National Association (CBDNA) Conference with the Vanderbilt Wind Symphony. He also was a finalist for the Austin Symphonic Band’s Young Composer Competition and a winner of Vanderbilt University’s Wind Symphony Call For Scores with his piece Quiet Storm. Sharing his own excitement and joy for what music making and appreciation can bring he considers not just a goal, but a responsibility. Deeply valuing education, Noah is a two time teaching fellow for the North Carolina Governor’s School’s instrumental music program and aims to be a collegiate educator in the future.  Noah graduated from Vanderbilt University in 2024 with a Bachelor of Musical Arts in Composition with a minor in Computer Science, and thanks his teachers Michael Slayton, Stan Link, Michael Alec Rose, and Molly Herron for their guidance. He is pursuing his Master of Music at The University of Texas Austin studying composition. https://www.hudsoncamackmusic.com/

    58 Min.

  7. 14.10.2025

    2.38 - Mara Gibson

    Composer Mara Gibson is originally from Charlottesville, VA, graduated from Bennington College, and completed her Ph.D. at SUNY Buffalo. She has received grants and honors from the American Composer’s Forum, the Banff Center, Louisiana Division of the Arts, ArtsKC, Meet the Composer, the Kansas Arts Commission, the National Endowment for the Arts, the International Bass Society, ASCAP, the John Hendrick Memorial Commission, Virginia Center for Creative Arts, the MacDowell Colony and Yale University. Internationally renowned ensembles and soloists perform her music throughout the United States, Canada, South America, Asia, and Europe. Dr. Gibson has had performances of her works at prestigious festivals and universities around the country and the world, most notably Mostly Modern Festival (New York), the Bowling Green New Music Festival (Ohio), Amici Della Musica (Udine, Italy), University of Melbourne (Australia), Thailand International Composition Festival (performances in multiple consecutive years), Reaktorhallen (Stockholm, Sweden), Daegu International Computer Music Festival (Korea) and the Beijing Modern Music Festival. Dr. Gibson has taught at the UMKC Conservatory as Associate Professor where she was the founder of the UMKC Composition Workshop and co-director/founder of ArtSounds. Starting fall 2017, she joined the faculty of Louisiana State University where she is currently Associate Professor of Composition and Area Head with tenure. Mara released her first compilation album ArtIfacts May 2015 with her second, Skyborn released in November 2017 and in 2020, she was selected through PARMA Recordings for their recording project with the Athens Philharmonic Orchestra with Secret Sky (Prisma V). In 2024, she released her third portrait album, Unseen World, GRAMMY eligible. Her compositions span numerous media, from chamber and solo works to electroacoustic music and a collection of works that combine video, electronic music and live performance. In her most recent work she incorporates extra-musical materials into vocal and instrumental performance, and integrates increasingly challenging subject matter with effective (and often unusual) instrumental and vocal delivery styles; these techniques extend performance practice and portray strong emotional content that defines the heart of her overall concept — the arc of the musical and theatrical development.  Recently, she completed her bassoon concerto, Escher Keys (2021) which garnered recognition by the American Prize in two categories, funded through a Louisiana Board of Regents (ATLAS grant). During her sabbatical (fall 2023) she began working on her first opera at the prestigious Moulin a Nef in Auvillar, France. Her opera, The Devil’s Dream (libretto by Ann McCutchan based on the novel by Lee Smith) will premiere spring 2026. https://maragibson.com/

    59 Min.

  8. 07.10.2025

    2.37 - Charles Rochester Young

    Charles Rochester Young was appointed as the Director of the School of Music at the University of North Carolina at Greensboro in 2022. At UNC Greensboro he works collaboratively with faculty, staff, students, and leadership to illuminate the lives of listeners and to better support students’ professional aspirations. Prior to his appointment at UNC Greensboro, Young served as the Associate Dean and Chief Academic Officer at Baldwin Wallace University’s Conservatory of Music in Ohio. A fifth-generation educator, Young has received awards from the Carnegie Foundation and the Council for the Advancement and Support of Education (Wisconsin Professor of the Year), the University of Wisconsin System Board of Regents (Regents Teaching Excellence Award—their highest honor), the University Continuing Education Association (National First Prize for Innovative Programming), Wisconsin School Music Association (Creative Sparks Award), and the College Music Society (Robby D. Gunstream Education in Music Award). As an artist, Dr. Young has received composition and performance awards from ASCAP, Meet the Composer, the National Endowment of the Arts, the Fischoff National Chamber Music competition, the National Association of Composers USA, the National Band Association, the National Flute Association, and the British and International Bassists Federation. His original works are widely published, recorded, and performed. Currently, Dr. Young serves as the Chair of the Nominations Committee for the National Association of Schools of Music. Young has previously served the College Music Society as a member of the Executive Committee and Board of Directors, as treasurer, and as board liaison for the Presidential Task Force on Leading Change. Previously, he served in leadership capacities with the North American Saxophone Alliance, the Wisconsin Alliance for Composers, and the Wisconsin Music Educators Association. Prior to Baldwin Wallace University, Young taught at the University of Wisconsin-Stevens Point, Central Connecticut State University, and Interlochen Arts Camp. He earned his Doctorate of Musical Arts (DMA) and Master’s in Music (MM) degrees from the University of Michigan, and a Bachelor of Music Education (BME) degree from Baylor University.

    59 Min.
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Composer Chat is a podcast where we talk a little bit about music, a little bit about life, and a whole lot about whatever we feel like at the moment! Each episode I am joined by a special guest composer and we will chat about their pathway towards success in their musical career!

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  • Erstellt von
    Jason K. Nitsch
  • Jahre aktiv
    2023 - 2026
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