Zig At The Gig podcast

Zig at the gig

Zig at the gig is a long-form interview-style show. The host Dave Deitke is a full-time Musician from Cleveland, OH. Who plays in an original band called C-level and teaches an adapted music class. Zig at the gig started as a podcast for Negative Space, a non-profit art gallery, promoting events and artists from the galley. The show has grown to include all facets of entertainment, including artist authors and musicians.

  1. vor 5 Tagen

    Don Cento

    Interview with Don Cento !   Halfway to Mellowtown is the debut album from Austin-based Cento Threeo, a Jazz / Americana trio led by guitarist and composer Don Cento. The album was recorded by Stuart Sikes (White Stripes, Cat Power, Loretta Lynn) at Church House in the band’s hometown with Cento producing. Halfway to Mellowtown is being released June 19 June by SecondBridge Records on 12” LP vinyl, CD, digital download and streaming services.   The album was cut live in two days with Don on guitar, drummer Norm Bergeron and Phil Spencer on bass. All eleven numbers – mainly Cento originals – are rooted in composition but make ample room for improvisation. The trio’s sound merges the sophistication of late-'90s jazz guitar records and classic '60s post-bop with the textural sensibilities of Americana and indie rock - a unique fusion born from Cento’s diverse musical background.    “The Judy Valve” opens the album with a steady ramp up, shifting focus around the band. “It Takes What It Takes” began as a vocal song but finds a new life as an instrumental while retaining it’s pop-tune structure. “Dennis Muren” is an homage to the FX wizard from Industrial Light & Magic, that hits the laughing gas and give nods to composer and conductor, Jack Elliott. The eerie blues-waltz “Make the Silence Louder” opens Side B with a crack. "Filibuster in E Minor" is all noir ostinato, that plays a game of cat-and-mouse at the intersection of Henry Mancini and David Lynch. The album’s final track is the Rosanne Cash song, “Seven Year Ache,” the album’s only cover tune, whose melody Cento toys with like it’s made of Silly Putty.    Don Cento’s three-decade career spans jazz, indie rock, and Americana. He has toured and recorded with numerous award-winning artists including Sarah Jaffe, Ume, Little Jack Melody, and Chomsky. His production work extends across genres from metal to classical with artists like Matt Kivel, Jerry David DeCicca, and Vitskär Süden on labels like Drag City, Bloodshot, Ripple Music, Worried Songs, Idol Records and Tompkins Square. His contributions to these projects have been admiringly noted in features on NPR’s Weekend Edition, Uncut, SPIN, The New Yorker, and Aquarium Drunkard. As a solo artist, Centohas released music under the moniker El Cento and with instrumental group Shibboleth, scoring placements with both on FOX, MTV and Discovery.    Cento Threeo marks Don’s return to Jazz and represents his most personal artistic statement to date. The project began as a casual outlet for reimagining '60s and '70s FM classics through an atmospheric, jazz-adjacent lens. What started as a covers project quickly evolved as Cento reconnected with his love for jazz and began writing original compositions in earnest.    Following the recording of Halfway to Mellowtown, the drum seat in CentoThreeo was taken over by Matt Johnson (Jeff Buckley, Rufus Wainright, St. Vincent).    https://www.instagram.com/elcento/. https://centothreeo.com. https://centothreeo.bandcamp.com. https://open.spotify.com/artist/0w6l3kea2PeCYvfixOFiox. https://music.apple.com/us/artist/cento-threeo/1875616656.

  2. 8. Juli

    Diane Kendig

    Interview with Diane Kendig. Diane Kendig is a writer and teacher born and raised in Canton, Ohio, where she currently resides again after decades living and working elsewhere. Kendig’s four poetry chapbooks include the most recent Prison Terms (Main Street Rag, 2018), as well as The Places We Find Ourselves (Finishing Line 2009), Diane Kendig’s Greatest Hits (Pudding House, 2001), and A Tunnel of Flute Song (Cleveland State University 1980). She also co-edited the tribute anthology In the Company of Russell Atkins (Red Giant 2016) and published with photographer Steve Cagan a collection of her translations from Nicaraguan poets, And a Pencil to Write Your Name (Bottom Dog 1986). Her poems and essays have appeared in many anthologies, such as Letters to the World (Red Hen), Colors of a Different Horse (NCTE), Ariadne’s Thread: Contemporary Women’s Journals (Harper and Row), and in over 100 journals, including J Journal, The Minnesota Review, Under the Sun, Ekphrasis, and English Journal. The recipient of two Ohio Arts Council Individual Excellence Awards in Poetry, Kendig has also received awards from the Fulbright Foundation and the National Endowment for the Humanities, and she has held artist residencies at Yaddo and at the Cuyahoga Valley National Park. Her book Prison Terms was a finalist for the Cathy Smith Bowers Contest. She won a Sears Foundation Award for teaching and the Outstanding Educator award at The University of Findlay, where she was a professor for two decades. In addition to her writing and literature classes on campus, she regularly taught in the university’s prison program in medium security. She also has taught at Cleveland State University, Kent State Stark, Cuyahoga Community College (all in Ohio), and Bentley University (in MA), and in the Ohio Arts Council “Artist in Residency” program, in addition to teaching high school Spanish and English in her first years as an educator. Currently Kendig is working on two poetry collections: a bilingual collection of poems, Woman with a Fan, about the Spanish artist Maria Blanchard, and a book of poems, Stays. She curates creative writing sites for libraries, including Read + Write: 30 Days of Poetry for National Poetry Month, and she continues to give readings and to lead creative writing workshops. Diane's info: https://dianekendig.com/

  3. 2. Juli

    Drew Miller of Boiled In Lead

    Interview with Drew Miller of Boiled In Lead ! Boiled in Lead’s musical recipe features guitar, bass, violin & drums that play country music from many countries with power and emotion. They are the longest-running Celtic punk band in America, and an important part of the foundation of what became Minnesota punk rock; their star is still on the wall at legendary nightclub First Avenue, dating back to their first 7th Street Entry show in 1983. A record release show, presented by KFAI, is confirmed for the Parkway Theater in Minneapolis tomorrow with openers Pop Wagner and the Brian Boru Irish Pipe Band. Tickets can be purchased here. Initial press reception for the new record has been terrific with coverage in (and soon to be in) outlets as diverse as World Music Central, Beatique, Rabble Rouse News, KFAI, The Five Count Radio Show, Mpls Jazz88 Shamrock Shore interview, We Heart Music, ReGen magazine, Strange Currency (NPR’s KMUW), Exclusive Magazine, Ink 19, The Ox in Germany and more. With the eyes of the world on Minnesota, the band understand the irony of releasing an internationalist record at this time in history. Bassist Drew Miller says, “We began recording in the spring of 2024, a very different time. Our goal, as it’s been since 1983, is to bring some joy into people’s lives by loudly reviving dark old folk songs and Irish dance music. The band’s name comes from an 17th Century Irish ballad called “Two Sisters.” In the last verse, the bad one is executed by being boiled in lead. Seemed like a good name for a band starting out in the punk scene.” While Boiled in Lead is known for their Celtic roots, King Of The Dogwoods is much more than that. In fact, it will take more than one listen to take in all that is going on on this record. In a world that is ruled by checking genre boxes, Boiled in Lead is radically eclectic: the Serbian folk song “Adje Jano” sits comfortably alongside strong originals like the title track, and multiple instrumentals from the delicate “Keshenever Bulgar” to the brutal “Fast Reels.” It rewards the listener after one listen, yet has uncommon depth on repeat listenings. Sure there are through lines from the bands career; taking traditional material that excites them (“Bold Lovell”), and finding powerful ways to play it as a rock band. With the strongest four-part harmonies that they have ever had, it’s less wild jam improv but more studied although they always value the element of surprise. Celtic, Americana, World, Cajun can all be found on King of the Dogwoods. Enthusiastic, powerful, technically brilliant, playing a wealth of instruments with extreme dynamics, Boiled In Lead routinely demolishes genres with its highly-identifiable sound. An Onion A&E quote describes the band’s approach well: “…the prime purveyor of a style of Celtic music infused with punk-rock attitude, developing over the years with a hard-driving swirl that combined Irish folk with heavy rock and elements of styles from all over the world. …one of the best bands Minnesota’s ever produced. …even without amplification, Boiled In Lead can summon up furious punk-folk energy.” While in high school, bass player and founder Drew Miller became obsessed with traditional folk. He started the band to turn the volume up and bring those tunes and songs to new audiences. Following their first LP, he met guitarist / vocalist Todd Menton at an Irish session. With distribution from Twin\Tone, the band was soon playing the First Avenue Mainroom, the Winnipeg Folk Festival; that led to a UK record deal and tours in Europe and around the country. The group and the individual musicians have won many Minnesota Music Awards, and toured throughout the US and in Europe. Having played alongside bands like Hüsker Dü, Richard Thompson and Camper Van Beethoven, Boiled in Lead are celebrating more than 40 years on stage and in the studio combining eclectic sounds featuring world music tunes from Irish, Serbian, Bulgarian, Klezmer, and roots American traditions. https://boiledinlead.bandcamp.com https://boiledinlead.com/

Info

Zig at the gig is a long-form interview-style show. The host Dave Deitke is a full-time Musician from Cleveland, OH. Who plays in an original band called C-level and teaches an adapted music class. Zig at the gig started as a podcast for Negative Space, a non-profit art gallery, promoting events and artists from the galley. The show has grown to include all facets of entertainment, including artist authors and musicians.