Decibel and Docket

Dave Brooks

Decibel and Docket is a podcast at the intersection of the music business, live entertainment and the justice system. Hosted by veteran entertainment journalist Dave Brooks and attorney Mike Seville, this weekly podcast examines major legal stories and headlines affecting artists, content creators and the business of culture.

  1. hace 2 días

    Tsunami of Scandals Engulf Stubhub + California's Fight To Reign in Resale Prices Featuring Randy Nichols (Episode 25)

    In this explosive episode of Decibel & Docket, Dave Brooks is joined by ticketing reform advocate Randy Nichols for a deep dive into one of the live entertainment industry’s most contentious battles: the war over ticket resale, speculative listings, and the powerful lobbying machine fighting to preserve the status quo. The episode opens with a candid—and often hilarious—conversation about the term “scalping,” why the ticket resale industry is trying to rebrand itself, and whether changing the language does anything to address the real problem facing fans. Randy breaks down why terminology matters less than behavior, arguing that the true issue isn’t resale itself, but bad actors who exploit fans through deception, bot-driven buying, and speculative ticket sales. From there, the conversation shifts to California, where two major ticketing reform bills—AB 1720 and AB 1349—have become the center of a fierce legislative showdown. Randy explains his recent trip to Sacramento, where he testified before lawmakers alongside advocacy groups including the Music Artists Coalition, the California chapter of NIVA, and the National Independent Talent Organization. The pair unpack what these bills actually do: AB 1720 would cap resale prices to reduce arbitrage and ticket flipping, while AB 1349 targets speculative ticket sales, deceptive ticketing websites, and transparency around resale listings. But passing reform won’t be easy. Randy reveals just how aggressive the secondary ticketing lobby has become, with millions of dollars being spent on lobbyists, ad campaigns, and so-called “grassroots” organizations designed to influence legislators and public opinion. Dave and Randy examine the rise of astroturf groups, misleading anti-reform ads, and the messaging strategy that paints reform efforts as “Ticketmaster bills”—even though many of the reforms could also limit practices that benefit major ticketing platforms. The conversation then turns to one of the biggest ticketing scandals of the year: the ongoing StubHub World Cup ticket fiasco. Randy explains why the controversy goes far beyond ordinary fan frustration. Thousands of fans purchased tickets months in advance, booked flights and hotels, and arrived at stadiums only to learn their tickets were never real. At the heart of the scandal is speculative ticketing—listings for tickets sellers don’t actually possess. Randy outlines how this business model can incentivize failed fulfillment, allowing sellers to pocket profits while fans receive only refunds, long after replacement tickets become unaffordable. Dave and Randy also examine broader allegations surrounding StubHub leadership, including questions about executive conflicts of interest, marketplace incentives, and whether regulators will eventually step in. The discussion highlights how opaque marketplace structures may favor large professional resellers while leaving everyday consumers vulnerable. Finally, the episode explores a new frontier in ticketing risk: artificial intelligence and cybersecurity. Dave asks Randy about a recent report involving AI-assisted vulnerability research into Front Gate Tickets, raising urgent questions about how large language models could be used to identify—and potentially exploit—security weaknesses in ticketing systems. The discussion expands into a wider debate about AI, fraud, hacking, and the future of digital ticket security across the live entertainment business. Packed with insider analysis, legal insight, and sharp commentary, this episode of *Decibel & Docket* tackles the future of ticketing, consumer protection, resale regulation, and the growing battle between fans, lawmakers, ticketing platforms, and powerful secondary market interests. If you care about concert ticket prices, live entertainment law, ticket scams, or the future of the ticketing industry, this is an episode you won’t want to miss.

    52 min
  2. 27 jun

    Rapino in the White House: Did Trump Meeting Hurt Live Nation's Settlement Talks + Ticket Fraud Rising on Stubhub for World Cup Fans

    This week on Decibel & Docket, veteran concert business reporter Dave Brooks speaks with Business Insider's Emily Stewart about an uptick in fraud at the World Cup. But first, Brooks and attorney Michael Seville dig into the most explosive filing yet in the Live Nation/Ticketmaster antitrust case as well as the bizarre criminal case against Memphis drill rapper Pooh Shiesty. First, Dave and Mike break down Live Nation's newly filed Tunney Act disclosure, the legally required list of every communication between the company and federal officials during its antitrust settlement talks with the DOJ. The filing reveals a sprawling lobbying and legal operation, with elite firms including Sullivan & Cromwell, Latham & Watkins, and Sidley Austin running point with the DOJ's Antitrust Division, the Attorney General's office, and the Deputy Attorney General. Names in the disclosure raise eyebrows, including Kellyanne Conway listed as a paid consultant and Richard Grenell named as a Live Nation director. The most striking detail: Live Nation CEO Michael Rapino had a direct conversation with President Trump in February 2026 in which the DOJ lawsuit reportedly came up. Dave and Mike unpack what the disclosure means for the federal judge reviewing the settlement and whether it invites deeper scrutiny of how the deal came together. Next, the hosts turn to the increasingly dramatic case of Pooh Shiesty (Lontrell Williams Jr.), the Memphis rapper accused of orchestrating an armed robbery and forced contract release targeting his mentor and label boss, Gucci Mane. Prosecutors allege that while on federal home confinement from a prior gun case, Pooh Shiesty lured Gucci Mane to a Dallas studio, pulled a gun, forced him to sign away his record contract on camera, and robbed him and others of roughly half a million dollars in cash and jewelry. Dave and Mike walk through a newly filed 25-page government response opposing bail, which alleges Pooh Shiesty's father printed the fraudulent release contract hours before the meeting and that a Bureau of Prisons-contracted monitor was allegedly bribed to falsify home confinement passes. The two dissect the severability clause buried in the forced contract, debate whether it could protect an agreement signed under duress (short answer: no), and explain what a "de novo" bail review actually means. Seville walks through why prosecutors argue both danger-to-community and flight-risk standards, why the kidnapping charge's interstate-commerce jurisdictional argument is a long shot, and how the alleged corruption of his own home confinement monitor could sink Pooh Shiesty's chance at pretrial release. In the back half, Dave welcomes Business Insider reporter Emily Stewart to discuss her reporting on World Cup ticket failures. Stewart explains how fans who bought tickets months in advance through secondary marketplaces like StubHub, SeatGeek, and Vivid Seats are getting last-minute notices that their tickets can't be delivered, often just days before kickoff, after already booking flights and hotels. She unpacks speculative ticketing, where resellers list tickets they don't actually possess and bet on acquiring them before the event, and the telltale signs fans should watch for. Stewart also connects the dots to a related Ticketmaster antitrust controversy, where SeatGeek lost a primary ticketing contract with Brooklyn's Barclays Center after Bruce Springsteen's team objected to speculative listings. The conversation covers what resale platforms' "fan guarantee" policies actually promise, and what World Cup ticket holders can do now to protect themselves. Decibel & Docket is the podcast at the intersection of the music business, live entertainment, and the justice system, hosted by journalist Dave Brooks and attorney Michael Seville.

    1 h 1 min
  3. 19 jun

    Did Lawyers Against Live Nation Get A $40M Antitrust Lawsuit Bounty For Prevailing Over Ticketmaster + Russell Simmons Can't Shake #MeToo Rape Case By Trying to Hide Out in Jakarta

    In Episode 23 of Decibel & Docket, veteran music business journalist Dave Brooks and entertainment attorney Michael Seville break down two major stories shaping the intersection of the music industry, antitrust law, and entertainment litigation. Once again the show turns to one of the most fascinating legal developments in the live entertainment business: the surprising fee arrangement behind the states’ antitrust case against Live Nation and Ticketmaster. Following explosive reporting from Puck, Dave and Michael unpack the eye-popping compensation structure negotiated by superstar antitrust attorney Jeffrey Kessler, who was brought in by state attorneys general to continue the case as the federal government pursued settlement discussions. With reported billing rates reaching $2,250 per hour, deferred fees worth millions, and a potential contingency payout exceeding $40 million, this arrangement raises major questions about the future of antitrust enforcement in America. The hosts explain why Kessler’s fee structure is so unusual, how it blends traditional hourly billing with contingency-based litigation, and what it reveals about the growing role of private law firms in public antitrust cases. Could elite private attorneys become “deputized bounty hunters” as government agencies like the Department of Justice and FTC face staffing shortages and political pressure? What happens when private firms have a financial stake in remedies as dramatic as a Ticketmaster divestiture or a forced Live Nation breakup? Dave and Michael also examine the broader implications for antitrust enforcement in the Trump era, including whether state attorneys general may increasingly rely on outside counsel to challenge powerful corporations in the music, media, and technology sectors. If the DOJ settlement is approved, what happens to the states’ case—and to Kessler’s massive contingency fee? In the second half of the episode, the podcast turns to a high-profile sexual assault lawsuit involving Russell Simmons. A New York judge has ruled that the hip-hop mogul must face a civil rape lawsuit brought by a former Def Jam executive, despite Simmons relocating to Indonesia in recent years. The hosts explain the crucial legal distinction between federal and state court jurisdiction, and why New York’s “long-arm” statute allows state courts to reach defendants living overseas when the alleged misconduct occurred within state borders. Dave and Michael also unpack a contentious dispute over a 1997 severance agreement that Simmons’ legal team says bars the lawsuit entirely. The plaintiff alleges the agreement was forged, setting up a major evidentiary fight over contract authenticity, signature verification, and potential fraud. Michael explains how courts evaluate claims of forgery, why these disputes can become highly technical, and what evidence both sides will need to present. The episode also explores the impact of New York’s Adult Survivors Act, one of several laws passed after the #MeToo movement that temporarily revived expired sexual assault claims by extending or lifting statutes of limitation. Dave and Michael discuss why these laws have triggered waves of decades-old lawsuits, the challenges they create for plaintiffs and defendants alike, and how courts balance survivor access to justice with due process concerns. If you want smart analysis of the biggest stories in live entertainment, concert touring, Ticketmaster, antitrust law, and music industry litigation, this episode delivers the legal insight and insider reporting you won’t find anywhere else. Topics Covered:• Live Nation antitrust lawsuit• Ticketmaster breakup debate• Jeffrey Kessler’s legal fees• DOJ settlement analysis• Russell Simmons rape lawsuit• Adult Survivors Act explained• Music business legal news• Entertainment law and antitrust trends

    50 min
  4. 12 jun

    Where Were The Artists in The Live Nation Case? (DOJ Postscript on Antitrust Case) + What's A-Peel-Ing About A Banana Costume At A Punk Show?

    Who killed the artist testimony in the Live Nation antitrust trial? In Episode 22 of the Decibel & Docket podcast, veteran music business journalist Dave Brooks and entertainment attorney Michael Seville break down a rare, candid conversation with the former DOJ lawyers who tried USA v. Live Nation — and what their comments reveal about the Ticketmaster divestiture fight, the remedies phase, and the future of concert ticket prices. Courtesy of our friends at the National Independent Venue Association (NIVA), Dave and Mike review footage from the NIVA conference in Minneapolis, where former DOJ lead trial counsel David Dahlquist and former antitrust official Roger Alford sat down with Wall Street Journal reporter Dave Michaels to discuss the government's landmark monopoly case against Live Nation and Ticketmaster. In this episode, we cover: — Why no major artists testified at the Live Nation trial. Dahlquist says the DOJ asked dozens of artists and all declined — proof, he argues, of Ticketmaster's grip on live music. Dave offers a different theory: artists stayed quiet because they don't want fans looking too closely at who actually sets ticket prices. — What a Ticketmaster divestiture would actually look like. Selling off amphitheaters is the easy part. But if Live Nation is forced to spin off Ticketmaster, what stops them from signing an exclusive licensing deal the next day? Mike puts on his attorney hat to walk through the legal mechanics of structural remedies, the lessons of the failed 2010 consent decree, and why breaking up a monopoly rarely works the way the public expects. — The four-part Supreme Court test for antitrust remedies — end the violation, prevent recurrence, restore competition, and deny the violator the fruits of the violation — and whether the rejected DOJ settlement, or even full divestiture, can actually satisfy it. — Those infamous Slack messages. Dahlquist responds to claims that "salacious" internal chats won the case, and Mike explains why the judge's pretrial ruling on that evidence makes it unlikely the verdict gets thrown out. — Will ticket prices ever come down? Dave and Mike deliver a reality check on why no remedy — not even breaking up Live Nation — is likely to make concert tickets cheaper, and why artist guarantees keep driving prices up. Plus: Dave quizzes Mike with a round of James Dolan trivia — JD and the Straight Shot, the MSG facial recognition ban list, dark money in Inglewood politics — and the guys react to the Knicks' wild Game 4 NBA Finals comeback. Then, in the B block, Dave and Mike return to their hardcore punk roots to break down the viral banana costume incident at a Baltimore hardcore show in Toronto — where a frontman ordered the crowd to tear a fan's costume off mid-set. Who's legally liable when a band incites the pit: the singer, the crowd, the venue, or the promoter? And what does it say about hypocrisy in a scene built on unity and community? The Decibel & Docket podcast sits at the intersection of the music business, live entertainment, and the justice system. Hosted by Dave Brooks, longtime touring and concert business reporter, and Michael Seville, practicing attorney and former journalist, the show delivers expert analysis of the Live Nation Ticketmaster lawsuit, ticketing industry news, music law, and the economics of live events. Chapters:00:00 – Knicks vs. Spurs: Game 4 reaction03:06 – James Dolan trivia: MSG's most controversial owner10:12 – Show intro12:02 – Former DOJ lawyers on USA v. Live Nation (NIVA)21:44 – What Ticketmaster divestiture could really look like29:00 – The four legal requirements for antitrust remedies34:50 – Why ticket prices probably aren't coming down36:52 – The Slack messages: did they win the case?45:17 – Hardcore punk B block: the banana costume incident Subscribe to Decibel & Docket for weekly coverage of the Live Nation antitrust case, Ticketmaster news, and music industry law. Read more at Decibel.news.

    56 min
  5. 5 jun

    What the F*** Is M.I.A. Telling Kid Cudi Fans? + Exposing the FIFA World Cup Bait And Switch

    What happens after one of the biggest antitrust losses in music industry history? Is Live Nation buying time—or mounting a serious comeback? This week on Decibel & Docket, Dave Brooks and attorney Michael Seville break down the latest twist in the landmark Live Nation antitrust case, where a federal judge has hit pause on a key phase of the proceedings. The ruling could reshape the timeline of efforts to impose remedies on the concert giant and raises a critical question: is the road to breaking up Live Nation getting longer? But that’s only the beginning. The hosts dive into M.I.A.’s explosive $2.8 million lawsuit against Kid Cudi after she was removed from his upcoming tour. Behind the headlines is a fascinating legal battle involving contract interference, artist speech, promoter relationships, and the delicate power dynamics that exist between performers, managers, and promoters. Why isn't Live Nation a defendant? What exactly does M.I.A. have to prove? And what kind of emails, texts, and behind-the-scenes communications could emerge if the case enters discovery? If you’ve ever wondered how tour contracts really work—or how artists can be dropped from major tours—the conversation offers a rare look behind the curtain of the modern concert business. The episode also tackles one of the hottest ticketing controversies in sports: FIFA’s handling of World Cup ticket sales. Fans spent thousands of dollars expecting premium seating, only to discover their seats weren’t where they thought they would be. Now California Attorney General Rob Bonta wants answers. Dave and Mike unpack the legal questions surrounding FIFA’s ticketing practices, consumer protection laws, seat-category confusion, dynamic pricing, and whether organizers may have overpromised while keeping fans in the dark. With the World Cup rapidly approaching, the discussion reveals why some buyers are frustrated—and why patient fans might ultimately get the best deals. Along the way, the hosts share stories from their decades-long friendship, dating back to their college days in Santa Cruz, reminisce about watching the Knicks’ 1999 NBA Finals run together, and somehow find their way back to the infamous O.J. Simpson Bronco chase. As always, Decibel & Docket sits at the intersection of live entertainment, business, and the legal system—where courtroom battles can change entire industries and where the biggest stories in music often begin long before they make headlines. Whether you're a concert promoter, artist manager, venue executive, attorney, sports fan, ticket buyer, or simply fascinated by how power operates behind the scenes, this episode delivers insight you won't find anywhere else. In this episode: The latest court ruling in the Live Nation antitrust battleWhy the remedies phase may be delayed—and what it meansM.I.A.’s $2.8 million lawsuit against Kid CudiThe legal concept of contractual interference explainedDiscovery, depositions, and what evidence could emergeFIFA’s World Cup ticketing controversyCalifornia’s investigation into FIFA ticket salesConsumer protection laws and event ticketingThe future of dynamic pricing in sports and entertainmentIndustry insights from two longtime observers of the businessThe legal battles shaping the future of live entertainment are already underway. The question is who wins—and what the industry looks like when the dust settles. Listen now and subscribe to Decibel & Docket for weekly conversations where live entertainment meets the courtroom.

    50 min
  6. 29 may

    All the Crazy S#!* Artists Are Saying About Trump's 'America 250' Concert + Live Nation Lawyers GET TESTY in Bid To Overturn Antitrust Ruling (Episode 20)

    In Episode 20 of Decibel & Docket, veteran music journalist Dave Brooks and entertainment attorney Michael Seville break down one of the wildest weeks yet at the intersection of the music business, live entertainment, politics and the legal system. The episode opens with a deep dive into the return of “blue dot fever” in the touring industry as several major artists — including The Smashing Pumpkins, Kesha and Zayn Malik — struggle with weak ticket sales and tour cancellations. Dave revisits one of his most famous headlines from 2015 while exploring what declining demand means for artists in today’s live entertainment economy. From there, the podcast pivots into a series of viral legal controversies making headlines online. Mike weighs in on a bizarre distracted driving traffic stop captured on police bodycam footage and explains how calm interactions, evidentiary inconsistencies and courtroom strategy can determine whether a citation survives judicial scrutiny. The conversation then takes a surreal turn into one of the strangest convention-related lawsuits imaginable: several attendees at a California anime convention allegedly suffered fungal lung infections after drinking “foot juice” sold by cosplay performers during a live event. Mike breaks down potential legal liability, assumption of risk defenses, negligence standards for event promoters, and whether convention organizers could face real exposure in court. The centerpiece of the episode focuses on the growing controversy surrounding the upcoming “Freedom 250” concert event in Washington D.C. celebrating America’s 250th anniversary. After Freedom Williams released an explosive viral video rant addressing backlash over his involvement in the politically charged event, Dave and Mike analyze the fallout facing artists booked for politically sensitive performances tied to Donald Trump. The hosts discuss whether performers like Young MC, Bret Michaels, Vanilla Ice and others can legally withdraw from contracts after discovering the true political nature of an event. Mike explains how breach of contract law, material changes to agreements, artist reputation concerns and promoter disclosures all factor into the evolving situation. Finally, the episode delivers a major update in the ongoing Live Nation Entertainment antitrust litigation. Dave and Mike unpack the company’s latest Rule 50(b) and Rule 59 motions seeking to overturn the blockbuster antitrust verdict tied to alleged monopolistic practices involving Ticketmaster. Mike explains the legal significance of motions for judgment as a matter of law, requests for a new trial, evidentiary standards, appellate strategy and how the states’ proposed remedies could dramatically reshape the future of the live music business. The hosts also examine why evidence involving ticket fees, lawn chair rentals, parking costs and internal Slack messages became such a central issue during trial. If you follow the live entertainment business, concert industry lawsuits, artist contracts, ticketing disputes, music industry politics or antitrust law, this episode delivers a sharp, funny and highly informed breakdown of the stories shaping the future of entertainment. Subscribe to Decibel & Docket on Spotify, Apple Podcasts and Amazon Music, and visit Decibel.News for continuing coverage of the Live Nation antitrust case, concert industry investigations, touring economics and music business legal analysis.

    54 min
  7. 22 may

    Is the Live Nation Settlement CORRUPT AF + Patrick Ryan with Eventellect on What Sports Can Teach Live Music About Ticket Resale

    The latest episode of the Decibel and Docket podcast dives deep into the escalating legal and political battle surrounding Live Nation Entertainment, Ticketmaster, the U.S. Department of Justice antitrust case, and the increasingly volatile intersection of live music, politics, ticketing, and sports. Veteran music journalist Dave Brooks and entertainment attorney Michael Seville unpack one of the most controversial congressional hearings in recent memory — a hearing led by Jamie Raskin and Richard Blumenthal examining what critics are calling a deeply flawed and potentially corrupt settlement between the DOJ and Live Nation. From there, the podcast pivots into a detailed legal analysis of the congressional hearing examining the DOJ’s proposed settlement with Live Nation and Ticketmaster. The hosts break down explosive testimony from former DOJ antitrust officials, including criticism of alleged political interference inside the Trump administration and accusations that lobbying efforts may have influenced the government’s approach to antitrust enforcement. Dave Brooks and Michael Seville explore how the hearing could impact Judge Arun Subramanian’s eventual remedies ruling in the Live Nation antitrust case and discuss whether lawmakers are attempting to pressure the judiciary during a critical phase of the proceedings. The conversation examines the broader implications for the live entertainment industry, including monopolistic practices in concert promotion, venue management, ticketing contracts, dynamic pricing, platinum tickets, and consumer fees. The hosts debate whether Live Nation could realistically face structural remedies or even a breakup, and why many independent promoters and venue operators believe the current settlement does little to address the company’s market power. The episode also analyzes testimony from legendary Chicago promoter Jerry Mickelson and Tampa venue owner Tom George, who argue that independent venues and promoters are being squeezed out of the marketplace. Later in the episode, Dave and Mike welcome special guest Patrick Ryan, one of the most influential executives in the secondary ticketing and sports analytics business. Ryan provides a rare behind-the-scenes look at the modern ticket resale ecosystem, explaining how sports teams, dynamic pricing algorithms, season ticket holders, and secondary marketplaces like StubHub transformed the economics of live events over the past two decades. The discussion covers everything from NBA and NFL ticketing strategies to World Cup ticket pricing chaos, resale legislation in states like California and New York, ticket caps, fan experience concerns, and the growing debate over who should ultimately control ticket pricing: artists, teams, promoters, or the open market. Patrick Ryan also explains why sports ticketing operates differently from concert ticketing and why lawmakers frequently carve sports teams out of anti-resale legislation. The episode additionally explores the controversial “blue dot flu” phenomenon impacting concert ticket sales in 2026, the rise of premium and platinum ticketing strategies, the future of dynamic pricing in live entertainment, and the increasing role data analytics companies play in shaping fan behavior and maximizing venue revenue. Fans of the music business, antitrust law, sports business, ticket resale, concert touring, and entertainment industry politics will find this episode packed with insider analysis, legal insight, and candid commentary about the forces reshaping live entertainment. Whether you follow Ticketmaster controversies, DOJ antitrust litigation, Drake and Kendrick Lamar’s ongoing feud, sports ticketing innovation, or the economics of live music, this episode delivers an in-depth conversation about the future of concerts, ticket prices, venue ownership, and the power struggles driving the modern entertainment industry.

    1 h 1 min
  8. 15 may

    Live Nation BREAKUP LOOMS + Is the term SCALPER kind of RACIST + Should Prosecutors Be BANNED From Using RAP LYRICS

    In this episode of the Decibel and Docket podcast, veteran music business journalist Dave Brooks and attorney Michael Seville tackle two of the most controversial issues shaping the live entertainment industry today: the future of Live Nation and Ticketmaster amid ongoing antitrust litigation, and the growing debate over the use of rap lyrics as evidence in criminal prosecutions. The episode also dives into the heated conversation surrounding the term “ticket scalping,” examining whether the phrase should be retired because of its negative and potentially offensive historical connotations. Brooks and Seville explore why many ticket brokers and secondary market sellers prefer terms like “ticket reseller” or “ticket broker” over “ticket scalper,” which carries decades of negative baggage tied to shady parking lot ticket deals, long lines outside record stores, and fan frustration over inflated prices. The hosts discuss the broader movement within the live entertainment industry to eliminate the term entirely. Brooks references research from music historian and former Billboard colleague Steve Knopper, who traced the origins of the term “ticket scalping” back to the railroad industry in the 1850s. According to historical accounts, the phrase originally described railway ticket speculators who profited by reselling unused portions of long-distance train tickets. The podcast examines how the meaning evolved into modern ticket resale culture and why many people still associate the term with unethical business practices and anti-consumer behavior. Seville argues that regardless of the word’s true origin, public perception matters, and industries should be willing to adapt language that may be harmful or offensive. The conversation then shifts into one of the biggest legal stories in the music business: the ongoing antitrust battle involving Live Nation and Ticketmaster. Brooks and Seville break down the latest developments in the remedies phase of the case following a major jury finding that Live Nation engaged in monopolistic practices within the live entertainment ecosystem. The hosts analyze the significance of a recent scheduling hearing, where the judge indicated that the states pursuing the lawsuit will be allowed to continue discovery into Live Nation’s business practices. Seville explains the legal meaning behind Rule 50 and Rule 59 motions, which are often used by defendants to challenge jury verdicts or request new trials. He details why Live Nation’s efforts to delay discovery may signal deeper concerns about the possibility of more aggressive remedies being imposed by the court, including the potential breakup or divestiture of parts of the company. The hosts discuss whether the current Department of Justice settlement — which includes venue divestitures, refund pools for fans, and operational reforms — will ultimately satisfy the court or whether state attorneys general will continue pushing for stronger antitrust remedies. Brooks argues that Ticketmaster has become one of the most toxic consumer-facing brands in America and suggests that Live Nation may eventually need to completely rebrand or restructure parts of its ticketing operation to survive mounting political and legal pressure. In the second half of the podcast, Brooks and Seville examine a newly signed Maryland law that limits how prosecutors can use rap lyrics as evidence in criminal trials. The hosts discuss how prosecutors have historically relied on rap lyrics to establish criminal intent or connect defendants to alleged gang activity, often raising concerns about racial bias, artistic freedom, and free speech protections. Seville explains that the Maryland law does not ban the use of rap lyrics entirely, but instead forces prosecutors to demonstrate that the lyrics have genuine evidentiary value before they can be introduced in court.

    49 min

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Decibel and Docket is a podcast at the intersection of the music business, live entertainment and the justice system. Hosted by veteran entertainment journalist Dave Brooks and attorney Mike Seville, this weekly podcast examines major legal stories and headlines affecting artists, content creators and the business of culture.

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